"The Key to the Fourteenth Vision" by Vanessa Lann, Benjamin Schmid had its release date on January 1, 2003. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. The Key to the Fourteenth Vision's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 24 Capriccios for Violin Solo, so we believe that "The Key to the Fourteenth Vision" is a single. In terms of popularity, The Key to the Fourteenth Vision is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Key to the Fourteenth Vision by Vanessa Lann, Benjamin Schmid is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Violin Concerto No. 3 in G Major, K. 216: I. Allegro | Wolfgang Amadeus Mozart, Benjamin Schmid, Musica Vitae | G Major | 1 | 9B | 124 BPM | ||
| Escenas | Gabriel Bouche Caro, Clare Monfredo, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| 1+1=3 the Abstraction of Beauty | Florian Willeitner, Benjamin Schmid, Andreas Martin Hofmeir | F Major | 3 | 7B | 66 BPM | ||
| Cello Suite No. 3, Op. 87: V. Dialogo. Allegretto – | Benjamin Britten, Steven Isserlis | C Major | 1 | 8B | 110 BPM | ||
| Souvenir d'un lieu cher, Op. 42: No. 3 Mélodie | Pyotr Ilyich Tchaikovsky, Pablo Ferrandez, Julien Quentin | D Minor | 1 | 7A | 109 BPM | ||
| Paganini: 24 Caprices, Op. 1: No. 14 in E-Flat Major | Niccolò Paganini, Augustin Hadelich | E♭ Major | 1 | 5B | 95 BPM | ||
| Piazzolla: Suite del Ángel: III. Muerte del Ángel (Transcr. Walnier for Cello Ensemble) | Gautier Capuçon, Capucelli | D Major | 1 | 10B | 104 BPM | ||
| Bassoon Scherzo No 1 F# Minor | Nikolas Eleftheriou | F♯ Minor | 0 | 11A | 125 BPM | ||
| String Quartet in E-Flat Major, H-U 277: III. Romanze | Fanny Mendelssohn, Takács Quartet | A Minor | 1 | 8A | 116 BPM | ||
| 21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 4 in B Minor [Original in F Minor] | Johannes Brahms, Baiba Skride, Lauma Skride | E Major | 3 | 12B | 137 BPM | ||
| Tandem: I. Con freschezze | Jörgen Dafgård, Carl-Johan Stjernstrom, Benjamin Schmid, Musica Vitae, Joachim Gustafsson | D♭ Minor | 1 | 12A | 116 BPM | ||
| Quintette avec clarinette in B Minor, Op. 115: IV. Con moto | Johannes Brahms, Florent Héau, Quatuor Voce | G Major | 1 | 9B | 79 BPM | ||
| Concerto for Violin, Viola and Orchestra (1932): Allegro ma non troppo | Benjamin Britten, Benjamin Schmid, Daniel Raiskin, Lior Shambadal | B♭ Major | 0 | 6B | 75 BPM | ||
| Violin Sonata in A Major, M. 8: IV. Allegretto poco mosso (Arr. J. Delsart for cello and piano) | César Franck, Harriet Krijgh, Kamilla Isanbaeva | C Minor | 1 | 5A | 97 BPM | ||
| 3 Preludes: No. 2 in C-Sharp Minor: Andante con moto e poco rubato (Arr. J. Heifetz for Violin & Piano) | George Gershwin, Benjamin Schmid, Miklos Skuta | C Major | 4 | 8B | 104 BPM | ||
| Violin Sonata No. 3 in C Minor, Op. 45: III. Allegro animato | Edvard Grieg, Frederic Chiu, Pierre Amoyal | D Minor | 2 | 7A | 148 BPM | ||
| Summer Night in a Deep Valley | Chia-Yu Hsu, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Mélodie-Elégie, Op. 10, No. 5 | Jules Massenet, Wolfgang Emanuel Schmidt | C Minor | 0 | 5A | 73 BPM | ||
| Wiegenlied, Op. 98 No. 2, D. 498 (Arr. M. Elman) | Franz Schubert, Rachel Barton Pine, Matthew Hagle | B♭ Minor | 1 | 3A | 79 BPM | ||
| 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 1 in G Minor: III. Allegretto poco scherzoso | Eugène Ysaÿe, Hilary Hahn | B♭ Major | 1 | 6B | 60 BPM | ||
| Ysaÿe: Rêve d’enfant, Op. 14 | Eugène Ysaÿe, Renaud Capuçon | B♭ Minor | 1 | 3A | 67 BPM | ||
| Violin Concerto in E Minor, Op. 64: II. Andante - Remastered by Mark Obert-Thorn, 2024 | Felix Mendelssohn, Alfredo Campoli, London Philharmonic Orchestra, Eduard van Beinum | C Major | 2 | 8B | 91 BPM | ||
| String Quartet No 1 | Classizista | G Minor | 3 | 6A | 113 BPM | ||
| Piano Trio in G Major, Hob. XV:25: III. Finale. Rondo, in the Gipsies' style | Joseph Haydn, Wiener Klaviertrio | G Major | 1 | 9B | 148 BPM | ||
| Guitar Quartet No. 3 in A Major, Op. 4 No. 3, MS 30: II. Minuetto alla spagnola. Andantino | Niccolò Paganini, Paganini Ensemble Vienna | A Major | 1 | 11B | 115 BPM |