Paul Haslinger's 'Deathdealers Deploy' had a release date set for 2003. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Deathdealers Deploy's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Underworld (Original Score)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, Deathdealers Deploy's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Deathdealers Deploy by Paul Haslinger having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Parallel Dimension | Joyce Allen, Test Drive | B Major | 1 | 1B | 70 BPM | ||
| The Witch Hunters | Atli Örvarsson | D♭ Major | 4 | 3B | 80 BPM | ||
| Battle Field | Trevor Morris | D Major | 5 | 10B | 160 BPM | ||
| Calling From Above - Edit | Bassnectar | D♭ Major | 9 | 3B | 172 BPM | ||
| Absortio | Jon Opstad, Paul Haslinger, Danny Cocke | D♭ Minor | 4 | 12A | 175 BPM | ||
| Element | Lustmord | A Minor | 3 | 8A | 67 BPM | ||
| The X-Jet | Michael Kamen, The LA Allstar Orchestra | E Major | 4 | 12B | 114 BPM | ||
| Openings | Max Richter | D Major | 3 | 10B | 68 BPM | ||
| The End of an Era (Opening) | Paul Haslinger | B♭ Major | 2 | 6B | 84 BPM | ||
| Tornado Warning | Harald Kloser | D♭ Major | 1 | 3B | 139 BPM | ||
| This Is What He Does | Benjamin Wallfisch | D♭ Major | 2 | 3B | 82 BPM | ||
| I'll Be Back - Remastered 2017 | Brad Fiedel | C Major | 7 | 8B | 134 BPM | ||
| A Hard Spot for a Hard Age | Paul Haslinger | B Major | 5 | 1B | 140 BPM | ||
| Permanent Exile | Daniel Hart | C Major | 0 | 8B | 91 BPM | ||
| Broken Mind | Olivier Deriviere | B♭ Minor | 3 | 3A | 165 BPM | ||
| Axemen | Tomandandy | D♭ Major | 9 | 3B | 160 BPM | ||
| Fatal Weakness | Éric Serra | B♭ Major | 4 | 6B | 95 BPM | ||
| Is Ada Spy!? | Capcom Sound Team | D♭ Major | 1 | 3B | 114 BPM | ||
| Epilogue - Leaving Grasse | Johnny Klimek, Reinhold Heil, Tom Tykwer, State Choir Latvija, Sir Simon Rattle | F Major | 0 | 7B | 70 BPM | ||
| Prodigal Sun | Richard Gibbs, Jonathan Davis | G Minor | 2 | 6A | 74 BPM | ||
| Predator Fight, Royce Runs | John Debney | D♭ Minor | 3 | 12A | 59 BPM | ||
| Move To PEOC | Volker Bertelmann | C Minor | 1 | 5A | 125 BPM | ||
| Tarde de Sombra | Valores Especiales | E Minor | 2 | 9A | 88 BPM | ||
| Knives On A Train | Tyler Bates, Joel J. Richard | D Minor | 7 | 7A | 174 BPM | ||
| Dark Father | Sephiroth | B♭ Minor | 4 | 3A | 84 BPM |