Nancy Wilson's 'Tonight' had a release date set for January 1, 1963. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Tonight's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 12 in Broadway - My Way by Nancy Wilson. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Tonight is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Tonight by Nancy Wilson is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Never Wanna Say Goodnight (with Nancy Wilson) | Ramsey Lewis, Nancy Wilson | C Minor | 6 | 5A | 75 BPM | ||
| Come Rain or Come Shine | Sarah Vaughan | A Minor | 1 | 8A | 71 BPM | ||
| You Go To My Head | Billie Holiday | A Minor | 2 | 8A | 120 BPM | ||
| Love Came On Stealthy Fingers | Irene Kral | C Major | 0 | 8B | 87 BPM | ||
| Slippin' Into Darkness | Ramsey Lewis, Nancy Wilson | B♭ Minor | 4 | 3A | 91 BPM | ||
| When Did You Leave Heaven? | Nancy Wilson | F Minor | 2 | 4A | 178 BPM | ||
| Everything I Love | Morgana King | B♭ Major | 1 | 6B | 96 BPM | ||
| Lover come back to me | Mildred Bailey | E Minor | 1 | 9A | 78 BPM | ||
| Sweet Lorraine | Johnny Hodges | F Major | 1 | 7B | 79 BPM | ||
| I'll Be Seeing You | Ellen Andersson | D♭ Major | 3 | 3B | 115 BPM | ||
| It Had to Be You (Big Band and Vocals) | Harry Connick, Jr. | F Major | 3 | 7B | 126 BPM | ||
| A Foggy Day | Benny Carter | A Minor | 2 | 8A | 120 BPM | ||
| In a Sentimental Mood | The Modern Jazz Quartet | A Minor | 2 | 8A | 120 BPM | ||
| Do Nothing 'Til You Hear From Me | Abbey Lincoln | G Major | 3 | 9B | 74 BPM | ||
| My Funny Valentine | Dinah Shore, André Previn | G Minor | 1 | 6A | 71 BPM | ||
| I've Got The World On A String | Nat King Cole Trio | D♭ Major | 1 | 3B | 74 BPM | ||
| Frankie And Johnny | Morgana King | E♭ Major | 3 | 5B | 87 BPM | ||
| On the Sunny Side of the Street | Roberta Gambarini | D♭ Major | 4 | 3B | 120 BPM | ||
| Sunday Kind Of Love | Freddy Cole | F Minor | 2 | 4A | 66 BPM | ||
| I'm Pulling Through | Etta Jones | A Minor | 2 | 8A | 120 BPM | ||
| Willow Weep for Me | Dakota Staton | A Minor | 2 | 8A | 120 BPM | ||
| I Can't Get Started (With You) | Vernon Duke, Nancy Wilson, John Williams, Boston Pops Orchestra | G Major | 1 | 9B | 98 BPM | ||
| Taking A Chance On Love | Anita O'Day, Oscar Peterson Quartet | F Major | 2 | 7B | 139 BPM | ||
| Our Love Will Always Be There | Diane Schuur | A♭ Minor | 4 | 1A | 111 BPM | ||
| Change Partners | Fred Astaire | F Major | 0 | 7B | 81 BPM |