Horacio Salinas, John C. Williams, Paco Peña, Inti-Illimani's ' "El Mercado de Testaccio" was released on its scheduled release date, 1988. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 11 in Fragments of a Dream by Horacio Salinas, John Williams. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, El Mercado de Testaccio's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of El Mercado de Testaccio by Horacio Salinas, John C. Williams, Paco Peña, Inti-Illimani is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pico Blanco | Roberto Lara | E Minor | 3 | 9A | 92 BPM | ||
| Socoroma | Arak Pacha | C Major | 6 | 8B | 88 BPM | ||
| Granada En Flor | Paco Peña, Flamenco Dance Company, Losadas | G Major | 6 | 9B | 189 BPM | ||
| Suite Española No. 1, Op. 47: No. 3, Sevilla (Sevillanas) [Arranged by John Williams for Guitar] | Isaac Albéniz, John C. Williams | G Major | 1 | 9B | 116 BPM | ||
| Canción de Cuna | John C. Williams | D Major | 0 | 10B | 83 BPM | ||
| Suite Castellana: Suite Castellana I. Fandanguillo | Federico Moreno Torroba, Slava Grigoryan | E Minor | 1 | 9A | 115 BPM | ||
| El Marabino | Antonio Lauro, Adam Holzman | A Major | 1 | 11B | 102 BPM | ||
| El Día Que Me Quieras | Victor Villadangos | D Major | 0 | 10B | 80 BPM | ||
| Fuga de sol - Tema andino | Eduardo Falú | F Minor | 1 | 4A | 137 BPM | ||
| El corazón manda | Carlos Moscardini | B Minor | 2 | 10A | 134 BPM | ||
| Chakana | Mariano Roses | C Major | 3 | 8B | 85 BPM | ||
| Chajrahuasi | Oscar Miranda | A Minor | 5 | 8A | 117 BPM | ||
| La Mitad Lejana | Santiago del Nuevo Extremo, Inti-Illimani | E Major | 1 | 12B | 109 BPM | ||
| Preludio en do menor | Agustín Barrios Mangoré, John Williams | C Minor | 1 | 5A | 95 BPM | ||
| Terremoto de Sipe Sipe / Despedida de Tarija - Boleros de Caballería | Savia Andina | C Major | 3 | 8B | 104 BPM | ||
| Camaretes Y Bandolines | Trencito de los Andes | G Major | 5 | 9B | 126 BPM | ||
| En la Luna Mi Rezo | Rufina Huaccana | F Major | 8 | 7B | 90 BPM | ||
| Bambuco en mi menor | Adolfo Mejia, Andres Villamil | E Minor | 2 | 9A | 150 BPM | ||
| El Último Carnaval | Ricardo Vilca | A Minor | 4 | 8A | 107 BPM | ||
| La Marusa | Holly Near | D Major | 4 | 10B | 139 BPM | ||
| Bambuco in E Minor | Adolfo Mejia, José Antonio Escobar | E Minor | 1 | 9A | 94 BPM | ||
| Duo No. 2 in G Major, Op. 34: II. Rondo | Ferdinando Carulli, Julian Bream, John C. Williams | G Major | 4 | 9B | 96 BPM | ||
| Guitar Suite: II. — | Jason Carter | F♯ Minor | 1 | 11A | 93 BPM | ||
| Mysterious Barricades | Andrew York | E♭ Major | 3 | 5B | 138 BPM | ||
| Bajo el Cielo de Potosi | Savia Andina | B♭ Major | 5 | 6B | 174 BPM |