On January 11, 2001, the song "Om Sabari Natha" was released by Varaprasad. This song is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. There are a total of 6 in the song's album "Sakaladeva Poojitha Swamy Saranam Ayyappa". In this album, this song's track order is #4. Furthermore, we believe that the track originated from India. In terms of popularity, Om Sabari Natha is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Om Sabari Natha by Varaprasad having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Baba Needaya Raada | S. P. Balasubrahmanyam, B. Vasantha | G Major | 3 | 9B | 143 BPM | ||
| Sirulunu Goorchi | Vijayalakshmi Sharma, B.Ramana, Sindhu, Usha Raj | D Major | 6 | 10B | 81 BPM | ||
| Ammoru Maathalli | K. S. Chithra, Mallemala | C Major | 6 | 8B | 170 BPM | ||
| Idi Thiragabadda | Vandemataram Srinivas, Guda Anjayya | A Major | 6 | 11B | 144 BPM | ||
| Jaya Jaya Jaya Sri Venkatesha | Pradeep, Pondhuri, Sivaprasad | D Major | 4 | 10B | 110 BPM | ||
| Paavurama Paavurama | S. Janaki, S. P. Balasubrahmanyam, Veturi, Bhuvana Chandra | G Minor | 3 | 6A | 84 BPM | ||
| Okatava Mettu | Kalluri Muralikrishna | E♭ Major | 8 | 5B | 116 BPM | ||
| Vaikuntamune | Parupalli Ranganath | F Minor | 8 | 4A | 140 BPM | ||
| Ramayya Kalyanam | Anil Kumar | G Major | 8 | 9B | 116 BPM | ||
| Enthati Sulabha | Pukazhenthi, Samavadam Shanmuga Sharma, S. P. Balasubrahmanyam | D Major | 4 | 10B | 110 BPM | ||
| Manikantuni | Dappu Srinu | F Minor | 9 | 4A | 83 BPM | ||
| Karpura Harathulu Ivvare | Kalluri Muralikrishna | B♭ Minor | 7 | 3A | 120 BPM | ||
| Sri Lakshmi Kavacham | D.V. Ramani, Somayajula Murty, Mambalam Sisters | D Major | 4 | 10B | 110 BPM | ||
| Karthika Maasa Udayam | Dhina, Unnikrishnan | D Major | 5 | 10B | 177 BPM | ||
| Shubhamulanosage Maa Inta | Gopi Kapurnima, Vijaya Lakshmi Sharma, Purushothama Sai, Ponduri | E Minor | 6 | 9A | 169 BPM | ||
| Mandalamu Poojalu | D.V. Ramani, Pondhuri, Murali | D Major | 4 | 10B | 110 BPM | ||
| Podagantimayya | Unnikrishnan | B Major | 5 | 1B | 92 BPM | ||
| Metla Paata | Parupalli Sri Ranganath | A Minor | 7 | 8A | 82 BPM | ||
| Amitanandam | Simha | F♯ Major | 7 | 2B | 90 BPM | ||
| Ayithama Naa Priyudaa | Nandamuri Raja | G Major | 4 | 9B | 128 BPM | ||
| Yekadasha Suthralu | S.P. Balu | F♯ Minor | 3 | 11A | 134 BPM | ||
| Neevu Thuragamu | G Balakrishna Prasad | G Major | 7 | 9B | 150 BPM | ||
| Vuyaala Loogavayya | Ramu | D Minor | 5 | 7A | 138 BPM | ||
| Allari Inka Chalunura | Nithya Santhoshini | A♭ Minor | 3 | 1A | 163 BPM | ||
| Govindha | Sriraman, Somayajula Murty, Ramu | A Major | 8 | 11B | 93 BPM |