"Calgary Bay" by Liane Carroll had its release date on 2013. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 11 in Ballads by Liane Carroll. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Calgary Bay is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Calgary Bay by Liane Carroll is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vienna | Mark Winkler | D♭ Major | 3 | 3B | 112 BPM | ||
| You Are so Beautiful | Indra Rios-Moore | C Major | 0 | 8B | 99 BPM | ||
| My Brother | Ian Shaw | F Major | 2 | 7B | 120 BPM | ||
| Quiet Nights | [re:jazz], Lisa Bassenge | C Minor | 3 | 5A | 128 BPM | ||
| Will You Still Love Me Tomorrow | Liane Carroll | G Minor | 2 | 6A | 181 BPM | ||
| Subway Serenade | Various Artists, Liane Carroll | F Minor | 4 | 4A | 104 BPM | ||
| Seaside | Liane Carroll | F Major | 2 | 7B | 63 BPM | ||
| Again | Emilia Mitiku | E♭ Major | 2 | 5B | 181 BPM | ||
| Bewitched, Bothered and Bewildered | Johanna Linnea Jakobsson | F Major | 1 | 7B | 97 BPM | ||
| Throw It Away | Ayọ | B♭ Major | 3 | 6B | 112 BPM | ||
| I Could Get Used to This (Bumpin') | Claire Martin, Jim Mullen | C Minor | 2 | 5A | 184 BPM | ||
| Is It a Crime | Rigmor Gustafsson | C Minor | 3 | 5A | 106 BPM | ||
| Ain't No Sunshine | Jacqui Naylor | A Minor | 5 | 8A | 123 BPM | ||
| Mercy, Mercy, Mercy | Olivia Van Goor | B♭ Major | 3 | 6B | 91 BPM | ||
| Whiskey Or The Truth | Jo Harrop | B♭ Major | 2 | 6B | 144 BPM | ||
| Enough to Be on Your Way | Mark Edwards, Liane Carroll | B♭ Minor | 5 | 3A | 127 BPM | ||
| Born To Synthesise - Accapella | London Elektricity, Liane Carroll | D Minor | 3 | 7A | 96 BPM | ||
| Wichita Lineman | Lisa Bassenge | B♭ Major | 2 | 6B | 80 BPM | ||
| Close to You | Rigmor Gustafsson, Jacky Terrasson Trio | D♭ Major | 1 | 3B | 94 BPM | ||
| My One and Only | Robin Mckelle | A Major | 5 | 11B | 124 BPM | ||
| The Thrill Is Gone | Cande y Paulo | G Minor | 2 | 6A | 128 BPM | ||
| I Will Wait for You | Lisa Lovbrand | F Minor | 6 | 4A | 173 BPM | ||
| Close | Heather Rigdon | C Minor | 2 | 5A | 82 BPM | ||
| How Do You Keep The Music Playing | Ian Shaw | E♭ Major | 2 | 5B | 101 BPM | ||
| Blues Come Out To Play | The Passion, Sara Colman, Jacqui Dankworth, Liane Carroll | F Major | 1 | 7B | 109 BPM |