Carl Rütti, Martin Hobi's ' "Fries der Lauschenden: III. Der Wanderer" was released on its scheduled release date, July 15, 2012. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Fries der Lauschenden: III. Der Wanderer's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Rütti: Exodus-Messe, Fries der Lauschende - Walter: Peom". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Switzerland. Based on our statistics, Fries der Lauschenden: III. Der Wanderer's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Fries der Lauschenden: III. Der Wanderer by Carl Rütti, Martin Hobi having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O nata lux de lumine | Thomas Tallis, Alamire, David Skinner | G Minor | 2 | 6A | 76 BPM | ||
| Ave Maria a 5, T. 69: II. Alleluia | William Byrd, Owain Park, The Gesualdo Six | D♭ Minor | 1 | 12A | 134 BPM | ||
| Father All-Holy | Basilica of the National Shrine of the Immaculate Conception Choir | A♭ Major | 2 | 4B | 88 BPM | ||
| Te lucis ante terminum: Te lucis ante terminum | Thomas Tallis, Stile Antico | G Major | 0 | 9B | 179 BPM | ||
| 4 Motets sur des themes gregoriens, Op. 10: II. Tota pulchra es | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | F♯ Minor | 1 | 11A | 77 BPM | ||
| All-night Vigil, Op. 37: No. 8, Praise the Name of the Lord | Sergei Rachmaninoff, Latvijas Radio koris, Sigvards Kļava | A♭ Major | 1 | 4B | 89 BPM | ||
| O nata lux de lumine | Thomas Tallis, Andrew Parrott, Taverner Choir, Taverner Consort | A♭ Minor | 1 | 1A | 78 BPM | ||
| The Dream of Gerontius, Op. 38, Part I: No. 8, Rescue him, O Lord, in this his evil hour (Assistants) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, Allan Clayton, London Philharmonic Choir, Hallé Choir | D Major | 2 | 10B | 86 BPM | ||
| Vespers: Lord now lettest Thou Thy servant depart | Vladislav Germanovich Agafonnikov, Russia Spiritual Revival Choir, Lev Kontorovich | G Major | 0 | 9B | 130 BPM | ||
| 7 Magnificat Antiphons: No. 1. O Weisheit | Arvo Pärt, Junger Kammerchor Rhein-Neckar, Mathias Rickert | D Major | 0 | 10B | 73 BPM | ||
| Verily, Verily I Say unto You | Thomas Tallis, Alamire, David Skinner | D♭ Minor | 3 | 12A | 72 BPM | ||
| He carried me away in the spirit | James Whitbourn, Commotio, Matthew Berry | D♭ Minor | 0 | 12A | 70 BPM | ||
| They Are at Rest | Edward Elgar, VOCES8 | D Major | 0 | 10B | 84 BPM | ||
| Liturgical Chants: 4 Spiritual Songs. Alleluia | Valentin Silvestrov, Ieva Ezeriete, Kārlis Rūtentāls, Dace Strautmane, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 129 BPM | ||
| Petite Symphonie Concertante: Adagio - Allegro con moto | Frank Martin, Chantal Mathieu, Verena Graf, Carl Rütti, Edmond De Stoutz, Zürcher Kammerorchester | C Major | 2 | 8B | 113 BPM | ||
| The Mass: Cum Sancto Spiritu | Patrick Cassidy, Laude, David Harris, Christoph Bull | D Minor | 1 | 7A | 75 BPM | ||
| The Nativity Troparion F-dur, The Nativity and Divine Liturgy Chants, for Mixed Choir a Cappella, Op. 36 | St.Petersburg Chamber Choir, Nikolay Korniev | F♯ Minor | 1 | 11A | 77 BPM | ||
| Dowland-Suite: Fantasia | Carl Rütti, B-Five Recorder Consort | A♭ Major | 0 | 4B | 131 BPM | ||
| A brief story of Peter Abelard (verson for soprano saxophone and organ) | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E Minor | 1 | 9A | 68 BPM | ||
| All-night Vigil, Op. 37: No. 11, My Soul Magnifies the Lord | Sergei Rachmaninoff, Latvijas Radio koris, Sigvards Kļava | D Major | 0 | 10B | 132 BPM | ||
| As torrents in summer | Edward Elgar, Phoenix Chorale, Christopher Gabbitas | B♭ Minor | 1 | 3A | 91 BPM | ||
| Brewer: Magnificat in D | Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn Cathedral | D Major | 1 | 10B | 92 BPM | ||
| The Bread of Life: Our Father | Bob Chilcott, Wellensian Consort, Christopher Finch | A♭ Major | 0 | 4B | 75 BPM | ||
| The Crystal Sea of Mercy SHZ 196 | Laestadian Lutheran Church, Liisa Keranen | B♭ Minor | 1 | 3A | 169 BPM | ||
| Gandrille: Magnificat, Op. 50: I. Magnificat | Jean-Charles Gandrille, Maitrise Notre-Dame De Paris, Yves Castagnet, Henri Chalet | C Minor | 3 | 5A | 84 BPM |