- BPM
- 78
- Key
- C Major
- Camelot
- 8B
Enigma Variations: Troyte by London Philharmonic Orchestra Song Details
London Philharmonic Orchestra's ' "Enigma Variations: Troyte" was released on its scheduled release date, 1998. With This song being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 20 in Elgar: Enigma Variations by Paul Daniel. Enigma Variations: Troyte is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
BPM and Tempo
The tempo marking of Enigma Variations: Troyte by London Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 6%
- Loudness
- -19.07 dB
- Acousticness
- 95%
- Danceability
- 29%
- Energy
- 36%
- Instrumentalness
- 83%
- Liveness
- 14%
- Loudness
- 68%
- Speechiness
- 4%
- Valence
- 40%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Adagio in G Minor | Remo Giazotto, David Parry, London Philharmonic Orchestra | C Minor | 2 | 5A | 80 BPM | |
 | Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra) | Luigi Boccherini, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 0 | 11B | 85 BPM | |
 | 2nd Movement: Largo | London Philharmonic Orchestra | D♭ Major | 0 | 3B | 74 BPM | |
 | Les contes d'Hoffmann (The Tales of Hoffmann): Barcarolle | London Philharmonic Orchestra | D Major | 1 | 10B | 80 BPM | |
 | VII. Finale | Igor Stravinsky, Brussels Philharmonic, Alexander Rahbari | D♭ Minor | 3 | 12A | 81 BPM | |
 | Elgar: Introduction and Allegro, Op. 47: I. Moderato | Edward Elgar, Sir John Barbirolli, Allegri String Quartet, Sinfonia Of London | G Major | 6 | 9B | 100 BPM | |
 | Strauss II, J: Frühlingsstimmen, Op. 410 | Johann Strauss II, Hallé, Bryden Thomson | B♭ Major | 0 | 6B | 103 BPM | |
 | Prelude in C Major, BWV 846 | Johann Sebastian Bach, Alistair McGowan | C Major | 1 | 8B | 122 BPM | |
 | Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | |
| Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Finghin Collins | D♭ Minor | 0 | 12A | 170 BPM | |
 | Blue Danube (An der Schönen Blauen Donau) Waltz Op.314 | Vienna Volksoper Orchestra, Peter Falk | D Major | 0 | 10B | 96 BPM | |
 | Adagio Per Archi E Organo In Sol Minore | Tomaso Albinoni, London Philharmonic Orchestra | C Minor | 4 | 5A | 89 BPM | |
 | Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | |
 | Mozart: Concerto For Clarinet And Orchestra In A (K. 622) | Jack Brymer, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 0 | 10B | 84 BPM | |
 | Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | F♯ Major | 0 | 2B | 88 BPM | |
 | 49th Parallel Suite: Prelude | RTE Concert Orchestra, Ralph Vaughan Williams | G Major | 1 | 9B | 87 BPM | |
 | Messa da Requiem: Dies irae - Tuba mirum | London Philharmonic Orchestra | E♭ Major | 4 | 5B | 88 BPM | |
 | Swan Lake - Waltz | London Philharmonic Orchestra | A Major | 1 | 11B | 76 BPM | |
 | Overture (Suite) No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Capella Istropolitana, Jaroslav Dvořák | D Major | 2 | 10B | 147 BPM | |
| Die Walkürie, WWV 86b, Act III: Ride of the Valkyries | Richard Wagner, David Parry, London Philharmonic Orchestra | B Major | 4 | 1B | 95 BPM | |
 | Fantasia On a Theme By Thomas Tallis | Ralph Vaughan Williams, Sir Adrian Boult, London Philharmonic Orchestra | C Minor | 1 | 5A | 102 BPM | |
 | DANCE: I. when you're broken open | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | F Major | 1 | 7B | 69 BPM | |
 | Clarinet Concerto in A major, K. 622: Clarinet Concerto in A major, K. 622: II. Adagio | Various Artists, David Shifrin, New York Chamber Symphony, Gerard Schwarz | C Major | 1 | 8B | 92 BPM | |
 | Rhapsody on a Theme of Paganini, Op. 43: Variation 18 | Sergei Rachmaninoff, Bernd Glemser, Polish National Radio Symphony Orchestra, Antoni Wit | D♭ Major | 1 | 3B | 76 BPM | |
 | Serse, HWV 40: Largo "Ombra mai fu" | George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra | G Major | 1 | 9B | 82 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records