On December 5, 2001, the song "Puroji Puro Mhara Kod" was released by Bhawar Chaudhari, Rekha Trivedi. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Bhawar Chaudhari, Rekha Trivedi, Sheela Sethiya's "Khamma Nakoda Ghani" album is number 7 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Puroji Puro Mhara Kod is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Puroji Puro Mhara Kod by Bhawar Chaudhari, Rekha Trivedi to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sab Ka Bhala Mere Ramji Karen | Hari Om Sharan | D♭ Minor | 5 | 12A | 97 BPM | ||
| Padhao Re Popat | Ashit Desai & Group | F Major | 4 | 7B | 157 BPM | ||
| Liludi Rayan Taru Tale | Bhawar Chaudhari, Rekha Trivedi, Sheela Sethia, Archana Vyas | D♭ Major | 7 | 3B | 110 BPM | ||
| Ho Rahi Jai - Jaikar Shyam Tere Mandir Mein | Kumar Vishu | A Major | 7 | 11B | 186 BPM | ||
| Chhatt Chhuti - Tapp Tipi | Narendra Singh Negi, Anuradha Nirala | A♭ Major | 4 | 4B | 179 BPM | ||
| Ubha Ranaat (From "Kranticha Udgaata") | Milind Shinde | A♭ Major | 5 | 4B | 125 BPM | ||
| Pahu Jotiba Devala | Vijay Sartape | F♯ Major | 7 | 2B | 203 BPM | ||
| Gomu Kolyachi Por | Chitra Devdhar | F♯ Major | 7 | 2B | 80 BPM | ||
| Jholi Bhara Dutt Namachi | Ajit Kadkade | B Major | 7 | 1B | 85 BPM | ||
| Jaina Smaran Thi | Kishore Manraja | E♭ Major | 7 | 5B | 150 BPM | ||
| मेरी झोपड़ी के भाग आज खुल जाएंगे राम आयेंगे | Shubhangi Joshi | F♯ Major | 8 | 2B | 80 BPM | ||
| Sun To Mor Bhouji | Ratan Sabiha | G Minor | 6 | 6A | 156 BPM | ||
| Aaja Ke Mile Hum Tum Dono | Ahmed Hussain, Mohammed Hussain | G Major | 4 | 9B | 79 BPM | ||
| Sun Bhaya Sun Nakoda | Bhawar Chaudhari, Rekha Trivedi, Sheela Sethia, Dilip Bafana | D♭ Minor | 5 | 12A | 82 BPM | ||
| Keval Satya Vichara | Samir Date, Dipalee Somaiya Date | F Minor | 5 | 4A | 87 BPM | ||
| Raja Tori Ankhian Badi Mazedaar | T. Shivalkar, Jyoti | C Major | 2 | 8B | 110 BPM | ||
| Hoon Badha Sanjog | Manhar Udhas | E♭ Major | 5 | 5B | 135 BPM | ||
| Heri - Feri (Saptpadi Fera - Bhaura) | Mangala Rawat, Uma Rana, Kalpeshwari | D♭ Major | 4 | 3B | 106 BPM | ||
| Hum Bhi Chup Aur | Arzoo Bano | E Minor | 3 | 9A | 110 BPM | ||
| Jeevapradaatha (Vol 33) | Hosanna Ministries Kurnool | F Minor | 8 | 4A | 98 BPM | ||
| Aarti Shreenathji Ni-Mangala Ke Darshan | Utpal Jivrajani, Nidhi Dholakia | F Minor | 7 | 4A | 90 BPM | ||
| Jagiye Raghunath Nath Bhor Bhayo - REMASTERED | Ravindra Jain, K. J. Yesudas | C Major | 6 | 8B | 76 BPM | ||
| Durgati Haarini Durga Ambe | Hari Om Sharan | F♯ Minor | 5 | 11A | 178 BPM | ||
| Nadichya Kinari Sasarcha That | Shakuntala Jadhav | F Major | 4 | 7B | 86 BPM | ||
| He Nath Aap Tino Lokon Ko Prakashit Karte Hai | Bhawar Chaudhari | F Minor | 4 | 4A | 120 BPM |