Peter Dawson's ' "Handel: Honour and Arms - from Samson" was released on its scheduled release date, 2001. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 22 out of 23 in Classic Dawson by Peter Dawson. In terms of popularity, Handel: Honour and Arms - from Samson is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Handel: Honour and Arms - from Samson by Peter Dawson is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Va Pensiero | London Welsh Male Voice Choir | D♭ Major | 2 | 3B | 109 BPM | ||
| Ma! (He's Making Eyes at Me) | Eddie Cantor | A♭ Major | 3 | 4B | 82 BPM | ||
| We're Here Because We're Here (Reprise) | Fitzrovia Chorus, John Mealing | C Major | 4 | 8B | 50 BPM | ||
| Boston Two Step: Kirsty's Ceilidh / Ewan MacPhail's Two Step / Danny MacPhail's Dilemma | Iain MacPhail | G Major | 7 | 9B | 130 BPM | ||
| Kiss Me Goodnight Sergeant Major / Run Rabbit Run / Ma / I Miss Your Apple Pie / Bless 'em All | Max Bygraves | F Major | 8 | 7B | 108 BPM | ||
| The Love Nest | Louis Achille Hirsch, John Steel, Josef Pasternack Orchestra | G Major | 2 | 9B | 79 BPM | ||
| Spring In My Heart | Deanna Durbin | C Major | 4 | 8B | 91 BPM | ||
| Coming In On A Wing And A Prayer | Anne Shelton | E♭ Major | 3 | 5B | 105 BPM | ||
| A Nightingale Sang in Berkeley Square | Anne Shelton | A♭ Major | 3 | 4B | 82 BPM | ||
| Ain't We Got Fun | Fanny Brice | G Major | 2 | 9B | 67 BPM | ||
| Trial by Jury: When I, Good Friends, Was Called to the Bar | Gilbert & Sullivan Society of Houston | G Major | 4 | 9B | 116 BPM | ||
| Der Führer's Face | Spike Jones & His City Slickers, Oliver Wallace | B♭ Major | 8 | 6B | 139 BPM | ||
| How 'ya Gonna Keep 'em Down on the Farm (After Tey've Seen Paree?) | Arthur Fields | A♭ Major | 3 | 4B | 82 BPM | ||
| Boots | Peter Dawson | D Minor | 1 | 7A | 108 BPM | ||
| When Irish Eyes Are Shining | Frank Patterson | E♭ Major | 3 | 5B | 142 BPM | ||
| The Vagabond (Songs of Travel no. 1) | Ralph Vaughan Williams, Peter Dawson | C Major | 1 | 8B | 128 BPM | ||
| We Don't Want the Bacon--What We Want Is a Piece of the Rhine | Peerless Quartet | E♭ Major | 2 | 5B | 115 BPM | ||
| Our Sergeant Major | George Formby | A♭ Major | 3 | 4B | 107 BPM | ||
| Mary of Argyle | Jerry Lynch | C Major | 2 | 8B | 88 BPM | ||
| Don't Ever Walk in the Shadows | Bud Flanagan, Chesney Allen | E Minor | 3 | 9A | 113 BPM | ||
| Blue Danube | Richard Tauber | D♭ Major | 3 | 3B | 171 BPM | ||
| We All Watch Together | Interleave, Oleksa Lozowchuk, John Robert Matz | G Major | 5 | 9B | 131 BPM | ||
| Mandalay | Peter Bellamy | C Major | 5 | 8B | 84 BPM | ||
| When Irish Eyes Are Smiling | Ruby Murray | G Major | 1 | 9B | 98 BPM | ||
| Oh It's A Lovely War | Cast of Oh What A Lovely War, John Yap, Sophie Marchant | E♭ Major | 5 | 5B | 130 BPM |