"How Beautiful Are the Feet" by The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Sonya Yoncheva had its release date on March 4, 2016. The duration of This song is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. How Beautiful Are the Feet's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Tabernacle Choir at Temple Square, Orchestra at Temple Square's "Handel's Messiah" album is number 39 out of 54. On top of that, United States appears to be the country where this track was created. In terms of popularity, How Beautiful Are the Feet is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of How Beautiful Are the Feet by The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Sonya Yoncheva to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ein deutsches Requiem, Op. 45: IV. Wie lieblich sind deine Wohnungen, Herr Zebaoth | Johannes Brahms, Collegium Vocale Gent, La Chapelle Royale, Orchestre des Champs-Élysées, Philippe Herreweghe | E♭ Major | 0 | 5B | 98 BPM | ||
| Praise To The Lord | The Concordia Choir | A Major | 2 | 11B | 67 BPM | ||
| 惟一最愛是你 | 水流之音聖樂團 | C Major | 1 | 8B | 78 BPM | ||
| Shelter Your Name | The University Of Notre Dame Folk Choir, J.J. Wright | D Major | 2 | 10B | 75 BPM | ||
| Missa brevis In C, K.220 "Spatzenmesse": 2. Gloria | Wolfgang Amadeus Mozart, Edith Mathis, Tatiana Troyanos, Horst Laubenthal, Kieth Engen, Bavarian Radio Symphony Orchestra, Rafael Kubelík, Regensburger Domspatzen, Hans Schrems | C Major | 2 | 8B | 120 BPM | ||
| Gloria in D Major, RV 589: VII. Domine, fili unigenite | Antonio Vivaldi, Le Concert Spirituel, Herve Niquet | A Major | 1 | 11B | 114 BPM | ||
| Here is the Man | Hilgrove Kenrick, Ǣfendrēama, Chloe May Evans | F Minor | 3 | 4A | 138 BPM | ||
| Gloria in D Major, R. 589 - G.Ricordi 1970, Ed. Malipiero: VIII. Domine Deus, Agnus Dei | Antonio Vivaldi, Catherine Denley, The English Concert, Trevor Pinnock, The English Concert Choir | E♭ Major | 2 | 5B | 144 BPM | ||
| But Thanks Be to God | The Tabernacle Choir at Temple Square, Orchestra at Temple Square | E♭ Major | 1 | 5B | 174 BPM | ||
| Vivaldi: Magnificat in G Minor, RV 611: X. Sicut locutus (Ed. Malipiero) | Antonio Vivaldi, Riccardo Muti, Lucia Valentini Terrani, New Philharmonia Orchestra | C Major | 1 | 8B | 101 BPM | ||
| Rejoice, the Lord Is King! | Ryan Murphy, The Tabernacle Choir at Temple Square, Orchestra at Temple Square | B Minor | 2 | 10A | 72 BPM | ||
| I Need Thee Every Hour | Robert Lowry, Craig Jessop, The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Christopher Cock | F Major | 0 | 7B | 83 BPM | ||
| Gesu al Calvario, ZWV 62: Coro di Giudei: Si crocifigga il Nazareno (Chorus) | Jan Dismas Zelenka, David Cordier, Ingrid Schmithusen, Larissa Malikowa, Lena Susanne Norin, Kai Wessel, Rheinische Kantorei, Das Kleine Konzert, Hermann Max | F♯ Minor | 3 | 11A | 118 BPM | ||
| Blessed Be That Maid Mary | St Martin's Voices | F Major | 1 | 7B | 88 BPM | ||
| Mass No. 2 in G Major, D. 167: III. Credo | Franz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | G Major | 1 | 9B | 131 BPM | ||
| Mass in B Minor, BWV 232: Credo in unum Deum | Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 4 | 3B | 193 BPM | ||
| Sleep, Little One | Baylor University Choir | G Major | 1 | 9B | 87 BPM | ||
| With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM | ||
| For the Beauty of the Earth | Oasis Chorale | B♭ Major | 2 | 6B | 115 BPM | ||
| The Creation, Hob.XXI,2: Pt. 1, With Verdure Clad the Fields Appear Delightful | Joseph Haydn, Handel and Haydn Society, Sarah Tynan, Harry Christophers | B♭ Major | 1 | 6B | 120 BPM | ||
| Durch sein Erkenntnis, JLB 15: I. Durch sein Erkenntnis | Johann Ludwig Bach, Sebastian Myrus, Capella Sollertia, Johanna Soller | F♯ Minor | 1 | 11A | 98 BPM | ||
| Brahms: How Lovely are Thy Dwellings | The Choir Of Waltham Abbey, Stuart Nicholson | E♭ Major | 1 | 5B | 125 BPM | ||
| Mass No.2 in G Major, D.167: III. Credo | Franz Schubert, Linda Kitchen, Ian Hare, Denis McCaldin, Haydn Society Orchestra | F Major | 0 | 7B | 159 BPM | ||
| Missa Festiva (Sanctus) | John Leavitt, Pěvecký sbor Stojanova gymnázia Velehrad, Cimbálová muzika Stojanova gymnázia Velehrad | D Major | 3 | 10B | 69 BPM | ||
| Stabat Mater, P. 77: VII. Alto. Eia mater, fons amoris | Giovanni Battista Pergolesi, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 125 BPM |