"Central Control" by Barry Adamson had its release date on 1989. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Central Control's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Barry Adamson's "Moss Side Story" album is number 3 out of 15. The popularity of Central Control is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Central Control by Barry Adamson to be Presto (very, very fast) because the track has a tempo of 180 BPM, a half-time of 90BPM, and a double-time of 360 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Metronomic Underground | Stereolab | C Minor | 8 | 5A | 177 BPM | ||
| Utopia | Goldfrapp | D Minor | 7 | 7A | 91 BPM | ||
| 9.1.1 | David Lynch | B Minor | 6 | 10A | 118 BPM | ||
| Audrey's Dance | Angelo Badalamenti | A♭ Major | 3 | 4B | 75 BPM | ||
| The Rainbow - 1997 Remaster | Talk Talk | E Minor | 1 | 9A | 85 BPM | ||
| Vamos Companeros | Harmonia & Eno '76 | E Major | 7 | 12B | 94 BPM | ||
| Tuesday Night In Memphis | John Lurie | C Minor | 1 | 5A | 83 BPM | ||
| Survivor | Klaus Weiss | A Major | 2 | 11B | 121 BPM | ||
| My Mind | Jimi Tenor | A Minor | 4 | 8A | 127 BPM | ||
| Star Dream Girl | David Lynch | E Minor | 7 | 9A | 129 BPM | ||
| The Man, Pt. 2 | Peace Orchestra | D Minor | 5 | 7A | 112 BPM | ||
| 007, A Fantasy Bond Theme | Barry Adamson | D Major | 5 | 10B | 121 BPM | ||
| Crusoe Takes a Trip | Red Snapper | B Minor | 8 | 10A | 171 BPM | ||
| Karmacoma - UNKLE Situation | Massive Attack, UNKLE | B Minor | 7 | 10A | 141 BPM | ||
| Useless - Escape from Wherever: Parts 1 & 2! | Depeche Mode, Barry Adamson | F♯ Major | 6 | 2B | 94 BPM | ||
| Strange Hours - Edit | Recoil | F♯ Major | 6 | 2B | 82 BPM | ||
| Beat! | The Karminsky Experience Inc. | E♭ Major | 5 | 5B | 62 BPM | ||
| So Fucking Suave | Tuxedomoon, Cult With No Name | D Minor | 2 | 7A | 125 BPM | ||
| Belisha Beacon | Funki Porcini | A♭ Major | 7 | 4B | 120 BPM | ||
| A Perspective with No End | Tomaga | G Minor | 4 | 6A | 116 BPM | ||
| Departures | The Karminsky Experience Inc. | A Minor | 7 | 8A | 97 BPM | ||
| Song Of Sand II | Nils Petter Molvær | D♭ Major | 8 | 3B | 155 BPM | ||
| Sexy Boy - Etienne de Crécy & the Flower Pistols Remix | Air, Étienne de Crécy, The Flower Pistols | C Major | 5 | 8B | 112 BPM | ||
| Blind Tiger | Layo, Bushwacka! | F Major | 6 | 7B | 87 BPM | ||
| Auto Destruction | Barry Adamson | E♭ Major | 9 | 5B | 112 BPM |