"ばらと柳" by 蒲原史子 had its release date on February 21, 1997. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in フィオーリ〜花の歌, so we believe that "ばらと柳" is a single. ばらと柳 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of ばらと柳 by 蒲原史子 is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 眠りの精 | Johannes Brahms, 蒲原史子, 朝川朋之, アンサンブル・アン・レーヴ | B♭ Major | 1 | 6B | 97 BPM | ||
| Gianni Schicchi: "Ai miei cugioni Zita e Simone" | Giacomo Puccini, Ewa Podles, Enrico Fissore, Roberto Alagna, Ricardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | C Major | 0 | 8B | 97 BPM | ||
| Paysage sentimental | Dilyana Georgieva, Galina Apostolova | A♭ Major | 0 | 4B | 92 BPM | ||
| Seydelmann: Il Turco in Italia, Act 1: "Girate quel guardo" (Selim) | Franz Seydelmann, Bruno de Sá, Jarosław Thiel, Wrocław Baroque Orchestra | B♭ Major | 1 | 6B | 120 BPM | ||
| Bolivar, Op. 236: Berceuse | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | B Minor | 2 | 10A | 84 BPM | ||
| Gianni Schicchi: Ecco la cappellina! | Giacomo Puccini, Leo Nucci, Eva Podles, Roberto Alagna, Riccardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | F Major | 1 | 7B | 88 BPM | ||
| Saint-Saëns: Samson et Dalila, Op. 47, Act 1: "Printemps qui commence" (Dalila) | Camille Saint-Saëns, Maria Callas, Georges Prêtre, French National Radio Orchestra | E Major | 1 | 12B | 100 BPM | ||
| 早春賦 | Yumiko Samejima | F Major | 1 | 7B | 171 BPM | ||
| 松林に出かけた乙女たち | 蒲原史子 | D Major | 0 | 10B | 96 BPM | ||
| Turandot: Tu, che di gel sei cinta | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | B Major | 2 | 1B | 87 BPM | ||
| Gypsy Melodies, Op. 55: 4. Songs My Mother Taught Me (Orchestral Version) | Antonín Dvořák, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | C Major | 2 | 8B | 189 BPM | ||
| Delibes: Lakmé, Act 3: Berceuse. "Sous le ciel tout étoilé" (Lakmé) | Léo Delibes, Michel Plasson, Natalie Dessay, Orchestre Du Capitole De Toulouse | C Minor | 0 | 5A | 172 BPM | ||
| Les Contes d'Hoffmann / Prologue: "Va pour Kleinzach...Il était une fois à la cour" | Jacques Offenbach, Plácido Domingo, Pedro Di Proenza, Choeur de la Radio Suisse Romande, Pro Arte Choir, Lausanne, Choeur Du Brassus, Orchestre de la Suisse Romande, Richard Bonynge | A Minor | 3 | 8A | 97 BPM | ||
| 花〜すべての人の心に花を〜 | 蒲原史子 | F Major | 1 | 7B | 89 BPM | ||
| A Song from the Ancestors (Live) | Junyi Tan, Shen Yun Symphony Orchestra, D.F., Haolan Geng, William Kuo | E Major | 1 | 12B | 87 BPM | ||
| Delibes: Lakmé, Act 2: Scène et légende de la fille du Paria. "Par les dieux inspirés" - Air des clochettes. "Où va la jeune Hindoue" (Lakmé, Nilakantha, Chœur) | Léo Delibes, Natalie Dessay, Choeur Du Capitole De Toulouse, José van Dam, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 1 | 11B | 124 BPM | ||
| Pagliacci, Act I: Prologue: Si puo? Si puo? | Ruggero Leoncavallo, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Minor | 1 | 6A | 93 BPM | ||
| I Colori della Gioia | Jan van der Roost, Anneke Luyten, Casco Phil | D Major | 2 | 10B | 68 BPM | ||
| Massenet / Transcr. Kadishson for Voice and Guitar: Élégie | Jules Massenet, Liat Cohen | F Major | 1 | 7B | 91 BPM | ||
| Puccini : Manon Lescaut : Act 1 "In quelle trine morbide" [Manon] | Giacomo Puccini, Karita Mattila, Yutaka Sado, London Philharmonic Orchestra | F♯ Major | 1 | 2B | 89 BPM | ||
| Bizet: Carmen, WD 31, Act 1: Séguedille. "Près des remparts de Séville" (Carmen, José) | Georges Bizet, Maria Callas, Nicolai Gedda, Georges Prêtre, Orchestre du Théâtre National de l'Opéra de Paris | D♭ Major | 1 | 3B | 84 BPM | ||
| Les Contes d'Hoffmann / Act 1: "Drig, drig, drig, maître Luther" | Jacques Offenbach, Robin Leggate, Urban Malmberg, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | C Major | 4 | 8B | 138 BPM | ||
| すみれ | 蒲原史子 | B♭ Major | 0 | 6B | 79 BPM | ||
| Tosca | Renata Tebaldi | E♭ Major | 2 | 5B | 84 BPM | ||
| O del mio dolce ardor | Christoph Willibald Gluck, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM |