"3 Chöre, Op. 6: III. Abendlied" by Max Reger, Consortium, Andrew-John Smith had its release date on November 1, 2010. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Reger: Choral Music". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. 3 Chöre, Op. 6: III. Abendlied is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3 Chöre, Op. 6: III. Abendlied by Max Reger, Consortium, Andrew-John Smith having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chorale Prelude on East Acklam | James Flores | D Major | 0 | 10B | 128 BPM | ||
| The Spectre's Bride, Op. 69, B. 135: No. 1, Už jedenáctá odbila (Choir) | Antonín Dvořák, Prague Philharmonia, Petr Altrichter, Český filharmonický sbor Brno, Petr Fiala | E Major | 0 | 12B | 84 BPM | ||
| Piano Quintet "Fantasia": II | Carl Vine, Goldner String Quartet, Piers Lane | E Major | 0 | 12B | 84 BPM | ||
| Chabrier: Habanera | Emmanuel Chabrier, Pierre Barbizet | F Major | 1 | 7B | 118 BPM | ||
| Damase: Berceuse pour cor et piano, Op. 19 | Jean-Michel Damase, David Pyatt, Martin Jones | B♭ Major | 0 | 6B | 69 BPM | ||
| Sæverud: Tunes and Dances from Siljustol, Book IV, Op. 25: No. 4, Tone's Cradle Song | Harald Sæverud, Leif Ove Andsnes | B Minor | 0 | 10A | 63 BPM | ||
| Remember Me (Arr. Hough for Piano) - From "Coco" | Stephen Hough | E Major | 0 | 12B | 84 BPM | ||
| Suite In A Minor For Violin And Orchestra, Op. 103 a: 5. Menuett. Moderato-Trio. Piu mosso | Max Reger, Walter Forchert, Bamberg Symphony, Horst Stein | B♭ Major | 1 | 6B | 85 BPM | ||
| Clarinet Sonata No. 2, Op. 120 No. 2: II. Allegro appassionato | Johannes Brahms, Nicola Boud, Anthony Romaniuk | A♭ Major | 1 | 4B | 134 BPM | ||
| Sostenuto in F Major, MWV U 167 | Felix Mendelssohn, Howard Shelley | E Major | 0 | 12B | 97 BPM | ||
| 2 Musical Sketches, "2 Klavierstucke": Andante cantabile in B-Flat Major | Felix Mendelssohn, Benjamin Frith | B♭ Major | 0 | 6B | 111 BPM | ||
| Pas des sylphes. Intermezzo | Cécile Chaminade, Eric Parkin | D♭ Major | 1 | 3B | 67 BPM | ||
| Love Like the Dawn Came Stealing - Duo-Art 6079 | Charles Cadman, Peter Phillips | E Major | 0 | 12B | 84 BPM | ||
| 4 Gesänge, Op. 43: No. 2, Die Mainacht (Arr. for Clarinet and Piano by R. Sévère) | Johannes Brahms, Raphaël Sévère, Adam Laloum | A♭ Major | 0 | 4B | 68 BPM | ||
| 5 Salonstücke, Op. 28: No. 4, Romanze (Arr. Isserlis for Cello & Piano) | Ferdinand David, Steven Isserlis, Connie Shih | E Major | 0 | 12B | 84 BPM | ||
| Pictures and Tales Suite: IV. Sleep, Baby, Sleep | Karl Weigl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Jurgen Bruns | B Major | 0 | 1B | 119 BPM | ||
| Lied in F Minor | Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy | F Minor | 0 | 4A | 131 BPM | ||
| España, Op. 165: II. Tango - Arr. for Piano by Leopold Godowsky | Isaac Albéniz, Alessio Bax | D Major | 0 | 10B | 64 BPM | ||
| Chants du voyageur, Op. 8: No. 3, Melody in B Major | Ignacy Jan Paderewski, Mao Fujita | B Major | 0 | 1B | 65 BPM | ||
| Cypresses, B. 152: No. 9, Thou Only Dear One, but for Thee. Moderato | Antonín Dvořák, Panocha Quartet | G Minor | 1 | 6A | 90 BPM | ||
| Langsamer Satz | Anton Webern, Leonkoro Quartet | E Major | 0 | 12B | 84 BPM | ||
| Variations & Fugue on a Theme by J.S. Bach, Op. 81: Var. 12. Andante sostenuto | Max Reger, Marc-André Hamelin | E♭ Major | 0 | 5B | 92 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: IV. Auftritt und Tanz der Schneider | Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson, José-Luis Garcia | E Major | 0 | 12B | 84 BPM | ||
| Das Orgel-Büchlein, BV B 27: No. 2, Wachet auf, ruft uns die Stimme (After J. S. Bach's BWV 645) | Ferruccio Busoni, Wolf Harden | G Major | 0 | 9B | 129 BPM | ||
| Lakštingala, MKČ 466 | Mikalojus Konstantinas Čiurlionis, Onutė Gražinytė | A Minor | 0 | 8A | 85 BPM |