On February 1, 1997, the song "Jhandimaar Gamchhi" was released by Bijli Rani. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 10 in Chumma Anmol Ba by Bijli Rani. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Jhandimaar Gamchhi's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Jhandimaar Gamchhi by Bijli Rani is Allegro (fast, quick, and bright), since this song has a tempo of 152 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mayar Gara E Sansare | Rathindranath Roy, Tojamel Haque Bakul | F Minor | 6 | 4A | 148 BPM | ||
| Hay Re Lalaa - Jiyo Re Lalaa | Bijli Rani | F Major | 8 | 7B | 127 BPM | ||
| Mundila Nayanwa Ta Lauke | Madan Rai | F♯ Major | 4 | 2B | 147 BPM | ||
| Maar Deb Goli Kehu Na Boli | Radhe Shyam Rasiya, Indu Sonali | B♭ Minor | 8 | 3A | 159 BPM | ||
| O Din Surta | Gorelal Barman, Ratan Sabiha | E♭ Major | 6 | 5B | 200 BPM | ||
| Munjho Kinhan Te | Fozia Soomro | F♯ Minor | 6 | 11A | 95 BPM | ||
| Rama Rama Peer Mhara | Gopal Bajaj | E♭ Minor | 7 | 2A | 134 BPM | ||
| Hay Re Teri Payal Kare Hai Deewana | Mohd. Niyaz | A♭ Minor | 7 | 1A | 172 BPM | ||
| Pyala Pyala - Original | Nitin Mukesh | F Minor | 8 | 4A | 165 BPM | ||
| Saji Lagli Dulhan Dekho | Prem Kumar, Tripti Shakya, Bijli Rani | A♭ Major | 6 | 4B | 90 BPM | ||
| Chaar Din Ke Jinagi | Gopal Rai | A♭ Major | 6 | 4B | 77 BPM | ||
| Pritam Aha Bina Nhi Chain Yai | Dilip Dharbhangiya | A♭ Minor | 7 | 1A | 142 BPM | ||
| Dabe Paon Aiha Nazariya Bachake | Bharat Sharma Vyas | B Minor | 6 | 10A | 170 BPM | ||
| Aabe Ke Nahi Bata O - CG Song | Aagar Anand, Lata Ghritlahare | B Minor | 9 | 10A | 128 BPM | ||
| Dulha Vama Kaniya | Poonam Mishra | A Major | 9 | 11B | 95 BPM | ||
| Jija Menea Ladea Bali | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | D Major | 5 | 10B | 142 BPM | ||
| Dard To Ab Rukne Ka Ab | Attaullah Khan | D♭ Major | 5 | 3B | 126 BPM | ||
| Batuli - Pahari | Pappu Karki | F♯ Major | 9 | 2B | 112 BPM | ||
| Jab Aayi Milan Ki Raat | Bijli Rani | D Major | 8 | 10B | 148 BPM | ||
| Annyapurna Biswanather | Manna Dey | E Major | 7 | 12B | 147 BPM | ||
| Mann Ke Manoti La | Gorelal Burman, Shantilal Shah | D♭ Major | 7 | 3B | 127 BPM | ||
| Kisi Najar Ko Tera | Dimple Bhumi | A Major | 5 | 11B | 93 BPM | ||
| Haay Re Jiyara | Bijli Rani | A♭ Major | 9 | 4B | 139 BPM | ||
| Japakarojapa Karo Shri Ram | Dhiraj Sharma | A♭ Major | 5 | 4B | 136 BPM | ||
| Chal Vindhyachal Me | MANOJ TIWARI | B Minor | 9 | 10A | 141 BPM |