Toru Takemitsu, Lukas Huisman's 'Uninterrupted Rests: II. Quietly and with a Cruel Reverberation' had a release date set for May 25, 2018. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Takemitsu: Complete Works for Piano". In this album, this song's track order is #10. Based on our statistics, Uninterrupted Rests: II. Quietly and with a Cruel Reverberation's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Uninterrupted Rests: II. Quietly and with a Cruel Reverberation by Toru Takemitsu, Lukas Huisman having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tansman: Musique de cour d'après Robert de Visée: VII. Air | Alexandre Tansman, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 95 BPM | ||
| Symphony No. 14, "Morgenen" (the Morning), BVN 336: II. Upaagtede morgenstjerner [Unnoticed morning stars] | Rued Langgaard, Danish National Choir, Danish National Symphony Orchestra, Thomas Dausgaard | F Major | 0 | 7B | 81 BPM | ||
| Das Lied von der Erde: VIa. Der Abschied. Schwer | Gustav Mahler, Les Siècles, François-Xavier Roth, Marie-Nicole Lemieux | E Major | 1 | 12B | 84 BPM | ||
| The Age of Birds, Op. 25: III. The Sun | Takashi Yoshimatsu, Sachio Fujioka, BBC Philharmonic Orchestra | E Minor | 1 | 9A | 138 BPM | ||
| Hell's Picture Scroll | Toru Takemitsu | F Major | 1 | 7B | 125 BPM | ||
| Sonate, Op. 71: II. Nocturne – Presque adagio | Charles Koechlin, Julien Hardy, Simon Zaoui | E♭ Major | 0 | 5B | 77 BPM | ||
| White Landscapes, Op. 47a: I. Divination by Snow. Adagio | Takashi Yoshimatsu, Sachio Fujioka, Manchester Camerata, John Barrow, Kate Wilson, Jonathan Price | E Minor | 0 | 9A | 58 BPM | ||
| Der Bote | Valentin Silvestrov, Alexei Lubimov | C Minor | 0 | 5A | 70 BPM | ||
| Flight of The Angel (Behind The Mask) | Lauren Scott | E Major | 1 | 12B | 84 BPM | ||
| 4 Ragtime Dances: No. 4, — | Charles Ives, Orchestra New England, James Sinclair | B♭ Major | 4 | 6B | 93 BPM | ||
| Viel Lärmen um Nichts, Op. 11, Act III Scene 1: Intermezzo | Erich Wolfgang Korngold, Holst Sinfonietta, Klaus Simon | C Major | 0 | 8B | 96 BPM | ||
| Toward the Sea II: 2. Moby Dick | Toru Takemitsu, Patrick Gallois, Fabrice Pierre, BBC Symphony Orchestra, Andrew Davis | E Minor | 0 | 9A | 69 BPM | ||
| Harpsichord Sonata No. 73: Allegro in D Major (arr. for Harp) | Antonio Soler, Godelieve Schrama | A Major | 1 | 11B | 94 BPM | ||
| A Midsummer Night's Dream, Op. 61 (arr. for Wind Quintet): VI. Scherzo. Allegro vivace | Felix Mendelssohn, Ma'alot Quintett | E Major | 1 | 12B | 84 BPM | ||
| Pulcinella, K 034: II. Serenata | Igor Stravinsky, Josep Pons, Orquestra De Cambra Teatre Lliure | C Minor | 0 | 5A | 77 BPM | ||
| La source, Op. 44 | Alphonse Hasselmans, Eva Oertle, Consuelo Giulianelli | F Major | 1 | 7B | 135 BPM | ||
| Turangalîla-Symphonie: VIII. Développement de l'amour | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 5 | 3B | 87 BPM | ||
| Falla / Arr. Llobet & Pujol: 7 Canciones populares españolas: No. 5, Nana | Thibaut García, Edgar Moreau | A Minor | 0 | 8A | 50 BPM | ||
| The Lark (arr. for Harp) | Mikhail Glinka, Se Hee Hwang | D♭ Major | 1 | 3B | 69 BPM | ||
| A Morning in the Woods | Leo Ornstein, Janice Weber | B♭ Minor | 0 | 3A | 63 BPM | ||
| Irish Lament | Ernest John Moeran, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 131 BPM | ||
| Ah, Belinda | Gavin Bryars, Ida Toninato, Jennifer Thiessen, Jean-Christophe Lizotte, Njo Kong Kie | C Minor | 1 | 5A | 117 BPM | ||
| Preludes: Prelude No. 5 | Federico Mompou, Olena Kushpler | D Minor | 0 | 7A | 72 BPM | ||
| Barrios Mangoré: Julia Florida | Agustín Barrios Mangoré, Thibaut García | D Major | 0 | 10B | 84 BPM | ||
| The Unanswered Question | Charles Ives, Cincinnati Philharmonia Orchestra, Gerhard Samuel | C Major | 0 | 8B | 68 BPM |