"The Wasps, Act II: No. 9, Entr'acte and Introduction" by Ralph Vaughan Williams, Henry Goodman, Sir Mark Elder, Hallé had its release date on March 6, 2006. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. The Wasps, Act II: No. 9, Entr'acte and Introduction's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vaughan Williams: The Wasps by Ralph Vaughan Williams, Henry Goodman, Sir Mark Elder, Hallé. The song's track number on the album is #1 out of 28 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, The Wasps, Act II: No. 9, Entr'acte and Introduction's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since The Wasps, Act II: No. 9, Entr'acte and Introduction by Ralph Vaughan Williams, Henry Goodman, Sir Mark Elder, Hallé has a tempo of 126 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With The Wasps, Act II: No. 9, Entr'acte and Introduction being at 126 BPM, the half-time would be 63 BPM with a double-time of 252 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Irish Lament | Ernest John Moeran, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 131 BPM | ||
| Bernstein: Divertimento for Orchestra: II. Waltz | Leonard Bernstein, Paavo Järvi, City Of Birmingham Symphony Orchestra | G Major | 0 | 9B | 72 BPM | ||
| Pavane, Op. 50 | Gabriel Fauré, Sinfonieorchester Basel, Ivor Bolton | F♯ Minor | 0 | 11A | 66 BPM | ||
| Holberg Suite, Op. 40: IV. Air (Andante religioso) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | B♭ Major | 0 | 6B | 86 BPM | ||
| Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 81 BPM | ||
| 4 Characteristic Waltzes, Op. 22: No. 1 Valse Bohemienne | Samuel Coleridge-Taylor, RTE Concert Orchestra, Adrian Leaper | E Minor | 1 | 9A | 81 BPM | ||
| Florida Suite: II. By the River | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | G Major | 0 | 9B | 68 BPM | ||
| Copland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts) | Aaron Copland, Aurora Orchestra, Nicholas Collon | D♭ Major | 1 | 3B | 82 BPM | ||
| English Suite: Meditation | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 0 | 8A | 61 BPM | ||
| Serenade: Allegretto | William Mathias, Royal Ballet Sinfonia, Andrew Penny | E Minor | 0 | 9A | 118 BPM | ||
| The House of Life: No. 2, Silent Noon | Ralph Vaughan Williams, Anthony Rolfe Johnson, Graham Johnson, Simon Keenlyside, Duke Quartet | F Major | 3 | 7B | 150 BPM | ||
| Coastal Command Suite: Taking Off At Night | RTE Concert Orchestra, Ralph Vaughan Williams | B♭ Major | 0 | 6B | 138 BPM | ||
| English Pastoral Impressions: I. Spring Morning | John Farrar, Alasdair Mitchell, Philharmonic Orchestra, Howard Shelley | E♭ Major | 0 | 5B | 101 BPM | ||
| Vaughan Williams: Symphony No. 7 "Sinfonia Antartica": V. Epilogue. Alla marcia, moderato | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Chorus, Patricia Rozario, BBC Symphony Orchestra | C Major | 1 | 8B | 109 BPM | ||
| Scheherezade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | G Major | 1 | 9B | 92 BPM | ||
| Lyric for Strings | George Walker, Chicago Sinfonietta, Paul Freeman | F♯ Major | 0 | 2B | 102 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
| Sibelius : Symphony No.5 in E flat major Op.82 : II Andante mosso, quasi allegretto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Major | 0 | 9B | 142 BPM | ||
| The Tender Land Suite: I. Introduction and Love Music | Aaron Copland, Elgin Symphony Orchestra, Robert Hanson | D Major | 3 | 10B | 73 BPM | ||
| Berceuse, Op. 16 | Gabriel Fauré, Cocomi, Niu Niu | A Minor | 1 | 8A | 129 BPM | ||
| I. Allegro scherzando | George Butterworth, BBC National Orchestra Of Wales, Kriss Russman | F Major | 1 | 7B | 78 BPM | ||
| Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
| Song for Athene | John Tavener, Tenebrae | B♭ Major | 0 | 6B | 140 BPM | ||
| Suite from "The Victorian Kitchen Garden": I. Prelude. Andante pastorale | Paul Reade, Michael Collins, Michael McHale | B♭ Major | 0 | 6B | 67 BPM | ||
| Symphony No. 5 in D Major: III. Romanza: Lento | Ralph Vaughan Williams, Bournemouth Symphony Orchestra, Kees Bakels | D♭ Minor | 1 | 12A | 92 BPM |