"The Writing Was Quite Brilliant" by Aaron Zigman, Angel had its release date on October 17, 2025. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "Truth & Treason (Soundtrack from the Angel Film)". In this album, this song's track order is #16. The Writing Was Quite Brilliant is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Writing Was Quite Brilliant by Aaron Zigman, Angel having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Miracle | Maurizio Malagnini | A Major | 2 | 11B | 142 BPM | ||
| Combe Magna - Instrumental | Patrick Doyle, Robert Ziegler, Tony Hymas, Jonathan Snowdon, Robert Hill, Richard Morgan | D Minor | 2 | 7A | 127 BPM | ||
| It Was Love - Reprise | Aaron Zigman | C Major | 0 | 8B | 146 BPM | ||
| Life Begins Again | FELIX MEAGHER, Baz Luhrmann, Angela Little | D Major | 3 | 10B | 85 BPM | ||
| Love Theme from Forever Young | Jerry Goldsmith | C Major | 1 | 8B | 134 BPM | ||
| Making Love | Aaron Zigman | D Major | 0 | 10B | 49 BPM | ||
| Those Arms Are For You | Mark McKenzie | D Major | 0 | 10B | 92 BPM | ||
| The Census | Guy Farley | F Major | 1 | 7B | 84 BPM | ||
| Green Shoots | Rael Jones, Anthony Weeden | E Minor | 0 | 9A | 54 BPM | ||
| End Credits - From "Pride & Prejudice" Soundtrack | Dario Marianelli, Jean-Yves Thibaudet | E♭ Major | 0 | 5B | 67 BPM | ||
| Bella's Lullaby (From "Twilight") | Carter Burwell, See Siang Wong | D Major | 1 | 10B | 103 BPM | ||
| Returning Home | Deborah Lurie | F Major | 1 | 7B | 66 BPM | ||
| Dragon Heaven | Mark McKenzie | C Major | 0 | 8B | 73 BPM | ||
| Kate's Theme | Lennie Niehaus, Clint Eastwood | C Major | 0 | 8B | 101 BPM | ||
| Dark Day | Marco Beltrami | G Minor | 0 | 6A | 134 BPM | ||
| Empty Store | George Fenton | G Major | 1 | 9B | 82 BPM | ||
| The Show's Over | Howard Shore | C Minor | 2 | 5A | 93 BPM | ||
| It's Tomorrow | Aaron Zigman | F Major | 0 | 7B | 80 BPM | ||
| Cambridge, 1963 | Jóhann Jóhannsson | B♭ Major | 1 | 6B | 83 BPM | ||
| If You'll Have Me | Paul Englishby | C Major | 1 | 8B | 70 BPM | ||
| Elizabeth's Dance | Guy Farley | F Major | 2 | 7B | 97 BPM | ||
| Journey To Uppercross | Stuart Earl | E Minor | 2 | 9A | 80 BPM | ||
| Who Is She | Patrick Doyle | C Major | 1 | 8B | 81 BPM | ||
| Love Theme from Crazy Rich Asians | Brian Tyler | C Major | 1 | 8B | 92 BPM | ||
| A Last Reading | Adrian Johnston | F Major | 0 | 7B | 77 BPM |