"Pavane pour une infante défunte, M. 19 (Version for Orchestra)" by Maurice Ravel, Myron Bloom, Orchestre de Paris, Daniel Barenboim had its release date on January 1, 1982. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Ravel: Boléro; Pavane pour une infante défunte; La Valse; Daphnis et Chloë (2e Suite)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Pavane pour une infante défunte, M. 19 (Version for Orchestra) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pavane pour une infante défunte, M. 19 (Version for Orchestra) by Maurice Ravel, Myron Bloom, Orchestre de Paris, Daniel Barenboim having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fantasia on Greensleeves | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 89 BPM | ||
| Sonatensatz "FAE sonate": III. Scherzo | Johannes Brahms, Pinchas Zukerman, Daniel Barenboim | G Major | 2 | 9B | 149 BPM | ||
| Five Bagatelles, Op. 23 - Arr. Ashmore, Dickson: 4. Forlana | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | F♯ Major | 1 | 2B | 103 BPM | ||
| Piano Concerto in A Minor, Op. 54: II. Intermezzo (Andantino grazioso) | Robert Schumann, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 70 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: III. A tempo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | B♭ Minor | 1 | 3A | 86 BPM | ||
| Notturno Op. 70 No. 1 | Giuseppe Martucci, Czecho-Slovak State Philharmonic Orchestra of Kosice, Johannes Wildner | F♯ Major | 1 | 2B | 80 BPM | ||
| Verklärte Nacht, Op. 4 (Version for String Orchestra): V. Adagio (Bar 370) | Arnold Schoenberg, Berliner Philharmoniker, Herbert von Karajan | D♭ Minor | 0 | 12A | 67 BPM | ||
| Stille Musik: III. Augenblicke der Serenade | Valentin Silvestrov | C Major | 0 | 8B | 86 BPM | ||
| Symphonie fantastique, H. 48: II. Un bal. Valse | Hector Berlioz, Royal Concertgebouw Orchestra, Sir Colin Davis | A♭ Major | 3 | 4B | 84 BPM | ||
| Poème de l'amour et de la mer, Op. 19: Interlude | Ernest Chausson, Véronique Gens, Orchestre National de Lille, Alexandre Bloch | A♭ Major | 0 | 4B | 108 BPM | ||
| Liebesträume, S. 541: No. 3, O lieb, so lang du lieben kannst! | Franz Liszt, Daniel Barenboim | A♭ Major | 0 | 4B | 139 BPM | ||
| 3 Gymnopédies: No. 3, Lent et grave (Orch. C. Debussy) | Erik Satie, CSR Symphony Orchestra, Bratislava, Ondrej Lenard | D Major | 1 | 10B | 88 BPM | ||
| Introduction and Allegro for Harp, Flute, Clarinet and String Quartet | Maurice Ravel, Zoltán Gyöngyössy, Béla Kovács, Eva Maros, Kodály Quartet | E♭ Minor | 1 | 2A | 85 BPM | ||
| Souvenir d'un lieu cher, Op. 42: Ib. Méditation (Orch. Glazunov) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, National Philharmonic Orchestra of Russia, Vladimir Spivakov | B♭ Major | 2 | 6B | 99 BPM | ||
| Symphony in E minor, H.I No. 44 -"Mourning": 3. Adagio | Joseph Haydn, English Chamber Orchestra, Daniel Barenboim | D Major | 3 | 10B | 105 BPM | ||
| Fauré: Requiem, Op. 48: VI. Libera me | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D Minor | 0 | 7A | 82 BPM | ||
| Symphony in C, H.I No. 48 -"Maria Theresia": 2. Adagio | Joseph Haydn, English Chamber Orchestra, Daniel Barenboim | D♭ Major | 0 | 3B | 103 BPM | ||
| Fauré: Requiem, Op. 48: III. Sanctus | Gabriel Fauré, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | E♭ Major | 0 | 5B | 66 BPM | ||
| Lyric Pieces, Book 5, Op. 54: No. 4, Notturno | Edvard Grieg, Emil Gilels | D Minor | 0 | 7A | 72 BPM | ||
| Pavane for Dead Princess | Maurice Ravel, David Robertson, Orchestre National De Lyon, Irina Mejoueva | G Major | 1 | 9B | 77 BPM | ||
| Piano Concerto No. 23 in A Major, K. 488: II. Adagio | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | F♯ Minor | 0 | 11A | 108 BPM | ||
| Parsifal, Act III: Höchsten Heiles Wunder! | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | F Minor | 1 | 4A | 65 BPM | ||
| Fra Holbergs tid, Op. 40: IV. Air (From Holberg's Time) [Version for Orchestra] | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | A♭ Major | 1 | 4B | 102 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 80 BPM | ||
| Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM |