Constantijn Huygens, Rima Khcheich, Maarten Ornstein, Mike Fentross's 'Que ferons nous' had a release date set for March 15, 2019. This song is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Ombre de mon amant". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Netherlands. Que ferons nous is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Que ferons nous by Constantijn Huygens, Rima Khcheich, Maarten Ornstein, Mike Fentross having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Purcell: Dido and Aeneas, Z. 626, Act I: Ah Belinda! | Henry Purcell, Thomas Dunford, Lea Desandre, Jupiter | F♯ Major | 1 | 2B | 77 BPM | ||
| Suite from Taffel-Consort: Volta | Thomas Simpson, Boreas Quartett Bremen | A♭ Major | 1 | 4B | 75 BPM | ||
| Sonate pour le violon et le clavecin in D Minor: II. Presto | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | D♭ Major | 0 | 3B | 138 BPM | ||
| Pederzuoli: Orfeo Chamán, Act 3: Sinfonia | Giovanni Battista Pederzuoli, Christina Pluhar, L'Arpeggiata | C Minor | 1 | 5A | 102 BPM | ||
| Couperin, L: La Piémontoise, G. 102 (Transcr. Pierlot) | Louis Couperin, Philippe Pierlot, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Thibaut Roussel | E♭ Major | 0 | 5B | 67 BPM | ||
| Olimpiade, RV 725: Gemo in un punto - Arr. for Voice & Piano | Antonio Vivaldi, Théophile Alexandre, Guillaume Vincent | E Minor | 3 | 9A | 75 BPM | ||
| Couperin, L: Suite en fa: IV. Sarabande, G. 74 (Transcr. Pierlot) | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | C Minor | 2 | 5A | 138 BPM | ||
| Pasacalles de cuarto tono, WSC 102 - Version for Consort of 4 Viols and Harp | Juan Cabanilles, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger, Giovanna Pessi | A♭ Minor | 1 | 1A | 91 BPM | ||
| Gaspar Sanz: Canarios - For Baroque Guitar and Colascione | Gaspar Sanz, Andreas Nachtsheim, Klaus Mader | D♭ Major | 1 | 3B | 173 BPM | ||
| Requiem en Do Mineur à la mémoire de Louis XVI: I. Introitus and Kyrie - Live Recording at La Chapelle Royale du Château de Versailles | Luigi Cherubini, Le Concert Spirituel, Herve Niquet | G Major | 1 | 9B | 142 BPM | ||
| Arie, Op. 8: No. 6, Che si può fare | Barbara Strozzi, Laura Catrani, Accademia dell'Annunciata, Riccardo Doni | C Minor | 1 | 5A | 106 BPM | ||
| Oh Gottes Stadt, BuxWV 87 | Dietrich Buxtehude, Martin Platz, Wolfgang Katschner, Lautten Compagney | C Minor | 1 | 5A | 106 BPM | ||
| Sonata in A Minor, Op. 34 No. 6 (Arr. for Oboe Band by La Petite Écurie): I. Adagio | Joseph Bodin de Boismortier, La Petite Écurie | D♭ Major | 1 | 3B | 107 BPM | ||
| Il bianco e dolce cigno | Jacques Arcadelt, Cappella Mediterranea, Leonardo García-Alarcón | A Minor | 1 | 8A | 131 BPM | ||
| Radamisto, HWV 12: Ombra cara - Arr. for Voice & Piano | George Frideric Handel, Théophile Alexandre, Guillaume Vincent | D Minor | 1 | 7A | 71 BPM | ||
| Arne: When Daisies Pied (The Cuckow) | Thomas Arne, Malena Ernman, L'Arpeggiata, Christina Pluhar | F Major | 1 | 7B | 88 BPM | ||
| Rosary Sonata No. 2 in A Major "Mariæ Heimsuchung": I. Sonata | Heinrich Ignaz Franz von Biber, Leila Schayegh, La Centifolia | C Minor | 1 | 5A | 106 BPM | ||
| Symphony of Saints: IV. Saint Cuthbert - the Pious | Martin Romberg, Joanne Lunn, Orchestra of the Swan, Andrew Griffiths | C Minor | 1 | 5A | 106 BPM | ||
| Pathodia Sacra: Pathodia Sacra: Erravi Domine | Constantijn Huygens, Anne Grimm, Leo Van Doeselaar, Peter Kooij, Mike Fentross, Mieneke van der Velden | D♭ Minor | 1 | 12A | 128 BPM | ||
| Que ferons-nous | Constantijn Huygens, Camerata Trajectina | A Minor | 0 | 8A | 106 BPM | ||
| Vergine Bella | Marco Da Gagliano, Musica Sequenza, BURAK | A Major | 0 | 11B | 84 BPM | ||
| Strozzi: L’amante segreto (Arr. Pluhar) | Barbara Strozzi, Christina Pluhar, L'Arpeggiata, Céline Scheen | C Major | 2 | 8B | 118 BPM | ||
| Now Does the Glorious Day Appear, Z. 332 "Ode for Queen Mary's Birthday": No. 7, By Beauteous Softness | Henry Purcell, Paul-Antoine Benos-Djian, Le Consort | D♭ Minor | 0 | 12A | 71 BPM | ||
| Ground in A Minor | Christopher Simpson, Mika Suihkonen, Ballo della Battalia | A Major | 1 | 11B | 113 BPM | ||
| Domine In Furore | Constantijn Huygens, Camerata Trajectina | A Minor | 0 | 8A | 106 BPM |