Rappresentatione di Anima, et di Corpo, Atto secondo, Intermedio: Capriccio by Johann Vierdanck, L'Arpeggiata, Christina Pluhar Song Details

"Rappresentatione di Anima, et di Corpo, Atto secondo, Intermedio: Capriccio" by Johann Vierdanck, L'Arpeggiata, Christina Pluhar had its release date on 2004. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Rappresentatione di Anima, et di Corpo, Atto secondo, Intermedio: Capriccio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 31 in Cavalieri: Rappresentatione di Anima, et di Corpo by Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar. Rappresentatione di Anima, et di Corpo, Atto secondo, Intermedio: Capriccio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Rappresentatione di Anima, et di Corpo, Atto secondo, Intermedio: Capriccio by Johann Vierdanck, L'Arpeggiata, Christina Pluhar is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.

Music Key

This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 3%
Loudness: -15.728 dB
Acousticness: 83%
Danceability: 23%
Energy: 17%
Instrumentalness: 50%
Liveness: 9%
Loudness: 74%
Speechiness: 4%
Valence: 7%

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