"すみれ" by 蒲原史子 had its release date on February 21, 1997. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in フィオーリ〜花の歌, so we believe that "すみれ" is a single. すみれ is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of すみれ by 蒲原史子 is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Misatango, Misa a Buenos Aires: XV. Dona nobis pacem | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Major | 6 | 8B | 70 BPM | ||
| Prince Igor (Knyaz Igor), Act II: Ni sna ne otdikha | Alexander Borodin, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | D♭ Major | 3 | 3B | 132 BPM | ||
| 2 Nouvelles compositions: No. 1, À Grenade | Gioachino Rossini, Giuseppina Bridelli, Alessandro Marangoni | D Major | 2 | 10B | 112 BPM | ||
| Les Pêcheurs de perles: Demeure parmi nous, Nadir (Zurga, Nadir, Fishermen, Villagers) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | G Minor | 2 | 6A | 72 BPM | ||
| 花言葉の唄 | 蒲原史子 | B♭ Major | 0 | 6B | 79 BPM | ||
| Fontaines et sources, Op. 352: La grande cascade de Gavarnie | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | D Major | 1 | 10B | 91 BPM | ||
| Bellini: La sonnambula, Act 2: "Ah! non credea mirarti" (Amina, Elvino) | Vincenzo Bellini, Maria Callas, Nicola Monti, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 1 | 6B | 91 BPM | ||
| Violettes imperiales | Francis Lopez, Ana Maria Martinez, Prague Philharmonia, Steven Mercurio | D♭ Major | 1 | 3B | 85 BPM | ||
| Eugene Onegin, Op. 24, TH.5 / Act 1: "Skazhi, kotoraya Tatyana" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Nuccia Focile, Neil Shicoff, Olga Borodina, Orchestre de Paris, Semyon Bychkov | F Major | 4 | 7B | 140 BPM | ||
| Rêverie: Pour calmer ma détresse | Manuel Rosenthal, Julie Roset, Susan Manoff | E♭ Major | 2 | 5B | 67 BPM | ||
| Die Fledermaus / Act 2: "Mein Herr Marquis" | Johann Strauss II, Edita Gruberova, Wiener Staatsopernchor, Wiener Philharmoniker, André Previn | G Major | 2 | 9B | 173 BPM | ||
| Griseldis: Introduction | Adolphe Adam, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Dario Salvi | B♭ Major | 2 | 6B | 78 BPM | ||
| Carmen / Act 1: Dans l'air, nous suivons des yeux la fumée | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | E Major | 0 | 12B | 83 BPM | ||
| H.M.S. Pinafore / Act 1: The nightingale sighed | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | A♭ Major | 0 | 4B | 85 BPM | ||
| Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Heia, heia, in den Bergen ist mein Heimatland (Sylva - Boni - Feri - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonie-Orchester Graunke | C Minor | 5 | 5A | 91 BPM | ||
| La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM | ||
| For You I Sing (Live) | Junyi Tan, Shen Yun Symphony Orchestra, D.F., Min Jiang, William Kuo | E♭ Major | 3 | 5B | 146 BPM | ||
| Voi che sapete | Natalie Choquette | B♭ Major | 1 | 6B | 110 BPM | ||
| Les nuits d'été, H. 81 (Transcr. Matheson for Tenor and Piano): II. Le spectre de la rose | Hector Berlioz, Benjamin Bernheim, Carrie-Ann Matheson | B♭ Major | 1 | 6B | 78 BPM | ||
| Miserere, ZWV 57: V. Sicut erat et Miserere III | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | F♯ Minor | 3 | 11A | 76 BPM | ||
| Pagliacci, Act I: Prologue: Si puo? Si puo? | Ruggero Leoncavallo, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Minor | 1 | 6A | 93 BPM | ||
| Caro Mio Ben | Tomasso Giordani, Katherine Jenkins, The Arcadian Ensemble | E♭ Major | 2 | 5B | 74 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Komm! Hebe dich zu höhern Sphären! | Gustav Mahler, Marta Boberska, Timothy Bentch, Cardinal Stefan Wyszynski University Choir, Polish Radio Choir, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | E♭ Major | 1 | 5B | 85 BPM | ||
| ボロディン:歌劇「イーゴリ公」;だったん人の踊り | エフゲニ・スヴェトラーノフ, ロシア国立交響楽団 | D Major | 2 | 10B | 99 BPM | ||
| さくら横ちょう | 蒲原史子 | B♭ Major | 0 | 6B | 79 BPM |