Adelaide Symphony Orchestra, Benjamin Northey's ' "Stan and Mabel: 6. The Great Escape - Music-only version" was released on its scheduled release date, February 16, 2018. With This song being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 42 in the song's album "Stan and Mabel". In this album, this song's track order is #27. Based on our statistics, Stan and Mabel: 6. The Great Escape - Music-only version's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Stan and Mabel: 6. The Great Escape - Music-only version by Adelaide Symphony Orchestra, Benjamin Northey having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Battle of Britain Suite: I. Spitfire Music – Battle in the Air | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 4 | 7B | 81 BPM | ||
| Elgar: Introduction and Allegro, Op. 47: I. Moderato | Edward Elgar, Sir John Barbirolli, Allegri String Quartet, Sinfonia Of London | G Major | 6 | 9B | 100 BPM | ||
| Symphony No. 5 | Chicago Symphony Orchestra | C Minor | 3 | 5A | 103 BPM | ||
| Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity (Excerpt) | Gustav Holst, Andrew Davis, BBC Symphony Orchestra | E♭ Major | 2 | 5B | 68 BPM | ||
| Ladies in Lavender | Nigel Hess, Sergeant Neslihan Jordan, Cpl Neslihan Jordan, Central Band Of The Royal Air Force | D Major | 1 | 10B | 62 BPM | ||
| Penguin play | Nigel Westlake, Timothy Kain | D Major | 1 | 10B | 90 BPM | ||
| Home Sweet Home | Henry Rowley Bishop, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman, Suzanne Handel | E Major | 0 | 12B | 166 BPM | ||
| Introit, Op. 6 | Gerald Finzi, Thomas Gould, Aurora Orchestra, Nicholas Collon | F Major | 1 | 7B | 96 BPM | ||
| Four Songs, Op. 2: 2. The Nightingale and the Rose | Nikolai Rimsky-Korsakov, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | B Minor | 0 | 10A | 87 BPM | ||
| Peer Gynt Incidental Music, Op. 23: No. 16, Anitra's Dance. Scene 6 | Edvard Grieg, Edward Gardner, Bergen Philharmonic Orchestra, Lise Davidsen, Edward Gieg Kor, Bergen Philharmonic Choir | A Minor | 0 | 8A | 156 BPM | ||
| Finlandia, Op. 26 | Jean Sibelius, Thomas Søndergård, BBC National Orchestra Of Wales | A♭ Major | 2 | 4B | 70 BPM | ||
| 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major (Andante) | Franz Schubert, Roger Woodward | F♯ Major | 0 | 2B | 66 BPM | ||
| Suite: O, Waly Waly | John Rutter, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 0 | 9B | 95 BPM | ||
| The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): Overture | Mark Fitz-Gerald, Deutsche Staatsphilharmonie Rheinland-Pfalz | C Minor | 3 | 5A | 117 BPM | ||
| African Suite: V. Akinla: Allegro non troppo | Fela Sowande, Chicago Sinfonietta, Paul Freeman | C Major | 0 | 8B | 129 BPM | ||
| Chanson de Matin, Op. 15 No. 2 (Version for Orchestra) | Edward Elgar, New Zealand Symphony Orchestra, James Judd | G Major | 1 | 9B | 141 BPM | ||
| Sailing By | Ronald Binge, New London Orchestra, Ronald Corp | B♭ Major | 1 | 6B | 132 BPM | ||
| Fantasy Pieces, Op. 45: No. 4, Summer Song (Arr. for Orchestra) | Agathe Backer Grøndahl, Iceland Symphony Orchestra, Bjarte Engeset | G Major | 0 | 9B | 89 BPM | ||
| Symphony No. 1 in D Minor for organ and orchestra Op. 42: II. Pastorale | Alexandre Guilmant, Simon Preston, Nicholas Braithwaite, Adelaide Symphony Orchestra | B Major | 2 | 1B | 138 BPM | ||
| Video Killed The Radio Star (Arr. Nicholas Buc) | Trevor Horn, Geoff Downes, Bruce Woolley, Benaud Trio | D Major | 2 | 10B | 135 BPM | ||
| The Sorcerer, Act I: 14. My Name Is John Wellington Wells | Arthur Sullivan, Adelaide Symphony Orchestra, Dennis Olsen, James Christiansen | B♭ Major | 6 | 6B | 116 BPM | ||
| The Carnival of the Animals: 11. Pianists | Camille Saint-Saëns, Anna Goldsworthy, Mark Kruger, David Stanhope, Adelaide Symphony Orchestra | C Minor | 2 | 5A | 92 BPM | ||
| Romance | Gerald Finzi, Royal Ballet Sinfonia, David Lloyd-Jones | A♭ Major | 1 | 4B | 106 BPM | ||
| The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Radio Sinfonieorchester Stuttgart des SWR, Sir Roger Norrington | B♭ Major | 2 | 6B | 129 BPM | ||
| Gabriel's Oboe (From "The Mission") | Diana Doherty | D Major | 2 | 10B | 84 BPM |