Sixun's ' "Rendez-vous" was released on its scheduled release date, January 1, 1987. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Pygmées". In this album, this song's track order is #5. Furthermore, we believe that the track originated from France. In terms of popularity, Rendez-vous is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Rendez-vous by Sixun having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Smiles and Chuckles | Uzeb | G Major | 4 | 9B | 107 BPM | ||
| Somersaults | Bill Bruford | E Minor | 3 | 9A | 82 BPM | ||
| Chauncey | Vinnie Colaiuta | E Minor | 3 | 9A | 79 BPM | ||
| Hipmotize | Gary Willis | D Minor | 5 | 7A | 118 BPM | ||
| Brazilian Stomp - Live | Earl Klugh, George Benson | G Minor | 9 | 6A | 134 BPM | ||
| The Longer It Sits | Vibes & Tones | G Minor | 9 | 6A | 127 BPM | ||
| Canuba | Alain Caron | A♭ Major | 6 | 4B | 100 BPM | ||
| Tempus | Paolo Fresu, Bebo Ferra, Filippo Vignato, Federico Malaman, Christian Meyer | F Minor | 7 | 4A | 142 BPM | ||
| Takethis! | Dean Brown | B Minor | 8 | 10A | 139 BPM | ||
| Narkissos | Yiorgos Fakanas | B Minor | 8 | 10A | 132 BPM | ||
| Ripple Effect | Tom Kennedy | A Minor | 5 | 8A | 135 BPM | ||
| Midnight on Bleecker | Marcus Del Rio | D♭ Major | 5 | 3B | 112 BPM | ||
| Peluk Alam | Faqih | B Minor | 8 | 10A | 119 BPM | ||
| Cassandra | Guitarwhat? | C Major | 6 | 8B | 78 BPM | ||
| The Good Foot | Adam Nitti | D Major | 7 | 10B | 90 BPM | ||
| Elvis at the Hop | Tribal Tech | B♭ Major | 5 | 6B | 106 BPM | ||
| Mimosa - Live | Earl Klugh, George Benson | G Major | 9 | 9B | 120 BPM | ||
| City Spin | DinaMusic | D♭ Major | 5 | 3B | 112 BPM | ||
| As It Is | Pat Metheny Group | G Major | 5 | 9B | 136 BPM | ||
| How Are Ya’?, Pt. 2 | Thomas Noettling, Robert Amend, Russ Clowdus | F Minor | 5 | 4A | 126 BPM | ||
| Dada - En Vivo | Gillespi | D♭ Major | 5 | 3B | 112 BPM | ||
| Moonlight | Drift Lab, Manuele Montesanti, Matteo Mancuso, Federico Malaman, Daniele Chiantese | F Minor | 7 | 4A | 150 BPM | ||
| Demi frère | Luc SIGUI | D♭ Major | 5 | 3B | 112 BPM | ||
| Clubhouse Jam | Spyro Gyra | B Minor | 9 | 10A | 122 BPM | ||
| Trianon | Sixun | G Major | 5 | 9B | 146 BPM |