"Reasons to Kill" by Lost Sounds had its release date on November 20, 2001. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 19 in Black-Wave by Lost Sounds. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Reasons to Kill's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Reasons to Kill by Lost Sounds is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| These Freaks | Dirty Fences | D♭ Major | 10 | 3B | 139 BPM | ||
| Come a Little Closer | Oblivians | C Major | 10 | 8B | 146 BPM | ||
| Pyro Hippies | Vacation | G Major | 9 | 9B | 102 BPM | ||
| Frothing at the Mouth | Carbonas | D Major | 10 | 10B | 104 BPM | ||
| You Call It Love | Angry Angles | D♭ Major | 9 | 3B | 81 BPM | ||
| How'm I Supposed to Wake Up in the Morning | Hank Wood and the Hammerheads | E Minor | 10 | 9A | 92 BPM | ||
| I Like to Die | The Drags | E♭ Major | 10 | 5B | 135 BPM | ||
| Gøggs | Gøggs | A♭ Major | 10 | 4B | 169 BPM | ||
| Kill the wolf | Lon Becoff | A Minor | 4 | 8A | 159 BPM | ||
| Brass Knuckles | Personal and the Pizzas | F♯ Minor | 8 | 11A | 162 BPM | ||
| Come Back Home | Japanther | D Major | 7 | 10B | 101 BPM | ||
| Lonely Killer | Zorton and the Cannibals | D Major | 8 | 10B | 167 BPM | ||
| The Chicks Can Tell | M.O.T.O. | E Major | 10 | 12B | 166 BPM | ||
| Everything's Great | Len Freeman | D Major | 4 | 10B | 126 BPM | ||
| Boneyard | Nobunny | G Major | 9 | 9B | 184 BPM | ||
| Reasons to Kill | Lost Sounds | B Minor | 8 | 10A | 130 BPM | ||
| I'm Neurotic | Terry Malts | D Major | 7 | 10B | 107 BPM | ||
| No Pain | Patti | E Major | 6 | 12B | 146 BPM | ||
| New York | Swell Maps | A♭ Major | 8 | 4B | 173 BPM | ||
| Cancer Stick | Payback's a Bitch | D Major | 9 | 10B | 73 BPM | ||
| Past Times | Arno Zephaniah | B Minor | 8 | 10A | 134 BPM | ||
| Just Wanna Love You Girl | Epsilons | C Major | 9 | 8B | 83 BPM | ||
| Being Cool | Cereal Killer | A Major | 10 | 11B | 187 BPM | ||
| Out of My Head, Into My Bed | Reatards | E Major | 9 | 12B | 88 BPM | ||
| Not Far From It | Terry Malts | C Major | 9 | 8B | 83 BPM |