"Man In A Red Suit" by Junkie XL had its release date on 2016. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Man In A Red Suit's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 23 in Deadpool (Original Soundtrack Album) by Junkie XL. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Man In A Red Suit is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Man In A Red Suit by Junkie XL is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Amazons Of Themyscira | Rupert Gregson-Williams | E Minor | 2 | 9A | 80 BPM | ||
| The Rampant Hunter | Henry Jackman | A Major | 6 | 11B | 150 BPM | ||
| To Q Zone | Alexandre Desplat | A Minor | 1 | 8A | 88 BPM | ||
| Apocalypse | John Ottman | B♭ Major | 2 | 6B | 84 BPM | ||
| Approaching the Beach | John Murphy | C Major | 4 | 8B | 205 BPM | ||
| Immortan's Citadel | Junkie XL | A♭ Major | 4 | 4B | 124 BPM | ||
| From Man to God King | Junkie XL | F Minor | 3 | 4A | 80 BPM | ||
| Escalation | Jóhann Jóhannsson | G Minor | 4 | 6A | 126 BPM | ||
| Spores | Jed Kurzel | G Major | 2 | 9B | 85 BPM | ||
| Order 66 | Natalie Holt | B♭ Minor | 1 | 3A | 80 BPM | ||
| This Is War | Atticus Ross, Leopold Ross, Nick Chuba | A♭ Minor | 1 | 1A | 173 BPM | ||
| Dr. Gordon Montage | Charlie Clouser | F Minor | 8 | 4A | 137 BPM | ||
| It's Not Even Breakfast | Ron Fish, Nick Arundel | E♭ Major | 2 | 5B | 75 BPM | ||
| A Foggy Night in London | Joe Kraemer | C Major | 4 | 8B | 138 BPM | ||
| The Worst of the Worst | Steven Price | D Minor | 5 | 7A | 149 BPM | ||
| History of Artemisia | Junkie XL | F Major | 9 | 7B | 80 BPM | ||
| Water - Extended Version | Junkie XL | A♭ Major | 4 | 4B | 151 BPM | ||
| Download To Rubik | Adam Peters | G Minor | 2 | 6A | 96 BPM | ||
| Parachute | Steven Price | A Major | 2 | 11B | 139 BPM | ||
| They're Coming | Rob Simonsen | A♭ Major | 6 | 4B | 110 BPM | ||
| Ronin | Christophe Beck, Michael Paraskevas | E Major | 2 | 12B | 96 BPM | ||
| He Who Remains | Natalie Holt | F♯ Major | 6 | 2B | 135 BPM | ||
| The Bank | Jóhann Jóhannsson | E Minor | 3 | 9A | 180 BPM | ||
| Entering Enemy Territory | Pinar Toprak | D♭ Major | 3 | 3B | 139 BPM | ||
| Just Begun Your Test | Charlie Clouser | G Major | 4 | 9B | 137 BPM |