"Repairs" by John Frizzell had its release date on January 1, 2002. With This song being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in John Frizzell's "Ghost Ship (Original Motion Picture Soundtrack)" album is number 33 out of 39. In terms of popularity, Repairs is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Repairs by John Frizzell to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Juicio Sin Final | Valores Especiales | E Minor | 2 | 9A | 88 BPM | ||
| Shake It Off | Amil Hashimov, Ryan | F♯ Minor | 1 | 11A | 127 BPM | ||
| Walking | Marc Streitenfeld | E Major | 3 | 12B | 105 BPM | ||
| Free Fall | John Debney | D♭ Minor | 3 | 12A | 59 BPM | ||
| Memorial | Marc Streitenfeld | F Minor | 0 | 4A | 70 BPM | ||
| Poison Cake With Milk | Chris Wirsig | G Minor | 1 | 6A | 117 BPM | ||
| In My Head | Antonigue | D♭ Minor | 2 | 12A | 80 BPM | ||
| Riley’s Temptation | Lovett | E♭ Minor | 1 | 2A | 136 BPM | ||
| Deathdealers Deploy | Paul Haslinger | A♭ Minor | 7 | 1A | 121 BPM | ||
| Soluciones | Almas Paralelas | A♭ Minor | 7 | 1A | 100 BPM | ||
| Caleb's Seduction | Mark Korven | A♭ Major | 1 | 4B | 110 BPM | ||
| Prison Arrival | Paul Haslinger | B Minor | 4 | 10A | 78 BPM | ||
| Insidious | joseph bishara | B Major | 1 | 1B | 77 BPM | ||
| The Descent | David Julyan | D♭ Minor | 2 | 12A | 65 BPM | ||
| New Day | Renat Mentanus, Renatus | D Major | 3 | 10B | 90 BPM | ||
| Happily Ever After: End Credits | Roque Baños, Ben Cherney | B♭ Major | 4 | 6B | 124 BPM | ||
| Main Theme - Desolation | Alan Howarth, Larry Hopkins | F Minor | 1 | 4A | 99 BPM | ||
| It's Only a Game | Anton Sanko | F Minor | 0 | 4A | 89 BPM | ||
| Such Sights to Show You | Lovett | A Major | 2 | 11B | 122 BPM | ||
| Welcome Aboard | John Frizzell | D♭ Major | 1 | 3B | 70 BPM | ||
| The Descent, Pt. 2 | David Julyan | D♭ Minor | 2 | 12A | 80 BPM | ||
| the Soaring entities | joseph bishara | D Major | 1 | 10B | 144 BPM | ||
| La Primera Mitad | Mutua Admiración | B♭ Major | 1 | 6B | 90 BPM | ||
| Rockwell's Diary 1 | Gareth Coker | B♭ Major | 4 | 6B | 124 BPM | ||
| Of Helplessness - From "Heat" | Brussels Philharmonic, Dirk Brossé, Elliot Goldenthal | D♭ Major | 1 | 3B | 168 BPM |