Ralph Benatzky, Heinz Sandauer, Kleines Wiener Rundfunkorchester, Zarah Leander, Dorothea Neff, Adolf Ario's 'Axel an der Himmelstür: Hotelzimmer Gloria Mills. Dialog' had a release date set for November 4, 2014. With This song being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 19 out of 48 in Benatzky: Axel an der Himmelstür by Ralph Benatzky, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Axel an der Himmelstür: Hotelzimmer Gloria Mills. Dialog's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Axel an der Himmelstür: Hotelzimmer Gloria Mills. Dialog by Ralph Benatzky, Heinz Sandauer, Kleines Wiener Rundfunkorchester, Zarah Leander, Dorothea Neff, Adolf Ario is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Da geh ich zu Maxim | Rudolf Schock | D Major | 3 | 10B | 77 BPM | ||
| Im weissen Rössl: Dialog - "Es muss was Wunderbares sein" - Dialog (Klärchen, Sigismund, Hinzelmann) | Ralph Benatzky, Kölner Tanz- Und Unterhaltungsorchester, Franz Marszalek, Maria Mucke, Hans Richter, Charly Wimmer | B♭ Major | 2 | 6B | 112 BPM | ||
| The Merry Widow (Die lustige Witwe) / Act 2: Vilja-Lied | Franz Lehár, Ingeborg Hallstein, Grosses Operetten Orchester, Franz Marszalek | G Major | 3 | 9B | 77 BPM | ||
| La Malle-Post: La Malle-Post, galop (Orch. C. Pollack) [Orch. C. Pollack] | Louis Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter | E Major | 1 | 12B | 177 BPM | ||
| Das Land des Lächelns / Act 2: Dein ist mein ganzes Herz | Franz Lehár, Heinz Hoppe, Grosses Operetten Orchester, Franz Marszalek | A♭ Major | 3 | 4B | 175 BPM | ||
| Mit 'nem kleenen Stückchen Glück | Kurt Pratsch-Kaufmann, Alfred Schieske, Friedrich Schoenfelder | C Major | 4 | 8B | 128 BPM | ||
| Dancing Through The Skies | André Rieu, Mirusia | A♭ Major | 5 | 4B | 90 BPM | ||
| Fur die ganze Welt | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | G Major | 1 | 9B | 179 BPM | ||
| Der Zigeunerbaron: Einzugsmarsch | Johann Strauss II, Riccardo Muti, Wiener Philharmoniker | B♭ Major | 4 | 6B | 103 BPM | ||
| Kleiner Anzeiger | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | E♭ Major | 4 | 5B | 146 BPM | ||
| Ach, Luise | Ralph Benatzky, Raimund Vogel, Oscar Joost Orchestra | A♭ Major | 3 | 4B | 126 BPM | ||
| Vor meinem Vaterhaus steht eine Linde | Willy Schneider | A♭ Major | 3 | 4B | 77 BPM | ||
| Im weissen Rossl (White Horse Inn), Act II: Mein Liebeslied muss ein Walzer sein | Ralph Benatzky, Mathias Hausmann, Ingeborg Schöpf, Marco Jentzsch, Klaus-Dieter Lerche, Anja Katharina Wigger, Serge Falck, Ina Nadine Wagler, Albert Rueprecht, Rafael Schuchter, Gerhard Rak, Markus Puchberger, Harald Serafin, Mörbisch Festival Choir, Morbisch Festival Orchestra, Rudolf Bibl | D♭ Minor | 1 | 12A | 80 BPM | ||
| Viennese Bon - Bons | Orchestra The Spv | F Major | 1 | 7B | 183 BPM | ||
| Aïda Marche triomphale | Arthur Fiedler, Boston Pops Orchestra | D Major | 3 | 10B | 100 BPM | ||
| Im weissen Rössl: Dialog (Siedler, Josepha) | Ralph Benatzky, Franz Fehringer, Gretl Schörg | E♭ Major | 5 | 5B | 121 BPM | ||
| Jeu d'Esprit, Polka, Op. 196 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 4 | 10B | 174 BPM | ||
| Jede Nacht ein neues Gluck | Bruno Balz, Michael Gesell, Kurt Schwabach, Michael Jary, Hans Schachner, Peter Fenyes, Hans Fritz Beckmann, Theo Mackeben, Ralph Maria Siegel, Detlef Sierck, Lothar Brühne, Ralph Benatzky, Hans Weigel, Cole Porter, Zarah Leander, Eugen Jochum, Bavarian Radio Symphony Orchestra | E Minor | 1 | 9A | 170 BPM | ||
| Die Csardasfürstin: Tanzen mochte ich | Emmerich Kálmán, Ruth-Margret Pütz, Heinz Hoppe, Berlin Municipal Opera Orchestra, Hansgeorg Otto | D Major | 2 | 10B | 86 BPM | ||
| Liebesgeschichten sind meistens nicht wahr | Ralph Benatzky, Greta Keller, Peter Kreuder Solisten, Peter Kreuder | D♭ Major | 0 | 3B | 108 BPM | ||
| Rosas del sur, Op. 388 | Orquesta De Conciertos Vienesa, Alfred Scholz | F Major | 4 | 7B | 189 BPM | ||
| Marienbader Polka | Frantisek Matej Hilmar, R. Glembotzki, WDR Rundfunkorchester Köln, Alfred Walter | A Major | 1 | 11B | 79 BPM | ||
| Tiefe Sehnsucht | Bruno Balz, Michael Gesell, Kurt Schwabach, Michael Jary, Hans Schachner, Peter Fenyes, Hans Fritz Beckmann, Theo Mackeben, Ralph Maria Siegel, Detlef Sierck, Lothar Brühne, Ralph Benatzky, Hans Weigel, Cole Porter, Zarah Leander, Bavarian Radio Symphony Orchestra, Eugen Jochum | E♭ Major | 1 | 5B | 76 BPM | ||
| L'Auberge du Cheval Blanc: Dialogue 3 | Ralph Benatzky, Felix Nuvolone, Orchestre De Felix Nuvolone, Choeurs De Felix Nuvolone, Fernand Sardou, Bernard Plantey, Jack Claret, Luc Barney, Huguette Boulangeot, Colette Riedinger, Simone Sully, Wilma Luchini, Sam Max, Jacky Gencel, Valdy Vallee, J. | D Major | 3 | 10B | 129 BPM | ||
| Leichte Kavallerie: Overture | Franz von Suppé, Ivan Repušić, Munich Radio Orchestra | E Major | 3 | 12B | 128 BPM |