- BPM
- 73
- Key
- F Major
- Camelot
- 7B
Macbeth: Act II: Salve, O Re! (Chorus, Macbeth, Lady Macbeth, a Lady's Maid, Macduff) by Giuseppe Verdi, Giuseppe Altomare, Olha Zhuravel, Pavel Kudinov, Rubens Pelizzari, Marco Voleri, Luca Dall'Amico, William Corro, Andrea Pistolesi, Coro Lirico Marchigiano 'V. Bellini', Marchigiana Philharmonic Orchestra, Daniele Callegari Song Details
Giuseppe Verdi, Giuseppe Altomare, Olha Zhuravel, Pavel Kudinov, Rubens Pelizzari, Marco Voleri, Luca Dall'Amico, William Corro, Andrea Pistolesi, Coro Lirico Marchigiano 'V. Bellini', Marchigiana Philharmonic Orchestra, Daniele Callegari's ' "Macbeth: Act II: Salve, O Re! (Chorus, Macbeth, Lady Macbeth, a Lady's Maid, Macduff)" was released on its scheduled release date, September 29, 2009. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Macbeth: Act II: Salve, O Re! (Chorus, Macbeth, Lady Macbeth, a Lady's Maid, Macduff)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi, G.: Macbeth (Sferisterio Opera Festival, 2007) by Giuseppe Verdi, Daniele Callegari. The song's track number on the album is #17 out of 33 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Macbeth: Act II: Salve, O Re! (Chorus, Macbeth, Lady Macbeth, a Lady's Maid, Macduff) is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
BPM and Tempo
Since Macbeth: Act II: Salve, O Re! (Chorus, Macbeth, Lady Macbeth, a Lady's Maid, Macduff) by Giuseppe Verdi, Giuseppe Altomare, Olha Zhuravel, Pavel Kudinov, Rubens Pelizzari, Marco Voleri, Luca Dall'Amico, William Corro, Andrea Pistolesi, Coro Lirico Marchigiano 'V. Bellini', Marchigiana Philharmonic Orchestra, Daniele Callegari has a tempo of 73 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Macbeth: Act II: Salve, O Re! (Chorus, Macbeth, Lady Macbeth, a Lady's Maid, Macduff) being at 73 BPM, the half-time would be 36 BPM with a double-time of 146 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
Music Key
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -22.425 dB
- Acousticness
- 97%
- Danceability
- 65%
- Energy
- 10%
- Instrumentalness
- 1%
- Liveness
- 10%
- Loudness
- 63%
- Speechiness
- 12%
- Valence
- 51%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sogno | Francesco Paolo Tosti, Carlo Bergonzi, Orchestra Da Camera Di Roma, Edoardo Muller | A♭ Major | 1 | 4B | 91 BPM | |
 | Le veau d'or - from Faust | Charles Gounod, Erwin Schrott, Daniele Rustioni | C Minor | 5 | 5A | 121 BPM | |
 | Aida / Act 2: Chi mai fra gl'inni e i plausi | Giuseppe Verdi, Elena Obraztsova, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A♭ Major | 0 | 4B | 81 BPM | |
 | Bizet: Carmen, WD 31, Act 1: "Sur la place, chacun passe" (Chœur, Moralès) | Georges Bizet, Michel Plasson, Les Éléments, Ludovic Tezier, Orchestre National Du Capitole De Toulouse | B♭ Major | 1 | 6B | 107 BPM | |
 | Carmen, WD 31, Act II: Toreador Song. Votre toast, je peux vous le rendre | Georges Bizet, Alexandrina Milcheva, Nikola Nikolov, Liliana Vassileva, Nicola Ghiuselev, Stefka Popangelova, Tsvetanka Arshinkova, Milen Paounov, Verter Vrachovsky, Pavel Gerdjikov, Georgi Genov, Sofia National Opera Chorus, Sofia National Opera Orchestr | F Minor | 4 | 4A | 115 BPM | |
 | Il barbiere di Siviglia (The Barber of Seville): Act I No. 2: Cavatina: Largo al factotum della citta | Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will Humburg | C Major | 3 | 8B | 76 BPM | |
| Bizet: Carmen, WD 31, Act 1: Séguedille et Duo. "Près des remparts de Séville" (Carmen, Don José) | Georges Bizet, Miichel Plasson, Angela Gheorghiu, Roberto Alagna, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Major | 1 | 9B | 90 BPM | |
 | La bohème, Act II: Quando men vo – Fuori il danaro! | Giacomo Puccini, Elizabeth Harwood, Michel Sénéchal, Mirella Freni, Luciano Pavarotti, Nicolai Ghiaurov, Rolando Panerai, Gianni Maffeo, Schöneberger Sängerknaben, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 3 | 4B | 182 BPM | |
 | Lohengrin, WWV 75, Act III: Treulich geführt ziehet dahin "Bridal Chorus" | Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Wiener Staatsopernchor, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 75 BPM | |
| Bizet: Carmen, WD 31, Act 2: Chanson bohème. "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès) | Georges Bizet, Michel Plasson, Angela Gheorghiu, Elizabeth Vidal, Isabelle Cals, Orchestre National Du Capitole De Toulouse | C Major | 2 | 8B | 137 BPM | |
 | Macbeth: Overture (Preludio) | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D♭ Major | 1 | 3B | 81 BPM | |
 | Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | |
 | La Gioconda / Act 1: Feste! Pane! Feste! | Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | B♭ Major | 4 | 6B | 67 BPM | |
 | Lohengrin, Act III: Prelude (Concert Ending) | Richard Wagner, Wiener Philharmoniker, Karl Böhm | B♭ Major | 3 | 6B | 134 BPM | |
 | Pagliacci / Act 1: "Recitar!...Vesti la giubba" | Ruggero Leoncavallo, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Minor | 4 | 9A | 81 BPM | |
 | La Bohème / Act I: "Quando Me'n Vò" | Giacomo Puccini, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | F♯ Minor | 2 | 11A | 135 BPM | |
 | Nabucco: Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves) | Renato Cellini, Robert Shaw | A♭ Major | 1 | 4B | 168 BPM | |
 | Puccini: Madama Butterfly, Act 2: "Un bel di vedremo" (Butterfly) | Giacomo Puccini, Maria Callas, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano | D♭ Major | 2 | 3B | 77 BPM | |
 | Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM | |
 | Don Giovanni, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Robert Lloyd, Thomas Allen, Simone Alaimo, Ambrosian Opera Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 3 | 6B | 78 BPM | |
| Carmen, WD 31, Act I: Dans l'air nous suivons des yeux la fumee | Georges Bizet, Alexandrina Milcheva, Nikola Nikolov, Liliana Vassileva, Nicola Ghiuselev, Stefka Popangelova, Tsvetanka Arshinkova, Milen Paounov, Verter Vrachovsky, Pavel Gerdjikov, Georgi Genov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Ivan Marinov | E Major | 1 | 12B | 78 BPM | |
 | Les Voici! Voici La Quadrille (Carmen) | Georges Bizet, Choir and Orchestra of the Budapest State Opera | F Major | 1 | 7B | 77 BPM | |
 | Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | |
 | Don Pasquale / Act 3: "Com'è gentil...tornami a dir" | Gaetano Donizetti, Juan Diego Flórez, Andrea Menafra, Rossella Perrone, Giulio Patara, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A Major | 1 | 11B | 67 BPM | |
| La bohème, Act I: Abasso, abbasso l'autor! | Giacomo Puccini, Luciano Pavarotti, Rolando Panerai, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 85 BPM |
- ISRC
- HKI190870117
- Label
- L-M Records/RCA Records