Mohammed Rafi, Laxmikant–Pyarelal's ' "Dil Kahen Ruk Ja Re Ruk Ja" was released on its scheduled release date, January 1, 1970. This song is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. The track order of this song in Laxmikant–Pyarelal's "Man Ki Aankhen" album is number 1 out of 6. On top of that, India appears to be the country where this track was created. Based on our statistics, Dil Kahen Ruk Ja Re Ruk Ja's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Dil Kahen Ruk Ja Re Ruk Ja by Mohammed Rafi, Laxmikant–Pyarelal to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Maang Ke Saath Tumhara - With Digital Stereo Sound | Asha Bhosle, Mohammed Rafi | B Major | 4 | 1B | 131 BPM | ||
| Kaun Disha Mein Leke Chala | Jaspal Singh, Hemlata | G Minor | 5 | 6A | 89 BPM | ||
| Dil Ke Arman Ansuon Men Bah Gaye | Salma Agha | A♭ Major | 4 | 4B | 108 BPM | ||
| Kaisi Haseen Raat | Talat Mahmood, Mohammed Rafi | B Minor | 2 | 10A | 132 BPM | ||
| Aao Mil Jaye - Prem Geet / Soundtrack Version | Anuradha Paudwal, Suresh Wadkar | B♭ Major | 4 | 6B | 119 BPM | ||
| Roka Kai Baar Maine | Asha Bhosle, Mohammed Rafi | F♯ Minor | 7 | 11A | 90 BPM | ||
| Ab Tere Bin Ji Lenge Hum | Kumar Sanu, Super Cassettes Industries Private Limited, Sameer Anjaan | A Major | 7 | 11B | 124 BPM | ||
| Tu Jo Mere Sur Men Sur Milaye | K. J. Yesudas, Hemlata | C Major | 4 | 8B | 103 BPM | ||
| Tarari Tarari | Suraiya, Mohammed Rafi | A♭ Major | 2 | 4B | 177 BPM | ||
| Iska Naam Hai Jeevan Dhaara - Jeevan Dhaara / Soundtrack Version | S. P. Subrahmanyam | D Major | 3 | 10B | 78 BPM | ||
| Dil Pukare Aare Aare With Dialogue | Lata Mangeshkar, Mohammed Rafi, Dev Anand, Vyjayanthimala, S. D. Burman | B♭ Major | 3 | 6B | 98 BPM | ||
| Ae Dil Mujhe Bata De | Geeta Dutt | D Major | 6 | 10B | 87 BPM | ||
| Dheere Chal Ae Bheegi Hawa | Mohammed Rafi | E Minor | 5 | 9A | 77 BPM | ||
| Neel Gagan Par Udte Badal | Asha Bhosle, Mohammed Rafi | B♭ Minor | 6 | 3A | 171 BPM | ||
| Haathon Ki Chand Lakeeron Ka | Suresh Wadkar, Anwar Hussain, Kalyanji-Anandji | D Major | 7 | 10B | 87 BPM | ||
| Marhaba Sayyedi | Mohammed Aziz, Maulana Qudsi | A Minor | 7 | 8A | 164 BPM | ||
| O Mere Majhi Mere Sajan Hai | S. D. Burman | B Major | 3 | 1B | 134 BPM | ||
| Poochhe Jo Koi Mujhse | Mohammed Rafi, Laxmikant–Pyarelal | D Major | 7 | 10B | 147 BPM | ||
| Tum Pukar Lo Tumhara Intezar Hai | Hemant Kumar | E Minor | 4 | 9A | 115 BPM | ||
| Jab Deep Jale Aana | K. J. Yesudas, Hemlata | B♭ Major | 6 | 6B | 84 BPM | ||
| O Goriya Re | K. J. Yesudas | A Minor | 5 | 8A | 98 BPM | ||
| Yeh Tera Ghar Yeh Mera Ghar | Jagjit Singh, Chitra Singh | G Major | 6 | 9B | 119 BPM | ||
| Ram Kare Aisa Ho Jaye | Mukesh, Laxmikant–Pyarelal | F♯ Major | 4 | 2B | 130 BPM | ||
| Karma Theme - Instrumental | Laxmikant–Pyarelal | F Minor | 6 | 4A | 167 BPM | ||
| Bekhudi Ka Bada Sahara Hai | S. P. Balasubrahmanyam, Laxmikant–Pyarelal | F♯ Major | 5 | 2B | 101 BPM |