"The Time Aria (From "A Capacity For Evil")" by Evan L. Snyder, John Riesen, Neill Campbell had its release date on January 27, 2023. This song is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. Since The Time Aria (From "A Capacity For Evil") only contains only one song in the album, we like to consider this song as a single. The Time Aria (From "A Capacity For Evil") is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Time Aria (From "A Capacity For Evil") by Evan L. Snyder, John Riesen, Neill Campbell having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Méditation Hébraïque | Ernest Bloch, Sol Gabetta, Amsterdam Sinfonietta, Candida Thompson | F Major | 1 | 7B | 99 BPM | ||
| Pastourelle | David Farnon | F Major | 1 | 7B | 96 BPM | ||
| Porgy and Bess / Act 1: "Summertime" | George Gershwin, Barbara Hendricks, James Vincent Pickens, Francois Clemmons, Arthur Thompson, Florence Quivar, Samuel Hagan, Christopher Deane, The Cleveland Orchestra Chorus, The Cleveland Orchestra, Lorin Maazel | B Minor | 2 | 10A | 83 BPM | ||
| La Traviata - Extraits: Prélude | Ambrosian Opera Chorus, Alfredo Kraus, Riccardo Muti, Renata Scotto, Philharmonia Orchestra | B Major | 3 | 1B | 117 BPM | ||
| Les vêpres siciliennes, The Four Seasons: L'hiver | Giuseppe Verdi, Munich Radio Orchestra, Ivan Repušić | C Major | 1 | 8B | 116 BPM | ||
| La Coccinelle, WD 87 | Georges Bizet, Sylvia McNair, Roger Vignoles | A♭ Major | 0 | 4B | 132 BPM | ||
| Symphony No. 5: I. Trauermarsch. Streng. Wie ein kondukt | Gustav Mahler, SWR Sinfonieorchester des Südwestrundfunks, Michael Gielen | D♭ Minor | 1 | 12A | 74 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Erster Teil: I. Veni, creator spiritus | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Erika Sunnegardh, Susan Bullock, Lilli Paasikivi, Nathalie Stutzmann, Johan Botha, David Wilson-Johnson, John Relyea | E♭ Major | 3 | 5B | 64 BPM | ||
| Pansy Garden | Ari Barack Fisher, Atlys | F♯ Minor | 1 | 11A | 79 BPM | ||
| A Teresita | Scala Paradisi, Coro Infantil Enclave, Cuarteto de Cuerda Valencia, Santiago Castell | D♭ Minor | 3 | 12A | 141 BPM | ||
| Abendlied, Op. 85, No. 12 (Arr. for String Orchestra by Johan Svendsen) | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | B Major | 1 | 1B | 113 BPM | ||
| The Music Makers, Op. 69: VIII. But we, with our dreaming and singing | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
| Dido and Aeneas, Z. 626: When I am Laid in Earth (Dido's Lament, Arr. for Cello & Orchestra by Julian Riem) | Henry Purcell, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds | G Minor | 1 | 6A | 79 BPM | ||
| Spectrum of Light | Jaani Helander, Cellomania | G Major | 3 | 9B | 86 BPM | ||
| Fogel: Symphonina No. 4, Movement 2 | David Fogel | F♯ Major | 2 | 2B | 87 BPM | ||
| Awake | Levi Gangi | D Major | 0 | 10B | 69 BPM | ||
| Danse Passionnée - Piano and Cello | Ronan Spoor, Eva Brönner, RonArt | G Minor | 1 | 6A | 162 BPM | ||
| Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Lorin Maazel, Wiener Philharmoniker | B♭ Major | 2 | 6B | 130 BPM | ||
| Becoming | Tony Woollard, Curve Ensemble | A♭ Major | 3 | 4B | 102 BPM | ||
| Alinde, D. 904 | New York Festival Of Song, Theo Hoffman, Kunal Lahiry | F Major | 2 | 7B | 100 BPM | ||
| You Came Into My Life | John Riesen, Neill Campbell, Evan L. Snyder | A♭ Major | 4 | 4B | 83 BPM | ||
| Independence | Alex Wakim, Budapest Scoring | C Major | 2 | 8B | 121 BPM | ||
| Adagio in G Minor (Arr. for voice and orchestra) | Tomaso Albinoni, Remo Giazotto, Anonymous, Marina Rebeka, Modestas Pitrenas, Sinfonietta Riga | B Minor | 2 | 10A | 120 BPM | ||
| Mahler: Symphony No. 2, "Resurrection": V. (e) Langsam, Misterioso (Chorus, Soprano) - | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | F♯ Major | 0 | 2B | 122 BPM | ||
| Mahler Adagietto Variation (From Symphony No. 5 in C-Sharp Minor, Arr. for Violin and Piano by Jan-Peter Klöpfel) | Gustav Mahler, Gabriele Bagnati, Esther Abrami | F Major | 2 | 7B | 82 BPM |