- BPM
- 136
- Key
- F♯ Minor
- Camelot
- 11A
Purcell: Dido and Aeneas, Z. 626, Act III: Chorus. "With Drooping Wings" (Chorus) by Henry Purcell, William Christie, Les Arts Florissants Song Details
"Purcell: Dido and Aeneas, Z. 626, Act III: Chorus. "With Drooping Wings" (Chorus)" by Henry Purcell, William Christie, Les Arts Florissants had its release date on January 1, 1995. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Purcell: Dido and Aeneas, Z. 626, Act III: Chorus. "With Drooping Wings" (Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Purcell : Dido & Aeneas". In this album, this song's track order is #26. Based on our statistics, Purcell: Dido and Aeneas, Z. 626, Act III: Chorus. "With Drooping Wings" (Chorus)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Purcell: Dido and Aeneas, Z. 626, Act III: Chorus. "With Drooping Wings" (Chorus) by Henry Purcell, William Christie, Les Arts Florissants having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Music Key
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 10%
- Loudness
- -28.685 dB
- Acousticness
- 98%
- Danceability
- 20%
- Energy
- 3%
- Instrumentalness
- 2%
- Liveness
- 10%
- Loudness
- 52%
- Speechiness
- 6%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Cleofide, Act II Scene 4: Aria. Generoso rifuegliati, o core (Poro) | Johann Adolf Hasse, Emma Kirkby, Agnès Mellon, Randalk K. Wong, Derek Lee Ragin, Dominique Visse, David Cordier, Rheinische Kantorei, Cappella Coloniensis, William Christie | A♭ Major | 2 | 4B | 143 BPM | |
 | Rameau : Hippolyte et Aricie : Overture | Jean-Philippe Rameau, William Christie, Les Arts Florissants | C Major | 2 | 8B | 161 BPM | |
 | O solitude, my sweetest choice, Z. 406 | Henry Purcell, Valer Barna-Sabadus, Pavel Serbin, Axel Wolf | B Minor | 1 | 10A | 73 BPM | |
 | Requiem, Op. 48: I. Introït | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | B♭ Major | 0 | 6B | 71 BPM | |
 | The Indian Queen, Z. 630 : Act III - Solo (Ismeron): You Twice Ten Hundred Deities | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | F♯ Minor | 1 | 11A | 96 BPM | |
 | Handel: Dixit Dominus, HWV 232: "Tecum principium in die virtutis tuae" (Soprano I) | George Frideric Handel, Emmanuelle Haïm, Le Concert d'Astrée | F♯ Minor | 4 | 11A | 132 BPM | |
 | Gluck: Orphée et Eurydice, Wq. 41, Act 1 Scene 1: Choeur, "Ah! dans ce bois tranquille et sombre" (Nymphes, Bergers, Orphée) | Christoph Willibald Gluck, Monteverdi Choir/Orchestre de l'Opéra National de Lyon/Sir John Eliot Gardiner, John Eliot Gardiner, Orchestre De L'Opéra National De Lyon | C Minor | 0 | 5A | 69 BPM | |
| Cleofide, Act II Scene 9: Aria. Digli che io son sedele (Cleofide) | Johann Adolf Hasse, Emma Kirkby, Agnès Mellon, Randalk K. Wong, Derek Lee Ragin, Dominique Visse, David Cordier, Rheinische Kantorei, Cappella Coloniensis, William Christie | F♯ Minor | 0 | 11A | 107 BPM | |
 | Gloria, FP 144: 3. Domine Deus | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | G Major | 1 | 9B | 130 BPM | |
 | Couperin, F: Première leçon de ténèbres pour le Mercredi saint: I. Incipit lamentio | François Couperin, William Christie, Les Arts Florissants, Sophie Daneman | C Minor | 0 | 5A | 76 BPM | |
 | Purcell: Dido and Aeneas, Z. 626, Act II: Thanks to These Lonesome Vales | Henry Purcell, Thomas Dunford, Lea Desandre, Jupiter, Alex Rosen, Jess Dandy, Laurence Kilsby | F♯ Major | 1 | 2B | 77 BPM | |
 | Purcell: Dido and Aeneas, Z. 626, Act III: The Witches' Dance | Henry Purcell, William Christie, Les Arts Florissants | A Major | 0 | 11B | 106 BPM | |
 | Les Indes galantes, RCT 44, Prologue Scène 2: Air grave pour deux polonais | Jean-Philippe Rameau, Les Arts Florissants, William Christie | A Major | 0 | 11B | 114 BPM | |
 | Porpora: Arianna e Teseo: "Mira in cielo" (Alceste) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | E Major | 2 | 12B | 132 BPM | |
| Purcell: The Fairy Queen, Z. 629, Act III: If Love's a Sweet Passion | Henry Purcell, Thomas Dunford, Lea Desandre, Jupiter, Alex Rosen, Huw Montague Rendall, Jess Dandy, Laurence Kilsby | F♯ Major | 1 | 2B | 77 BPM | |
| Porpora: Polifemo, HelN 31, Act 3: "Alto Giove" (Aci) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | E♭ Minor | 0 | 2A | 78 BPM | |
 | Alcina, HWV 34 / Act 2: Ah! mio cor! schemito sei! | George Frideric Handel, Joyce DiDonato, Il Complesso Barocco, Alan Curtis | B Minor | 1 | 10A | 74 BPM | |
 | The Tempest, Z. 631, "The Enchanted Island": Neptune' Masque, Act V, No. 14 (Air) | Thomas Shadwell, Aradia Ensemble, Rosemarie van der Hooft, Gillian Keith, Meredith Hall, Nils Brown, Michael Colvin, Brett Polegato, Paul Grindlay, John Dryden, Henry Purcell | C Major | 2 | 8B | 175 BPM | |
 | The Ways of Zion Do Mourn "Funeral Anthem for Queen Caroline", HWV 264: II. The ways of Zion do mourn | George Frideric Handel, Les Arts Florissants, William Christie | B Minor | 0 | 10A | 98 BPM | |
 | Credo, RV. 591: Coro "Et resurrexit tertia die" | Antonio Vivaldi, Les Arts Florissants, Paul Agnew | B Minor | 1 | 10A | 75 BPM | |
 | Stabat Mater RV 621: V. Quis non posset | Antonio Vivaldi, Ensemble Matheus, Jean-Christophe Spinosi, Marie-Nicole Lemieux | C Minor | 1 | 5A | 71 BPM | |
 | Messe de requiem: III. Graduel | André Campra, Philippe Herreweghe, La Chapelle Royale, Orchestre de La Chapelle Royale | A♭ Major | 0 | 4B | 142 BPM | |
| The Tempest, Z. 631, "The Enchanted Island": Neptune' Masque, Act V, No. 16 (Duet and Chorus) | Thomas Shadwell, Michael Colvin, Paul Grindlay, Aradia Ensemble, Rosemarie van der Hooft, Brett Polegato, Gillian Keith, Nils Brown, Meredith Hall, Henry Purcell, John Dryden | D Major | 1 | 10B | 87 BPM | |
 | Te Deum, H. 146: VIII. "Dignare Domine" | Marc-Antoine Charpentier, Véronique Gens, Bernard Deletré, Les Arts Florissants, William Christie | D♭ Major | 0 | 3B | 76 BPM | |
 | Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 1 | 11A | 80 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records