Laxmikant–Pyarelal's ' "Title Music" was released on its scheduled release date, April 9, 1982. With This song being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vakil Baboo by Laxmikant–Pyarelal. The song's track number on the album is #1 out of 5 tracks. Based on our data, India was the country where this track was produced or recorded. Title Music is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Title Music by Laxmikant–Pyarelal has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Title Music being at 85 BPM, the half-time would be 42 BPM with a double-time of 170 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tu Kal Chala Jayega | Manhar Udhas, Mohammed Aziz, Laxmikant–Pyarelal | A♭ Minor | 8 | 1A | 151 BPM | ||
| Mera Pyar Bhi Tu Hai | Mukesh, Suman Kalyanpur | E♭ Major | 1 | 5B | 77 BPM | ||
| Na Mangun Sona Chandi | Manna Dey, Shailendra Singh, Laxmikant–Pyarelal | A♭ Major | 8 | 4B | 90 BPM | ||
| Paani Sharaab Mein - I | Arvinder Singh | D Major | 9 | 10B | 85 BPM | ||
| Pehle Pyaar Ka Pehla | Kavita Krishnamurthy | B♭ Major | 6 | 6B | 142 BPM | ||
| Tadbeer Se Bigdi Huyi Taqdeer | Geeta Dutt | A♭ Minor | 3 | 1A | 123 BPM | ||
| My Heart Is Beating | Preeti Sagar | E Minor | 4 | 9A | 96 BPM | ||
| Khuda Kare Ke Mohabbat Mein | Pankaj Udhas | B Minor | 6 | 10A | 88 BPM | ||
| Zu Zu Zu - Suresh Wadkar | Suresh Wadkar, Laxmikant–Pyarelal | D♭ Major | 5 | 3B | 144 BPM | ||
| Jeevan Sathi Saath Mein Rahna | Manhar Udhas, Anuradha Paudwal, Laxmikant–Pyarelal | A♭ Major | 6 | 4B | 80 BPM | ||
| Koi Pichle Janam Kiye | Udit Narayan, Kavita Krishnamurthy | D♭ Minor | 7 | 12A | 83 BPM | ||
| Koi Na Koi Chahiye - From "Deewana" | Vinod Rathod | B Minor | 7 | 10A | 124 BPM | ||
| Aankhon Aankhon Mein | Suman Kalyanpur | F Minor | 4 | 4A | 171 BPM | ||
| Kahan Se Aaye Badra | Haimanti Sukla, K. J. Yesudas | D♭ Minor | 4 | 12A | 86 BPM | ||
| Pyar Kiya Hai Pyar Karenge | Shabbir Kumar, Kavita Krishnamurthy | F Major | 8 | 7B | 110 BPM | ||
| Dulhan Chali | Mahendra Kapoor, Kalyanji-Anandji | C Major | 7 | 8B | 105 BPM | ||
| Dheere Dheere Bol Koi Sun Na Le | Mukesh, Lata Mangeshkar, Laxmikant–Pyarelal | D Major | 5 | 10B | 129 BPM | ||
| Jaisi Karni Waisi Bharni (Sad Version) - Male Version | Nitin Mukesh | A Minor | 3 | 8A | 146 BPM | ||
| Dil Kahen Ruk Ja Re Ruk Ja | Mohammed Rafi, Laxmikant–Pyarelal | G Major | 6 | 9B | 140 BPM | ||
| Salaam Seth Salaam Seth | Anu Malik | A Minor | 7 | 8A | 101 BPM | ||
| Zindagi Mein To Sabhi Pyar Kiya Karte Hain | Sonu Nigam | B♭ Major | 7 | 6B | 83 BPM | ||
| Mere Mehboob Na Ja Aaj Ki Raat | Suman Kalyanpur | E Major | 5 | 12B | 152 BPM | ||
| Main To Diwana | Mukesh, Laxmikant–Pyarelal | C Minor | 5 | 5A | 82 BPM | ||
| Aayee Zanjeer Ki Jhankar, Pt.2 | Kabban Mirza, Jan Nisar Akhtar | E♭ Major | 7 | 5B | 92 BPM | ||
| Chup Gaye Sare Nazare | Lata Mangeshkar, Mohammed Rafi, Laxmikant–Pyarelal | E♭ Minor | 5 | 2A | 80 BPM |