Hans Zimmer's ' "He's All Me Me Me" was released on its scheduled release date, December 13, 2011. With This song being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Sherlock Holmes: A Game of Shadows (Original Motion Picture Soundtrack)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. The popularity of He's All Me Me Me is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With He's All Me Me Me by Hans Zimmer having a BPM of 205 with a half-time of 102 BPM and a double-time of 410 BPM, we would consider this track to have a Prestissimo (even faster than presto) tempo marking. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Seasoned Oak | Daniel Pemberton | D Major | 6 | 10B | 125 BPM | ||
| The Glider | Bear McCreary | C Minor | 3 | 5A | 122 BPM | ||
| The Machine Age - Instrumental | James Horner | F Major | 2 | 7B | 94 BPM | ||
| Awakening | Guy Farley | G Major | 0 | 9B | 121 BPM | ||
| Nassau Shores | Bear McCreary | C Major | 1 | 8B | 177 BPM | ||
| Selbourne Wood | Adrian Johnston | A Minor | 1 | 8A | 66 BPM | ||
| Run Llama Run - From "The Emperor's New Groove"/Score | John Debney | D♭ Major | 5 | 3B | 110 BPM | ||
| The Yellow House | Clint Mansell | D Minor | 2 | 7A | 100 BPM | ||
| The Borgias Main Title | Trevor Morris | F Major | 0 | 7B | 74 BPM | ||
| The Cookie Jar | Alex Baranowski | F Major | 1 | 7B | 158 BPM | ||
| Sophie | Philip Glass | G Minor | 1 | 6A | 168 BPM | ||
| Evelyn Goes It Alone | Geoff Zanelli, Jon Brion | F♯ Minor | 1 | 11A | 83 BPM | ||
| Boobytrappin | David Holmes | A Major | 9 | 11B | 120 BPM | ||
| Imhotep - From “The Mummy” Soundtrack | Jerry Goldsmith | A♭ Major | 1 | 4B | 63 BPM | ||
| The Dance Begins | Austin Wintory, Assassin's Creed | G Major | 3 | 9B | 116 BPM | ||
| Fargo | Carter Burwell | E Minor | 1 | 9A | 85 BPM | ||
| You Speak of the Trident | Geoff Zanelli | D Minor | 1 | 7A | 74 BPM | ||
| The Pirate That Should Not Be - From "Pirates of the Caribbean: On Stranger Tides"/Soundtrack Version | Rodrigo y Gabriela | C Minor | 5 | 5A | 120 BPM | ||
| Tiger Training | Mychael Danna | D♭ Major | 0 | 3B | 84 BPM | ||
| Fists - Bonus Track | Daniel Pemberton | B♭ Minor | 8 | 3A | 103 BPM | ||
| A Proper Handsome C**t | Chris Benstead | D Major | 2 | 10B | 127 BPM | ||
| The Braying Mule | Ennio Morricone | A Major | 5 | 11B | 95 BPM | ||
| Fog Bound | Klaus Badelt | E Minor | 1 | 9A | 86 BPM | ||
| Damaged | The Chamber Orchestra Of London | E Minor | 1 | 9A | 79 BPM | ||
| Tornado in the Barracks - Instrumental | James Horner | A Major | 1 | 11B | 98 BPM |