"Down Paths to Dark Woods" by Christopher Young had its release date on October 23, 2020. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Down Paths to Dark Woods's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Empty Man (Original Motion Picture Soundtrack)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. In terms of popularity, Down Paths to Dark Woods is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With Down Paths to Dark Woods by Christopher Young having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trophies | Jason Hill | G Minor | 0 | 6A | 131 BPM | ||
| Trailer Park | David Shire | A♭ Major | 1 | 4B | 172 BPM | ||
| The Encounter and Main Title | Fernando Velázquez | D♭ Major | 2 | 3B | 94 BPM | ||
| I Thought They Came to Rescue Us | Jon Ekstrand | D♭ Major | 4 | 3B | 142 BPM | ||
| Main Title (A Nightmare on Elm Street) | Charles Bernstein | D Major | 4 | 10B | 112 BPM | ||
| Umbrella Is Watching | Jeff Danna | E Minor | 4 | 9A | 127 BPM | ||
| Sheet Show / Main Title | Joseph Loduca | D♭ Major | 3 | 3B | 91 BPM | ||
| Holy Water (Main Title #1) | Harry Sukman | A Minor | 3 | 8A | 120 BPM | ||
| Don't Worry Daddy, I'll Make You Famous Again | Christopher Young | G Major | 1 | 9B | 77 BPM | ||
| Pulse | Arcadia | C Major | 3 | 8B | 115 BPM | ||
| The Darkest Day | David Arnold, Nicholas Dodd | D♭ Minor | 1 | 12A | 86 BPM | ||
| Above All | Mandy Marshall, Mandy Obnorz | A♭ Major | 3 | 4B | 103 BPM | ||
| Trinity Definitely | Don Davis | B♭ Minor | 1 | 3A | 69 BPM | ||
| This Is What He Does | Benjamin Wallfisch | D♭ Major | 2 | 3B | 82 BPM | ||
| Whatever You Like | Emre Ozsoy, Jean West | G Major | 1 | 9B | 75 BPM | ||
| A Body That Technically Does Not Exist | Nathan Johnson | F Major | 3 | 7B | 76 BPM | ||
| A Witch Stole Sam | Mark Korven | G Major | 4 | 9B | 100 BPM | ||
| The Innkeepers | Jeff Grace | B♭ Major | 2 | 6B | 63 BPM | ||
| The Overlook | The Newton Brothers | D♭ Major | 3 | 3B | 102 BPM | ||
| The End of Story | Maria Korbova, Mery Leon | E♭ Minor | 2 | 2A | 59 BPM | ||
| Library | Elmer Bernstein | A Minor | 2 | 8A | 175 BPM | ||
| Alien vs. Predator Main Theme | Harald Kloser | B♭ Major | 4 | 6B | 82 BPM | ||
| Get Him Talking | Clinton Shorter | B♭ Major | 3 | 6B | 129 BPM | ||
| Care to Dance? | Jon Ekstrand | A♭ Minor | 1 | 1A | 49 BPM | ||
| Rockwell Codex Archives - The Purple and The Red 1 | Gareth Coker | F♯ Minor | 2 | 11A | 180 BPM |