- BPM
- 87
- Key
- A Minor
- Camelot
- 8A
Carmina Burana / 2. In Taberna: "Estuans interius" by Carl Orff, John Shirley-Quirk, Royal Philharmonic Orchestra, Antal Doráti Song Details
Carl Orff, John Shirley-Quirk, Royal Philharmonic Orchestra, Antal Doráti's ' "Carmina Burana / 2. In Taberna: "Estuans interius"" was released on its scheduled release date, January 1, 1975. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Carmina Burana / 2. In Taberna: "Estuans interius"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Carmina Burana / 2. In Taberna: "Estuans interius" is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
BPM and Tempo
With Carmina Burana / 2. In Taberna: "Estuans interius" by Carl Orff, John Shirley-Quirk, Royal Philharmonic Orchestra, Antal Doráti having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
Music Key
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 29%
- Loudness
- -16.558 dB
- Acousticness
- 97%
- Danceability
- 35%
- Energy
- 33%
- Instrumentalness
- 1%
- Liveness
- 24%
- Loudness
- 72%
- Speechiness
- 7%
- Valence
- 58%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Carmina Burana: Fortuna imperatrix mundi: O Fortuna | Carl Orff, Eduardo Mata, London Symphony Chorus, London Symphony Orchestra, St. Paul's Cathedral Choir | D Minor | 0 | 7A | 121 BPM | |
 | Symphony No. 2 in C Minor "Resurrection": IV. Urlicht: Sehr feierlich, aber schlicht | Gustav Mahler, Charlotte Margiono, Jard van Nes, Chor der Staatsoperette Dresden, Dresden Symphony Chorus, Staatskapelle Dresden, Bernard Haitink | D♭ Major | 0 | 3B | 178 BPM | |
 | 8-part Crucifixus | Antonio Lotti, Tenebrae | C Minor | 1 | 5A | 171 BPM | |
 | Schicksalslied, Op. 54: Orchestral Postlude with Choir (Alternate Version) | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | A Minor | 1 | 8A | 92 BPM | |
![Lohengrin, Act III Scene 1: Treulich gefuhrt, ziehet dahin (Chorus) [Wedding March] by Richard Wagner, Kwangchul Youn, Johan Botha, Adrianne Pieczonka, Falk Struckmann, Petra Lang, Eike Wilm-Schulte, Prague Chamber Choir, NDR Chor, WDR Rundfunkchor Köln, WDR Rundfunkorchester Köln, Semyon Bychkov](https://i.scdn.co/image/ab67616d00001e026a63320c48791233757ac727) | Lohengrin, Act III Scene 1: Treulich gefuhrt, ziehet dahin (Chorus) [Wedding March] | Richard Wagner, Kwangchul Youn, Johan Botha, Adrianne Pieczonka, Falk Struckmann, Petra Lang, Eike Wilm-Schulte, Prague Chamber Choir, NDR Chor, WDR Rundfunkchor Köln, WDR Rundfunkorchester Köln, Semyon Bychkov | B♭ Major | 3 | 6B | 100 BPM | |
 | Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesplé, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | |
 | Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 100 BPM | |
 | Polovtsian Dances From "Prince Igor" | Alexander Borodin, Torgny Sporsen, Gothenburg Symphony Orchestra, Neeme Järvi, Gothenburg Symphony Choir | D Major | 1 | 10B | 103 BPM | |
 | Stabat Mater: 5. Quis est homo | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | C Minor | 1 | 5A | 94 BPM | |
 | Nisi Dominus, RV 608: I. Nisi Dominus | Antonio Vivaldi, Ensemble Matheus, Jean-Christophe Spinosi, Philippe Jaroussky | G Minor | 2 | 6A | 117 BPM | |
 | Pergolesi: Stabat Mater: VIII. Fac ut ardeat cor meum | Giovanni Battista Pergolesi, Philippe Jaroussky, I Barocchisti, Julia Lezhneva, Diego Fasolis | F♯ Minor | 3 | 11A | 71 BPM | |
 | Carmina Burana: XIV. In taberna quando sumus | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | E Major | 3 | 12B | 128 BPM | |
 | Ein deutsches Requiem, Op. 45: VI. Denn wir haben hie keine bleibende Statt | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | C Major | 2 | 8B | 122 BPM | |
 | Il barbiere di Siviglia: Io sono docile | Gioachino Rossini, Roberta Peters, Erich Leinsdorf, Metropolitan Opera Orchestra, Metropolitan Opera Chorus | F Major | 3 | 7B | 83 BPM | |
 | A Policeman's Lot Is Not a Happy One from "The Pirates of Penzance" | Donald Adams, James Walker, Men's Chorus, Royal Philharmonic Orchestra | F Major | 2 | 7B | 123 BPM | |
 | Bizet: Carmen, WD 31, Act 1: Chœur des gamins. "Avec la garde montante, nous arrivons, nous voilà ! "(Chœur) | Georges Bizet, Michel Plasson, La Lauzeta, Orchestre National Du Capitole De Toulouse | F Major | 1 | 7B | 130 BPM | |
 | Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | |
 | Purcell: Dido and Aeneas, Z. 626, Act 3: Lament. "When I Am Laid in Earth" (Dido) | Henry Purcell, William Christie, Les Arts Florissants, Véronique Gens | F♯ Minor | 0 | 11A | 80 BPM | |
 | Les Djinns, Op. 12 | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | B♭ Minor | 1 | 3A | 171 BPM | |
 | Requiem: I. Requiem Aeternam | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John Relyea | A Minor | 0 | 8A | 85 BPM | |
 | Masquerade Suite: I. Waltz | Aram Khachaturian, Kirill Kondrashin, RCA Victor Symphony Orchestra, Oscar Shumsky | C Major | 3 | 8B | 181 BPM | |
 | Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" (Havanaise) | Georges Bizet, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon, Coro Filarmonico del Regio di Torino | G Major | 1 | 9B | 117 BPM | |
 | Violin Concerto No. 1 in G minor, Op. 26: 1. Vorspiel (Allegro moderato) | Max Bruch, Julia Fischer, Tonhalle-Orchester Zürich, David Zinman | E♭ Major | 1 | 5B | 170 BPM | |
 | Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | |
 | Eugene Onegin, Op. 24, TH. 5 / Act I: Peasants' Chorus and Dance. "Bolyat moyi skori nozhenki so pokhodushki" - "Uzh kak po mostu, mostochku" | Pyotr Ilyich Tchaikovsky, Rosemarie Lang, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM |
- ISRC
- GBF077540411
- Label
- L-M Records/RCA Records