On May 24, 2002, the song "Main To Mari Hoti Aaj" was released by Renuka Mathur, Pramila, Swati, Chorus. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Rajasthani Loknritya Geet Vol-12". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. In terms of popularity, Main To Mari Hoti Aaj is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Main To Mari Hoti Aaj by Renuka Mathur, Pramila, Swati, Chorus having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Halbi Bhajan Karaiye Kanha | Yuvraj Pandey | F Minor | 10 | 4A | 90 BPM | ||
| Aaj Mhare Himaadu | Geeta Goswami | G Major | 9 | 9B | 190 BPM | ||
| Braj Me Ratan Radhika Gori | Pujya Shri Ji Maharaj | Indresh Ji Maharaj Bhajan | Pujya Shri Indresh Ji Maharaj | E♭ Minor | 8 | 2A | 118 BPM | ||
| Batoi Rey | Kishan Mahipal | D Major | 8 | 10B | 141 BPM | ||
| Tere Dar Pe Sar Jhukaya | Pravin Mahamuni | A Major | 8 | 11B | 72 BPM | ||
| Man Se Jo Sai Ka Gungan Karega | Paras Jain | B♭ Major | 5 | 6B | 91 BPM | ||
| Chait Mein Ram Janm Tithi Naumi | Kamla Shrivastav | E♭ Minor | 6 | 2A | 169 BPM | ||
| Bheru Ji Ka Akhada | Balveer Ranveer Joda Bhai | B♭ Major | 9 | 6B | 93 BPM | ||
| Udiyo Re Udiyo | Renuka Mathur, Promila, Seema Raj, Pop Shalini, Rama | D♭ Major | 5 | 3B | 101 BPM | ||
| Kar Man Pe Adhikaar | Kumar Vishu | B♭ Minor | 4 | 3A | 95 BPM | ||
| Ram Naam Sukhdai Bhajan Karo Bhai | Rajkumar Vinayak | F♯ Major | 8 | 2B | 89 BPM | ||
| Ramcharitmanas Chaupai | Prem Prakash Dubey | A Minor | 7 | 8A | 100 BPM | ||
| Chintamani Parshva Kahaye | Ravindra Jain, Satish Dehra | F Major | 5 | 7B | 101 BPM | ||
| Garjat Aawe Mahamai | Yuvraj Pandey | F Major | 7 | 7B | 89 BPM | ||
| Char Char Chudla | Kheta Khan | D♭ Major | 9 | 3B | 79 BPM | ||
| Ghunghat Ra Bairy Ho Gaye Bundeli Deshi Rai Khyal | Raju Patel, Dhaniram Sen | F Minor | 9 | 4A | 122 BPM | ||
| Kanakambara Kamalasana | Ramakrishna Math, Monks of the Ramakrishna Order | C Minor | 4 | 5A | 97 BPM | ||
| Shyam Teri Tirchi Najariya | Pujya Shri Indresh Ji Maharaj | Indresh Ji Maharaj Bhajan | Pujya Shri Indresh Ji Maharaj | A Minor | 5 | 8A | 146 BPM | ||
| Nath Chhoti Nath Moti - Original | Asha Sapera | E Major | 8 | 12B | 100 BPM | ||
| Garjat Aawe Maai Nawagadh Ke | Yuvraj Pandey | B♭ Major | 7 | 6B | 86 BPM | ||
| Jo Mere Pritam Se Preet Kare | Satsangee, Subhabrata Mandal | E Major | 2 | 12B | 130 BPM | ||
| Jhini Jhini Odhni Me Baras Gyi | Seema Mishra, Mukesh Bagda | A♭ Major | 5 | 4B | 86 BPM | ||
| Devar Mharo Re | Renuka Mathur, Promila, Seema Raj, Pop Shalini, Rama | D♭ Major | 5 | 3B | 134 BPM | ||
| Mehendi Rachni Ko Ped Laga De Rasiya | Seema Mishra | C Minor | 8 | 5A | 132 BPM | ||
| Achyutam Keshavam Krishna Damodaram | Devi Chitralekha | F Major | 4 | 7B | 78 BPM |