Adam Crystal's ' "Chase To End" was released on its scheduled release date, July 26, 2019. With This song being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 17 in Bonding (Original Music from the Netflix Series) by Adam Crystal. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Chase To End's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Chase To End by Adam Crystal is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Knives Out! (String Quartet in G Minor) | Nathan Johnson | G Major | 3 | 9B | 115 BPM | ||
| Illustrious Prince | Laurent Dury, David Juritz, Ralph De Souza, Garfield Jackson, Dave Daniels, Philippa Davies, Anthony Pike, Rachel Gough, Simon Chamberlain | C Minor | 1 | 5A | 120 BPM | ||
| Le violon | François Liétout | F Minor | 6 | 4A | 116 BPM | ||
| Song for the Little Sparrow | Patricia Kaas | A Minor | 4 | 8A | 98 BPM | ||
| Con te partirò - 4 cellos | Francesco Sartori Frank Peterson y Lucio Quarantotto, Andrea Bocelli, Lidanys Graterol | D♭ Major | 5 | 3B | 139 BPM | ||
| Voyager, Concerto for Violin, Piano and Strings: III | Oliver Davis, Kerenza Peacock, Huw Watkins, Paul Bateman, London Symphony Orchestra | D Minor | 2 | 7A | 157 BPM | ||
| Never Before | Fabien Tell | G Major | 4 | 9B | 155 BPM | ||
| Movement 1 | Adam Crystal | B Minor | 1 | 10A | 113 BPM | ||
| Organic Flour | Tom Howe | D♭ Major | 3 | 3B | 172 BPM | ||
| Akram Khan's Giselle (After A. Adam): Ceremony | Vincenzo Lamagna, English National Ballet Philharmonic, Gavin Sutherland | B♭ Major | 1 | 6B | 139 BPM | ||
| Dark Magic | Niklas Wagner, TMS Sports | F♯ Minor | 4 | 11A | 101 BPM | ||
| Main Title | Carlos Rafael Rivera | C Major | 6 | 8B | 93 BPM | ||
| first dance | Katharine Petkovski | E♭ Minor | 1 | 2A | 146 BPM | ||
| Clever Strategist | Laurent Dury | C Major | 5 | 8B | 130 BPM | ||
| Flux De La Rivière | Howard Harper-Barnes | G Major | 5 | 9B | 138 BPM | ||
| Jack the Ripper Stalks His Victims: MGV 1st Region | Michael Nyman Band, Royal Liverpool Philharmonic Orchestra | E Minor | 4 | 9A | 120 BPM | ||
| Complexity | Frederic Sans | E Minor | 5 | 9A | 138 BPM | ||
| Time Machine Suite / Ostinato | Elisabeth Skornik, Guy Skornik | F Major | 2 | 7B | 94 BPM | ||
| Power Conundrum | Ronan Maillard | A Major | 5 | 11B | 127 BPM | ||
| The Hilltop | Max Richter | D Major | 5 | 10B | 80 BPM | ||
| Bons du trésor | Mathieu Lamboley | D♭ Major | 5 | 3B | 139 BPM | ||
| Dark Lies | Audiomachine, Harry Lightfoot | G Minor | 8 | 6A | 120 BPM | ||
| Smoo Ball Game | René Aubry | D♭ Major | 5 | 3B | 139 BPM | ||
| Quantum | Paul Barker | D Minor | 3 | 7A | 176 BPM | ||
| The Big Smoke | Audiomachine | C Minor | 3 | 5A | 160 BPM |