"お母様が教えてくれた愛" by 郡愛子, 美野春樹 had its release date on October 21, 2005. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. お母様が教えてくれた愛's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in これ以上の愛は, so we believe that "お母様が教えてくれた愛" is a single. お母様が教えてくれた愛 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of お母様が教えてくれた愛 by 郡愛子, 美野春樹 is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Verbena de la Paloma, Act I: Soledad (Cantaora, Guardia 1, Guardia 2, Antonia, Casta, Susana, Vecina, Vecino) | Tomás Bretón, Milagros Martin, Juan Jesùs Rodriguez, Alberto Rios, Ana M. Amengual, Silvia Tro, Maria Bayo, Carmen Campos Ros, Alfredo Garcia Huerga, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | A Minor | 2 | 8A | 150 BPM | ||
| Sure on This Shining Night: Sure on This Shining Night | Felicity Lott, Graham Johnson | B♭ Major | 0 | 6B | 109 BPM | ||
| Frauenliebe und Leben, Op. 42: No. 3, Ich kann's nicht fassen, nicht glauben | Robert Schumann, Anne Sofie von Otter, Bengt Forsberg | C Minor | 0 | 5A | 131 BPM | ||
| An die Musik, Op. 88, No. 4, D. 547 | Elisabeth Schwarzkopf | D Major | 0 | 10B | 78 BPM | ||
| Six Lieder, Op. 13: 6. Die stille Lotosblume | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | A♭ Major | 0 | 4B | 94 BPM | ||
| Faust, CG 4: Faust - Romance | Charles Gounod, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo Genda | A Major | 0 | 11B | 105 BPM | ||
| La princesse au petit pois | Isabelle Aboulker, Julie Roset, Susan Manoff | D Major | 0 | 10B | 132 BPM | ||
| Two Songs, Op. 91: Geistliches Wiegenlied | Johannes Brahms, Maxim Rysanov, Alice Coote, Ashley Wass, Alexander Sitkovetsky, Julia Dekneka, Kristine Blaumane | F Major | 1 | 7B | 90 BPM | ||
| Don Giovanni, K. 527, Act I: Batti, batti, o bel Masetto | Wolfgang Amadeus Mozart, Kathleen Battle, Metropolitan Opera Orchestra, James Levine | G Minor | 0 | 6A | 115 BPM | ||
| Ines di Castro: "Cari giorni" (Romanza der Ines) | Giuseppe Persiani, Cecilia Bartoli, Orchestra La Scintilla, Ádám Fischer | A♭ Minor | 1 | 1A | 113 BPM | ||
| Le Duo des Chats | Gioachino Rossini | F Major | 1 | 7B | 111 BPM | ||
| Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina | Carl Orff, Michel Plasson - Orchestre Du Capitole De Toulouse - Jose Antonio Sainz - Natalie Dessay - Malcolm Stewart - Choeur D'Enfants Midi Pyrenees - Orfeon Donostiarra, Michel Plasson, Orchestre National Du Capitole De Toulouse | D Minor | 0 | 7A | 141 BPM | ||
| Requiem No. 1 in C Minor: Agnus Dei | Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Major | 0 | 8B | 128 BPM | ||
| 夢路より | フォスター, Maki Mori | G Major | 2 | 9B | 73 BPM | ||
| Ave Maria, CG 89a | Charles Gounod, Johann Sebastian Bach, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman, Natsuko Yoshimoto, Katrina Reynolds | G Major | 2 | 9B | 85 BPM | ||
| Borodin: The Sleeping Princess | Alexander Borodin, Galina Vishnevskaya, Mstislav Rostropovich | A Major | 0 | 11B | 66 BPM | ||
| Petite messe solennelle: Crucifixus | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Julia Lezhneva | A♭ Major | 1 | 4B | 138 BPM | ||
| Tu lo sai | Giuseppe Torelli, Holly Bewlay, Sarah Rhee | E Major | 1 | 12B | 67 BPM | ||
| 7 Chansons grises: No. 5, L'heure exquise | Reynaldo Hahn, Anne Sofie von Otter, Bengt Forsberg | B♭ Major | 0 | 6B | 67 BPM | ||
| Massenet: Thaïs, Act 2: "Celle qui vient est plus belle" (La charmeuse, Crobyle, Myrtale) | Jules Massenet, Sabine Devieilhe, Jodie Devos, Marianne Crebassa, Les Siècles, François-Xavier Roth | C Minor | 1 | 5A | 98 BPM | ||
| Debussy: Nuit d'étoiles, CD 2, L. 4 | Claude Debussy, Véronique Gens, Roger Vignoles | E♭ Major | 0 | 5B | 71 BPM | ||
| L'omnibus automobile | Erik Satie, Measha Brueggergosman, William Bolcom | F Minor | 0 | 4A | 133 BPM | ||
| Il Dolce Suono (The 5th Element) | Opera Divas | A♭ Major | 1 | 4B | 79 BPM | ||
| 白い想い出 | 郡愛子, 呉恵珠 | F♯ Major | 0 | 2B | 73 BPM | ||
| V'Adoro, Pupille From Giulio Cesare | George Frideric Handel, Heidi Grant Murphy, Kevin Murphy | F Major | 1 | 7B | 101 BPM |