"Comic String Quartet (After Beethoven's Op. 67)" by Werner Thomas-Mifune, Quartetto d'Archi di Venezia had its release date on January 1, 2006. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 26 in Fun Time with the String Quartet by Quartetto d'Archi di Venezia. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Comic String Quartet (After Beethoven's Op. 67) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Comic String Quartet (After Beethoven's Op. 67) by Werner Thomas-Mifune, Quartetto d'Archi di Venezia is Lento (slowly), since this song has a tempo of 49 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Liebesliederwalzer, Op. 52: No. 6, Ein kleiner hübscher Vogel | Johannes Brahms, Nils Mönkemeyer, Maximilian Hornung, Nicholas Rimmer | C Major | 1 | 8B | 114 BPM | ||
| Vaughan Williams: 6 Studies in English Folk-Song: No. 2, Andante sostenuto | David Parkhouse, Eileen Croxford | A Minor | 1 | 8A | 92 BPM | ||
| Suite for Cello and Orchestra, Op. 86: I. Ballade | Alexander Gretchaninov, Werner Thomas-Mifune, Alexander Symeonides, Bamberg Symphony | A♭ Major | 1 | 4B | 97 BPM | ||
| Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
| 4 Morceaux, Op. 56: No. 2, Romance | Anton Arensky, Dmitrii Khrychev, Olga Solovieva | G Major | 0 | 9B | 99 BPM | ||
| 5 Pieces for 2 Violins & Piano (After D. Shostakovich): No. 1, Prelude | Lev Atovmyan, Rudens Turku, Lena Neudauer, Yumiko Urabe | D Minor | 1 | 7A | 119 BPM | ||
| Ethereal Reverie | Sebastian Verneau | D Major | 3 | 10B | 153 BPM | ||
| Sonata For Cello And Piano In B Minor, Op.27: Adagio molto - Excerpt | Kurt Atterberg, Werner Thomas-Mifune, Carmen Piazzini | A♭ Minor | 0 | 1A | 95 BPM | ||
| Piano Trio No. 1 in B Major, Op. 8: II. Scherzo (Allegro molto) | Johannes Brahms, Maria João Pires, Augustin Dumay, Jian Wang | B Major | 1 | 1B | 79 BPM | ||
| Samson et Dalila Op. 47, Act II, Scene III: “Mon coeur s’ouvre à ta voix” | Philippe Quint, Lily Maisky | G Major | 1 | 9B | 110 BPM | ||
| Chromatic Syncopations | Werner Thomas-Mifune, Quartetto d'Archi di Venezia | G Major | 1 | 9B | 75 BPM | ||
| " Arpeggione " , A-Moll, D 821: III. Allegretto | Carmen Piazzini, Werner Thomas-Mifune | A Major | 1 | 11B | 92 BPM | ||
| 3 Romances, Op. 22: I. Andante molto | Clara Schumann, Cédric Tiberghien, Alina Ibragimova | A Major | 1 | 11B | 87 BPM | ||
| Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique" (Arr. Janoska Ensemble): II. Adagio cantabile | Janoska Ensemble | B♭ Major | 2 | 6B | 107 BPM | ||
| Piano Concerto in A Minor, Op. 7: II. Romanze. Andante non troppo, con Grazia | Clara Schumann, Ragna Schirmer, Staatskapelle Halle, Ariane Matiakh | A♭ Major | 0 | 4B | 176 BPM | ||
| 5 Pieces for 2 Violins & Piano (Arr. for 2 Violins & Piano by Lev Atovmyan): No. 4, Waltz. Tempo di valse, moderato | Dmitri Shostakovich, Julia Fischer, Kirill Troussov, Henri Bonamy | E♭ Major | 2 | 5B | 100 BPM | ||
| Cello Sonata No. 3 in A Major, Op. 69: I. Allegro ma non tanto | Ludwig van Beethoven, Werner Thomas-Mifune, Carmen Piazzini | D Major | 0 | 10B | 82 BPM | ||
| Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | D Major | 1 | 10B | 133 BPM | ||
| Cello Sonata No. 2, Op. 81: I. Allegro moderato | Nikolai Myaskovsky, Pavel Gomziakov, Andre Korobeinikov | A Minor | 1 | 8A | 107 BPM | ||
| " Romanzen " , op. 94: I. Nicht schnell | Carmen Piazzini, Werner Thomas-Mifune | A Major | 1 | 11B | 92 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: IX. Das Diner | Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson | D Major | 1 | 10B | 85 BPM | ||
| Cello Concerto in A Major, B. 10: I. Andante - Allegro assai - Allegro ma non troppo | Antonín Dvořák, Werner Thomas-Mifune, Bamberger Symphoniker, Rudolf Krecmer | F♯ Minor | 1 | 11A | 96 BPM | ||
| Sonata for Violin and Piano No 3 in D minor, Op.108: 2. Adagio | Johannes Brahms, Leonidas Kavakos, Yuja Wang | A Major | 0 | 11B | 87 BPM | ||
| Après un rêve, Op. 7 No. 1 (Arr. P. Casals for Cello & Piano) | Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan Sternfield | F Minor | 1 | 4A | 97 BPM | ||
| Cello Sonata No. 5 in D Major, Op. 102 No. 2: II. Adagio con molto sentimento d'affetto | Ludwig van Beethoven, Werner Thomas-Mifune, Carmen Piazzini | D Major | 0 | 10B | 82 BPM |