"The Calling" by Max Ablitzer had its release date on August 10, 2021. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. The Calling's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Max Ablitzer's "Ghost Notes" album is number 3 out of 21. On top of that, United States appears to be the country where this track was created. The Calling is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Calling by Max Ablitzer to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Star Song | Max Ablitzer | C Minor | 1 | 5A | 192 BPM | ||
| War | Hendyamps Studios | F Major | 2 | 7B | 78 BPM | ||
| Grave Song - Live | Markus Schmidt, Max Ablitzer | G Major | 0 | 9B | 68 BPM | ||
| The Darkwoods | Nova Arcadia | A Minor | 1 | 8A | 80 BPM | ||
| Beckoning | Adam Hurst | A Minor | 1 | 8A | 89 BPM | ||
| Paper Shadows | Chad Lawson | F Minor | 0 | 4A | 180 BPM | ||
| Optician | Fernando Velázquez | G Minor | 1 | 6A | 104 BPM | ||
| Que Mon Dernier Soupir M'emporte | Dark Sanctuary | A Minor | 3 | 8A | 64 BPM | ||
| Lady in Red | Derek Fiechter | A Minor | 3 | 8A | 90 BPM | ||
| Frozen Over | Coltrin Compositions | D Major | 1 | 10B | 77 BPM | ||
| Fog Song | Max Ablitzer | E Minor | 1 | 9A | 126 BPM | ||
| The New Century | Jessica Curry | D Minor | 4 | 7A | 129 BPM | ||
| Master of Death | Peter Gundry | D Minor | 3 | 7A | 120 BPM | ||
| Infernality | Fabrizio Brugnera | C Major | 0 | 8B | 121 BPM | ||
| Desert Song | Max Ablitzer | A Minor | 2 | 8A | 111 BPM | ||
| Death Waltz | Adam S Hurst, Adam Hurst | C Minor | 2 | 5A | 98 BPM | ||
| Beginning to End: Act IV | Hendyamps Studios, Aimee Norris | C Minor | 1 | 5A | 85 BPM | ||
| Lightning Song - Live | Markus Schmidt, Max Ablitzer | G Minor | 1 | 6A | 85 BPM | ||
| The Tragedy of Beechworth | Carlos Viola | E Minor | 1 | 9A | 130 BPM | ||
| Lihasaaret | Natalia Tsupryk | C Major | 3 | 8B | 174 BPM | ||
| Resurrection Of Darkness | The Midnight Ghost | D♭ Major | 1 | 3B | 85 BPM | ||
| The Heart Wants | Kerry Muzzey, Andrew Skeet, The Chamber Orchestra Of London | G Minor | 2 | 6A | 84 BPM | ||
| Obsidian Serenade | Demure | F♯ Minor | 0 | 11A | 126 BPM | ||
| Creatures of the night | Dark Fantasy Studio | E Minor | 5 | 9A | 130 BPM | ||
| The Sound of Silence | Hendyamps Studios, Aimee Norris | C Minor | 2 | 5A | 65 BPM |