Kurt Weill, Basel Sinfonietta, Mark Fitz-Gerald's 'Suite panaméenne: I. Introduction - Tango - Remastered 2023' had a release date set for April 14, 2023. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Suite panaméenne: I. Introduction - Tango - Remastered 2023's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weill: Die sieben Todsünden, Suite panaméenne & Die Dreigroschenoper Suite (Remastered 2023) by Kurt Weill, Serena Wey, Basel Sinfonietta, Mark Fitz-Gerald. The song's track number on the album is #16 out of 21 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Suite panaméenne: I. Introduction - Tango - Remastered 2023's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Suite panaméenne: I. Introduction - Tango - Remastered 2023 by Kurt Weill, Basel Sinfonietta, Mark Fitz-Gerald has a tempo of 122 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Suite panaméenne: I. Introduction - Tango - Remastered 2023 being at 122 BPM, the half-time would be 61 BPM with a double-time of 244 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Winterreise, D911: Die Krähe | Franz Schubert, Jonas Kaufmann, Helmut Deutsch | F Minor | 0 | 4A | 120 BPM | ||
| Adagio: Sonata No.3 In E BWV 1016 | The Swingle Singers | F♯ Minor | 1 | 11A | 100 BPM | ||
| 3 Old Viennese Dances: Liebesleid | Fritz Kreisler, Victor Symphony Orchestra, Charles O'Connell | F Major | 3 | 7B | 104 BPM | ||
| 7 Chansons grises: No. 5, L'heure exquise | Reynaldo Hahn, Anne Sofie von Otter, Bengt Forsberg | B♭ Major | 0 | 6B | 67 BPM | ||
| The Eternal Road, Act III, the Kings, Scene 24 (cont.): Ruth and Boaz | Kurt Weill, Sigurd Brauns, Ted Christopher, Ian DeNolfo, Karl Dent, Constance Hauman, James Maddalena, Barbara Rearick, Vale Rideout, Manfred Roost, Hanna Wollschlager, Ernst Senff Chor Berlin, Berlin Radio Children's Choir, Rundfunk-Sinfonieorchester Ber | F Major | 2 | 7B | 127 BPM | ||
| Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
| Die Dreigroschenoper: Akt II, Die Zuhälterballade ("In einer Zeit, die nun vergangen ist") | Kurt Weill, Erich Schellow, Wolfgang Neuss, Lotte Lenya, Wilhelm Brückner-Rüggeberg | G Major | 1 | 9B | 130 BPM | ||
| L'Heure exquise | Reynaldo Hahn, Susan Graham | D♭ Major | 0 | 3B | 79 BPM | ||
| Riessler: Bachmachine | Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | ||
| Bachianas Brasileiras No. 5, W389: I. Ária (Arr. for Theremin & Cello Ensemble) | Heitor Villa-Lobos, Clara Rockmore, Dorothy Lawson, Robert Burkhardt, Mairi Dorman-Phaneuf, Sara Hewitt-Roth, Ludmila Konstantinova, Jessie Reagen, Peter Sachon, Caroline Stinson | G Major | 0 | 9B | 73 BPM | ||
| Wenn ich mir was wünschen dürfte | Marlene Dietrich | C Major | 7 | 8B | 111 BPM | ||
| Harold en Italie, Op. 16, H. 68: 2. Marche de pèlerins chantant la prière du soir. Allegretto - Live | Hector Berlioz, Tabea Zimmermann, Les Siècles, François-Xavier Roth | E Major | 0 | 12B | 87 BPM | ||
| Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
| Podrugi (Girl Friends), Op. 41a [reconstructed by M. Fitz-Gerald]: Zamuchen tiazheloi nevolei [Tormented by a Lack of Freedom] [reconstructed by M. Fitz-Gerald] | Dmitri Shostakovich, Agnieszka Bochenek-Osiecka, Aleksandra Poniszowska, Elzbieta Starczynowska, Sabina Myrczek, Adam Myrczek, Camerata Silesia, Celia Sheen, Polish National Radio Symphony Orchestra, Mark Fitz-Gerald | A♭ Major | 0 | 4B | 169 BPM | ||
| Vocalise, Op. 34, No. 14 - Remastered | Sergei Rachmaninoff, Anna Moffo, American Symphony Orchestra, Leopold Stokowski | D Major | 1 | 10B | 100 BPM | ||
| Prince Igor, Act II: Polovtsian Dances, Dance IV | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | G Major | 3 | 9B | 105 BPM | ||
| Walton: Façade: VII. Lullaby for Jumbo | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Michael Flanders | A Minor | 0 | 8A | 87 BPM | ||
| Ich hab' noch einen Koffer in Berlin | Marlene Dietrich | C Major | 7 | 8B | 111 BPM | ||
| Cantade: Usurpator tiranno (Arr. For jazz ensemble) | Roberta Mameli, La Venexiana, Claudio Cavina | G Minor | 1 | 6A | 68 BPM | ||
| Aufstieg und Fall der Stadt Mahagonny: Sie soll sein wie ein Netz... - Aber dieses ganze Mahagonny ist nur... | Kurt Weill, Wilhelm Brückner-Rüggeberg, Norddeutsches Radio Orchester | D Minor | 3 | 7A | 89 BPM | ||
| Offenbach: Orphée aux enfers: Overture | Jacques Offenbach, Marc Minkowski, Orchestre de Chambre de Grenoble, Orchestre de l'Opéra de Lyon | G Major | 2 | 9B | 127 BPM | ||
| Cold Song | Henry Purcell, Mathieu Salama | C Minor | 2 | 5A | 195 BPM | ||
| Das Lied ist aus: "Frag nicht, warum ich gehe" | Robert Stolz, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra | D♭ Major | 1 | 3B | 75 BPM | ||
| Little Tragedies, Chapter 2 "Egyptian Nights": Waltz No. 1 | Alfred Schnittke, Rundfunk-Sinfonieorchester Berlin, Vladimir Jurowski | D Major | 0 | 10B | 96 BPM | ||
| Schubert : "Du bist die Ruh" D776 | Franz Schubert, Barbara Bonney | E♭ Major | 0 | 5B | 66 BPM |