Antonio Sánchez's ' "Doors and Distance" was released on its scheduled release date, October 14, 2014. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Doors and Distance's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 22 in Birdman (Original Motion Picture Soundtrack) by Antonio Sánchez. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Doors and Distance is currently below average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Doors and Distance by Antonio Sánchez is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Phaenomena | Get The Blessing | F♯ Major | 5 | 2B | 73 BPM | ||
| Electric Counterpoint: III. Fast | Steve Reich, Mats Bergström | E Minor | 5 | 9A | 193 BPM | ||
| The Conversation (Main Theme from "The Conversation") | David Shire | D Minor | 1 | 7A | 73 BPM | ||
| First Nassau Band Rehearsal / Second Nassau Band Rehearsal / Studio Band Eavesdrop / Studio Band Rehearsal After Breakup | Tim Simonec | C Minor | 6 | 5A | 102 BPM | ||
| Doors and Distance | Antonio Sánchez | D Major | 4 | 10B | 105 BPM | ||
| A Go Go | John Scofield | F♯ Minor | 4 | 11A | 105 BPM | ||
| The Sweet Science | Vulfpeck | D Minor | 1 | 7A | 47 BPM | ||
| Confessions | BADBADNOTGOOD | C Minor | 7 | 5A | 136 BPM | ||
| Adaptation of the Koto Song | The Kilimanjaro Darkjazz Ensemble | B♭ Minor | 3 | 3A | 111 BPM | ||
| Mansions of Millions of Years | Mammal Hands | F Minor | 3 | 4A | 112 BPM | ||
| Infância | Beto Paciello, John Patitucci, Antonio Sánchez, Rogério Boccato, Anne Boccato | C Major | 2 | 8B | 126 BPM | ||
| The End Of The Day | David Shire | F Major | 3 | 7B | 78 BPM | ||
| Concerto for Orchestra: Justice and the Blues (feat. Antonio Sanchez) | Vince Mendoza, Czech National Symphony Orchestra, Antonio Sánchez | F Minor | 1 | 4A | 94 BPM | ||
| Oberkampf | Will Vinson, Gilad Hekselman, Antonio Sánchez | G Minor | 4 | 6A | 106 BPM | ||
| Overture - From "Whiplash" | Justin Hurwitz | F Minor | 8 | 4A | 136 BPM | ||
| The Sicilian Clan | Dans Dans | A Minor | 3 | 8A | 121 BPM | ||
| Nicole (Remastered 2025) | Don Ellis | D Minor | 1 | 7A | 113 BPM | ||
| As This Moment Slips Away | Joshua Redman, The Bad Plus | F Minor | 4 | 4A | 91 BPM | ||
| The Taking of Pelham 123 (Main Title) | Czech Philharmonic Chamber Orchestra | B♭ Minor | 7 | 3A | 176 BPM | ||
| No Eyes | Donny McCaslin | A♭ Minor | 7 | 1A | 93 BPM | ||
| Bubbles | Yosi Horikawa | A Minor | 7 | 8A | 123 BPM | ||
| Spoken | Hidden Orchestra | A Minor | 5 | 8A | 105 BPM | ||
| Kaleidoscopes | Béla Fleck, Edmar Castañeda, Antonio Sánchez | A Minor | 8 | 8A | 100 BPM | ||
| Trailer Crisis | Antonio Sánchez | A♭ Major | 2 | 4B | 145 BPM | ||
| Wingbeats Source V: Drums | Hidden Orchestra | A♭ Major | 2 | 4B | 145 BPM |