蒲原史子's '眠りの精' had a release date set for August 21, 1996. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in ララバイ, so we believe that "眠りの精" is a single. 眠りの精 is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 眠りの精 by 蒲原史子 is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O cessate di piagarmi | Alessandro Scarlatti, Ramón Vargas | A Minor | 2 | 8A | 84 BPM | ||
| アマポーラ | 蒲原史子 | D Major | 0 | 10B | 96 BPM | ||
| A Song from the Ancestors (Live) | Junyi Tan, Shen Yun Symphony Orchestra, D.F., Haolan Geng, William Kuo | E Major | 1 | 12B | 87 BPM | ||
| Zwei Scenen für Singstimme und Orchester, Op. 199: No. 2, Die Hirtin | Joachim Raff, Therese Schleiden, Lena-Lisa Wüstendörfer, Marie-Claude Chappuis, Swiss Orchestra | C Major | 1 | 8B | 81 BPM | ||
| 君を愛す 作品5の3 | 蒲原史子 | A Major | 1 | 11B | 85 BPM | ||
| La fille du régiment, Act I: La la la – chacun le sait, chacun le dit | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Spiro Malas, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 2 | 7B | 180 BPM | ||
| Prince Igor (Knyaz Igor), Act II: Ni sna ne otdikha | Alexander Borodin, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | D♭ Major | 3 | 3B | 132 BPM | ||
| Rossini: Petite messe solennelle: VI. Qui tollis peccata mundi | Gioachino Rossini, Antonio Pappano, Daniele Rossi, Marina Rebeka, Sara Mingardo, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 1 | 3B | 89 BPM | ||
| Madama Butterfly / Act 2: Tu, Suzuki, che sei tanto biona | Giacomo Puccini, Mirella Freni, Christa Ludwig, Robert Kerns, Elke Schary, Wiener Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 64 BPM | ||
| 子守歌 〜「スペインの7つの民謡」より | 蒲原史子 | G Major | 0 | 9B | 62 BPM | ||
| エーデルワイス | 蒲原史子 | B♭ Major | 0 | 6B | 79 BPM | ||
| Nina | Giovanni Battista Pergolesi, Visti Hald, Ulrich Staerk | F Major | 4 | 7B | 140 BPM | ||
| L'Orfeo - Act 5: Ritornello-Questi i campi di Tracia | Claudio Monteverdi, John Mark Ainsley, New London Consort, Philip Pickett | F Major | 1 | 7B | 71 BPM | ||
| Norma / Act 2 Scene 1: "Mira, O Norma" | Vincenzo Bellini, Sumi Jo, Cecilia Bartoli, Orchestra La Scintilla, Giovanni Antonini | F Major | 2 | 7B | 74 BPM | ||
| Cavalleria rusticana: "Regina coeli, laetare" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | D Major | 3 | 10B | 108 BPM | ||
| Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Duet. "Akh, noch minula" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Ruthild Engert-Ely, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
| Voi, che sapete (Le nozze di Figaro) | Rise Stevens | B♭ Major | 1 | 6B | 70 BPM | ||
| Bizet: Carmen, WD 31, Act 3, Scene 1: "Je dis que rien ne m'épouvante" (Micaëla) | Georges Bizet, Giuseppe Sinopoli, Angela Gheorghiu, Bavarian State Orchestra | F Major | 1 | 7B | 190 BPM | ||
| Poulenc: Dialogues des Carmélites, FP 159, Act 1 Tableau 1: "Où est Blanche ?" (Le Chevalier, Le Marquis) | Francis Poulenc, Jean-Luc Viala/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Marco Zambelli/London Chorus/Kent Nagano/Richard Cooke, Kent Nagano, Orchestre De L'Opéra National De Lyon | F Major | 2 | 7B | 83 BPM | ||
| Puccini : La bohème : Act 2 "Quando me'n vo soletta" [Musetta, Marcello, Alcindoro, Mimì] | Giacomo Puccini, James Conlon, Orchestre National De France | E Major | 1 | 12B | 87 BPM | ||
| ある晴れた日に ~歌劇「蝶々夫人」 | Maria Callas | D♭ Major | 1 | 3B | 126 BPM | ||
| Eugene Onegin, Op. 24, TH.5 / Act 1: "Slikhali l vi za roschei glas nochnoi" | Pyotr Ilyich Tchaikovsky, Nuccia Focile, Sarah Walker, Olga Borodina, Irina Arkhipova, Orchestre de Paris, Semyon Bychkov | A Major | 1 | 11B | 133 BPM | ||
| Gypsy Melodies, Op. 55: 4. Songs My Mother Taught Me (Orchestral Version) | Antonín Dvořák, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | C Major | 2 | 8B | 189 BPM | ||
| ポプラ並木に行ってきた | 蒲原史子 | D Major | 0 | 10B | 96 BPM | ||
| Manon, Act II: Adieu, notre petite table | Jules Massenet, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | G Minor | 1 | 6A | 97 BPM |