"The Creation, Hob.XXI,2: Pt. 1, With Verdure Clad the Fields Appear Delightful" by Joseph Haydn, Handel and Haydn Society, Sarah Tynan, Harry Christophers had its release date on 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Joseph Haydn, Handel & Haydn Society, Harry Christophers's "Haydn: The Creation & The Paris Symphonies" album is number 9 out of 56. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, The Creation, Hob.XXI,2: Pt. 1, With Verdure Clad the Fields Appear Delightful's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Creation, Hob.XXI,2: Pt. 1, With Verdure Clad the Fields Appear Delightful by Joseph Haydn, Handel and Haydn Society, Sarah Tynan, Harry Christophers to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Missa Sancti Gabrielis: Kyrie - Live-Version | Michael Haydn, Kyrios.badia | G Major | 0 | 9B | 142 BPM | ||
| Missa brevis in C Major, K. 220 "Spatzenmesse": II. Gloria | Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Angela Maria Blasi, Uwe Heilmann, Concentus Musicus Wien, Arnold Schönberg Choir | B Major | 1 | 1B | 126 BPM | ||
| Das Sühnopfer des neuen Bundes, Pt. 1: No. 3, Da nun Jesus war zu Bethanien | Carl Loewe, Monika Mauch, L'Arpa Festante Baroque Orchestra, Thomas Gropper | E♭ Major | 1 | 5B | 168 BPM | ||
| Te Deum in C Major, Hob. XXIIIc:2: II. Te ergo quaesumus. Adagio | Joseph Haydn, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir | C Major | 0 | 8B | 70 BPM | ||
| Dido and Aeneas / Act 1: "Whence could so much virtue spring?...Fear no danger" | Henry Purcell, Jessye Norman, Marie McLaughlin, Elizabeth Gale, English Chamber Orchestra, Raymond Leppard | C Major | 1 | 8B | 79 BPM | ||
| Mass in C Major, Op. 86: IV. Sanctus | Ludwig van Beethoven, Sir Colin Davis, London Symphony Orchestra, London Symphony Chorus | B Minor | 1 | 10A | 137 BPM | ||
| The Creation, Hob.XXI,2: Pt. 3, Graceful Consort! | Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Matthew Brook, Harry Christophers | B♭ Major | 0 | 6B | 120 BPM | ||
| Mass No.2 in G Major, D.167: I. Kyrie | Franz Schubert, Linda Kitchen, Ian Hare, Denis McCaldin, Haydn Society Orchestra | F Major | 0 | 7B | 159 BPM | ||
| Gloria, ZWV 30: V. Qui sedes | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Vaclav Luks | D Major | 1 | 10B | 102 BPM | ||
| Seydelmann: Il Turco in Italia, Act 1: "Girate quel guardo" (Selim) | Franz Seydelmann, Bruno de Sá, Jarosław Thiel, Wrocław Baroque Orchestra | B♭ Major | 1 | 6B | 120 BPM | ||
| Vivaldi: Magnificat in G Minor, RV 610b: V. Esurientes | Antonio Vivaldi, Andrew Parrott, Emily Van Evera, Nancy Argenta, Taverner Players | B♭ Major | 1 | 6B | 177 BPM | ||
| Tilge, Höchster, meine Sünden, BWV 1083: Missetaten, die mich drucken (Soprano, Alto) | Johann Sebastian Bach, Christiane Oelze, Birgit Remmert, Bach-Collegium Stuttgart, Helmuth Rilling | G Minor | 1 | 6A | 48 BPM | ||
| Elijah, Op. 70, MWV A25 / Part 1: "Woe, woe unto them who forsake Him!" | Felix Mendelssohn, Patricia Bardon, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | E Major | 1 | 12B | 83 BPM | ||
| Sinfonia Concertante in B-Flat Major, Hob. I:105: III. Allegro con spirito | Joseph Haydn, Andrius Puskunigis, Michael Kaulartz, Woitek Garbowski, Pirkko Langer, Heidelberg Symphony Orchestra, Thomas Fey | B♭ Major | 1 | 6B | 136 BPM | ||
| Missa brevis Sancti Joannis de Deo "Little Organ Mass" XXII:7: Credo - Allegro - Adagio - Allegro | American Bach Soloists | B♭ Major | 1 | 6B | 63 BPM | ||
| Die Zauberflöte, K. 620, Act I: Rezitativ - Die Weisheitslehre dieser Knaben | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | D♭ Major | 1 | 3B | 125 BPM | ||
| Requiem: Requiem: V. 4. Coro. Mors stupebit | Johann Christian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | F Minor | 2 | 4A | 113 BPM | ||
| H.M.S. Pinafore / Act 1: Can I survive this overbearing | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Donald Adams, Joyce Wright, George Cook, Jean Hindmarsh, Gillian Knight, Eric Wilson-Hyde, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | E♭ Major | 3 | 5B | 130 BPM | ||
| Purcell: Dido and Aeneas, Z. 626, Act 2: Song. "Oft She Visits This Lone Mountain" (Second Woman) | Henry Purcell, Emmanuelle Haïm, Le Concert d'Astrée, Cécile de Boever | D♭ Minor | 2 | 12A | 137 BPM | ||
| Zimmermann: Concerto for Two Bassoons - III. Allegro in F Major: III. Allegro | Anton Zimmermann, Risonanza Praga, Ondřej Šindelář, Sergio Azzolini | A Minor | 1 | 8A | 94 BPM | ||
| XIV. Lebe, teurer Leopold! | Georg Philipp Telemann, Elena Harsányi, Georg Poplutz, Thomas Bonni, Kölner Akademie, Michael Alexander Willens | E Major | 1 | 12B | 102 BPM | ||
| Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Credo: Credo in unum Deum | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 3 | 10B | 121 BPM | ||
| Petite messe solennelle, Credo: XIII. Et vitam venturi | Gioachino Rossini, Krassimira Stoyanova, Birgit Remmert, Steve Davislim, Hanno Müller-Brachmann, RIAS Kammerchor, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus Creed | E Major | 2 | 12B | 114 BPM | ||
| Dido and Aeneas / Act 3: The sailor's Dance..."See the flags...Destruction'sour delight" - The Witches' Dance | Henry Purcell, Patricia Kern, Helen Walker, Della Jones, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | B♭ Major | 1 | 6B | 101 BPM | ||
| Stabat Mater (Hob. XXbis) 1767: II. O quam tristis et afflicta | Joseph Haydn, Catherine Robbin, The English Concert, Trevor Pinnock | G Minor | 1 | 6A | 73 BPM |