ダニエル・ルブラン's ' "Warp Drive" was released on its scheduled release date, July 5, 2019. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 42 in the song's album "Score Music Library From Daniel LeBlanc (Vol.6 Rock)". In this album, this song's track order is #39. Furthermore, we believe that the track originated from Japan. The popularity of Warp Drive is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Warp Drive by ダニエル・ルブラン having a BPM of 176 with a half-time of 88 BPM and a double-time of 352 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Violin Concerto No. 2, Op. 89a: II. Aria | Alan Hovhaness, Zina Schiff, Salzburg Chamber Soloists, Avlana Eisenberg | F Major | 2 | 7B | 85 BPM | ||
| Chanson triste | Vasily Kalinnikov, Metamorphose String Orchestra, Pavel Lyubomudrov | G Minor | 3 | 6A | 144 BPM | ||
| Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): IV. Danse des garçons | Alexander Borodin, Anima Eterna, Jos Van Immerseel | D Major | 2 | 10B | 104 BPM | ||
| Tre Danze Latine: I. Contradanza - Clarinet and Piano | Michele Mangani, Seunghee Lee, Steven Beck | A Minor | 0 | 8A | 142 BPM | ||
| Ballet Suite No. 1 (arr. L. Atovmyan): Romance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | F Major | 1 | 7B | 90 BPM | ||
| Verdiana (Version for Clarinet & String Orchestra): II. Un bossa in maschera | Alexey Shor, Fabrizio Meloni, Kyiv Virtuosi, Daniel Raiskin | F Major | 3 | 7B | 81 BPM | ||
| Adagio in G Minor (Arr. for Harp and Orchestra) | Tomaso Albinoni, Remo Giazotto, Stefan Klieme, Xavier De Maistre, L'Arte del mondo | C Minor | 1 | 5A | 175 BPM | ||
| Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
| Britten: Soirées musicales, Op. 9: IV. Bolero | Benjamin Britten, English Chamber Orchestra, Alexander Gibson | G Minor | 0 | 6A | 73 BPM | ||
| Schwanengesang, D. 957: No. 4, Ständchen (Transcr. for Cello and Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | D Minor | 0 | 7A | 72 BPM | ||
| Ancient Airs & Dances, Suite III, P. 172: III. Siciliana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | C Minor | 1 | 5A | 131 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 80 BPM | ||
| Petite suite: III. Quasi-Lullaby | Peter Scott Lewis, Miranda Cuckson | D Major | 0 | 10B | 115 BPM | ||
| Concerto, Op. 06, No. 1: II. Allegro (Arr. Solo Piano by Del Corral) | George Frideric Handel, Manuel del Corral | G Minor | 0 | 6A | 73 BPM | ||
| Intermezzo - Clarinet and String Orchestra | Michele Mangani, Seunghee Lee, Manhattan Chamber Players | F Major | 1 | 7B | 74 BPM | ||
| Gravity | calderonrd | G Minor | 0 | 6A | 73 BPM | ||
| II. THE GATHERING | Yutaka Yamada | G Minor | 0 | 6A | 73 BPM | ||
| Ludvig's Dreams (Domestic) | Ola Kvernberg | G Minor | 0 | 6A | 73 BPM | ||
| Haydn: The Seven Last Words of Christ, Hob. XX:1: Introduction. Maestoso ed adagio | Joseph Haydn, Sir Neville Marriner, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 68 BPM | ||
| Cefeidas : 2. El Pensamiento crítico | Juan Pablo Fernández Ramos | G Minor | 0 | 6A | 73 BPM | ||
| 11 Chorale Preludes, Op. 122: No. 10, Herzlich tut mich verlangen II (Arr. Mandyczewski for Piano 4 Hands) | Johannes Brahms, Lucas Jussen, Arthur Jussen | A Major | 0 | 11B | 106 BPM | ||
| Erinnerung, WAB 117: Erinnerung in A-Flat Major, WAB 117 | Anton Bruckner, Fumiko Shiraga | F♯ Major | 0 | 2B | 71 BPM | ||
| Preludio for Piano | Camillo Togni, Aldo Orvieto | E♭ Major | 0 | 5B | 73 BPM | ||
| Viene la humildad | Juan Pablo Fernández Ramos | E Minor | 0 | 9A | 101 BPM | ||
| Serenade for Strings, Op. 48: III. Elégie. Larghetto elegiaco | Pyotr Ilyich Tchaikovsky, Ensemble Instrumental Musica Viva, Alexander Rudin | G Major | 1 | 9B | 94 BPM |