Behold, O God Our Defender by Herbert Howells, Stephen Layton, Eleanor Kornas, The Choir Of Trinity College, Cambridge Song Details

"Behold, O God Our Defender" by Herbert Howells, Stephen Layton, Eleanor Kornas, The Choir Of Trinity College, Cambridge had its release date on April 1, 2016. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Herbert Howells, Stephen Layton, The Choir Of Trinity College, Cambridge's "Howells: Collegium Regale & Other Choral Works" album is number 13 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Behold, O God Our Defender is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Behold, O God Our Defender by Herbert Howells, Stephen Layton, Eleanor Kornas, The Choir Of Trinity College, Cambridge to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Music Key

This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 4%
Loudness: -22.335 dB
Acousticness: 95%
Danceability: 13%
Energy: 10%
Instrumentalness: 98%
Liveness: 9%
Loudness: 63%
Speechiness: 4%
Valence: 4%

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