"マリエ" by Bread And Butter had its release date on 1980. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Bread And Butter's "Monday Morning" album is number 7 out of 10. On top of that, Japan appears to be the country where this track was created. マリエ is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of マリエ by Bread And Butter to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| サブタレニアン二人ぼっち - 2017 リマスター | Nanako Sato | D Major | 7 | 10B | 118 BPM | ||
| Saigo-no Tejina | Hiroshi Sato | F Major | 6 | 7B | 145 BPM | ||
| Sunshine Kiz | PIPER | E♭ Major | 6 | 5B | 109 BPM | ||
| リフレイン | Yurie Kokubu | A Minor | 7 | 8A | 133 BPM | ||
| BLUE NOTE | Tomoko Aran | A♭ Major | 4 | 4B | 87 BPM | ||
| とばしてTaxi Man | Yurie Kokubu | A Minor | 7 | 8A | 133 BPM | ||
| 何もいらない | RYUSENKEI, Hiyajo Atsuko | G Major | 6 | 9B | 102 BPM | ||
| 雨 | Kei Ishiguro | B♭ Major | 8 | 6B | 97 BPM | ||
| まわれ まわれ | Hiyajo Atsuko | E Minor | 6 | 9A | 96 BPM | ||
| 愛の炎 | Minako Yoshida | E Minor | 8 | 9A | 100 BPM | ||
| Hi-way 1 | 二名敦子 | G Major | 7 | 9B | 112 BPM | ||
| The Tokyo Taste | Sadistics, Raji, Alex | A♭ Major | 7 | 4B | 94 BPM | ||
| SUMMER EYES | Momoko Kikuchi | C Minor | 8 | 5A | 129 BPM | ||
| PARK Ave. 1981 | EPO | E Minor | 5 | 9A | 146 BPM | ||
| レティシア | Akira Inoue | D♭ Major | 5 | 3B | 95 BPM | ||
| 休日〜Holiday〜 | The CHANG | A Major | 7 | 11B | 103 BPM | ||
| MY GUY (CAFE Sign) | Hitomi Tohyama | A♭ Major | 4 | 4B | 147 BPM | ||
| Ocean Side | Momoko Kikuchi | A Major | 8 | 11B | 126 BPM | ||
| とどかぬ想い | Mariya Takeuchi | C Major | 7 | 8B | 166 BPM | ||
| Midnight Pretenders - 2022 restored version | Tomoko Aran | C Minor | 6 | 5A | 93 BPM | ||
| 一本の音楽 - 2012 Remaster | Kazuhito Murata | C Major | 9 | 8B | 147 BPM | ||
| TOKYO SKY BLUE | Hiroshi Takano | D Minor | 7 | 7A | 93 BPM | ||
| Glass no Sougen | Momoko Kikuchi | A♭ Minor | 8 | 1A | 167 BPM | ||
| 哀しみは夜の向こう | 間宮貴子 | E Minor | 5 | 9A | 91 BPM | ||
| Sexy Magic | 黒住憲五 | E♭ Major | 4 | 5B | 93 BPM |