"Evocation No. 3: III. —" by Ralph Shapey, John Graham, Thomas Muraco had its release date on July 15, 2011. This song is about six minutes long, preciously at 5:57, making this song fairly long compared to other songs. The track order of this song in John Graham's "Music for the Viola: A Twentieth Century Anthology, Vol. 1" album is number 4 out of 7. On top of that, United States appears to be the country where this track was created. Evocation No. 3: III. — is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Evocation No. 3: III. — by Ralph Shapey, John Graham, Thomas Muraco to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 12 Nocturnes: No. 6, Sigrids Kantate | Bent Sørensen, Katrine Gislinge | A♭ Major | 0 | 4B | 96 BPM | ||
| String Quartet No. 14 in F-Sharp Major, Op. 142: I. Allegretto | Dmitri Shostakovich, Cuarteto Casals | A♭ Major | 0 | 4B | 96 BPM | ||
| 12 Nocturnes: No. 8, In Rosenblüten tanzen | Bent Sørensen, Katrine Gislinge | A♭ Major | 0 | 4B | 96 BPM | ||
| Peter Grimes, Op. 33, Act II: Interlude III | Benjamin Britten, Edward Gardner, Bergen Philharmonic Orchestra | F Major | 0 | 7B | 58 BPM | ||
| Whispers of Peace | Rylandiaa | G Major | 2 | 9B | 136 BPM | ||
| A Sutured World: I. Take This Broken Wing... - Live | Liza Lim, Bavarian Radio Symphony Orchestra, Nicolas Altstaedt, Edward Gardner | D Major | 2 | 10B | 104 BPM | ||
| 7 Haikus: I. Molto adagio | Benet Casablancas, Ensemble New Babylon, Lorenzo Ferrándiz Carillo | D♭ Major | 0 | 3B | 75 BPM | ||
| Symphony No. 2: III | Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste | A Minor | 0 | 8A | 95 BPM | ||
| Violin and piano Sonata No. 1, Op. 7: I. Melancholy - Andante Mysterioso | Fazıl Say, Julija Hartig, Reineke Broekhans | A♭ Major | 0 | 4B | 96 BPM | ||
| Diagram and Projection: III. The Bells of St. Petersburg | Alessio Santolini Raggi | A♭ Major | 0 | 4B | 96 BPM | ||
| Diagram and Projection: IV. Palette | Alessio Santolini Raggi | A♭ Major | 0 | 4B | 96 BPM | ||
| Choralgesänge: No. 71, Du, o schönes Weltgebäude, BWV 301 | Johann Sebastian Bach, Alessandro Simonetto | A♭ Major | 0 | 4B | 96 BPM | ||
| String Quartet No. 4, 3rd Movement | Béla Bartók, vision string quartet | A♭ Major | 0 | 4B | 96 BPM | ||
| Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM | ||
| Játékok / 5.: 14. Preludium és Korál | György Kurtág | B Major | 0 | 1B | 76 BPM | ||
| Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
| Cello Sonata in C Major, Op. 65: III. Elegia. Lento | Benjamin Britten, Sheku Kanneh-Mason, Isata Kanneh-Mason | C Major | 0 | 8B | 76 BPM | ||
| The Dreams & Prayers of Isaac the Blind: Postlude | Osvaldo Golijov, Emil Jonason, Vamlingbo Quartet | N/A | N/A | N/A | 0 BPM | ||
| In Nomine (2001) for bass flute, english horn, clarinet, piano, vibraphone, violin, viola and Violoncello | Georg Friedrich Haas, Ensemble Recherche | G Minor | 0 | 6A | 127 BPM | ||
| Schoenberg - 4 Pieces from 6 Kleine Klavierstucke, Op. 19: No. 1. Leicht zart | Hans Abrahamsen, Arnold Schoenberg, BIT20 Ensemble, Ilan Volkov | B♭ Minor | 0 | 3A | 90 BPM | ||
| I. Thème. Modéré | Olivier Messiaen, Benjamin Frith, Lucy Gould | C Minor | 0 | 5A | 84 BPM | ||
| Barcarolle No. 12, Op. 106 bis | Gabriel Fauré, Louis Lortie | E♭ Major | 0 | 5B | 107 BPM | ||
| 'Greetings', Miniaturas para Piano: 3 Palabras: 'a por Ello' | Ana Vázquez Silva, Irene Cantos | N/A | N/A | N/A | 0 BPM | ||
| Sonata for Cello & Piano: III. Con Moto | Ralph Shapey, Joel Krosnick, Gilbert Kalish, Joel Smirnoff, Lisa Saffer, William Trigg | B♭ Major | 1 | 6B | 137 BPM | ||
| Six Little Piano Pieces, Op. 19: Leicht, zart | Arnold Schoenberg, Paul Jacobs | G Major | 0 | 9B | 76 BPM |