Catherine Leroux, Karie Richards's 'Chapter 45 - The Future' had a release date set for January 16, 2024. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 195 in the song's album "The Future (Unabridged)". In this album, this song's track order is #45. Furthermore, we believe that the track originated from Germany. Chapter 45 - The Future is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Chapter 45 - The Future by Catherine Leroux, Karie Richards having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Romanze, Op. 14 | Leó Weiner, Ditta Rohmann, Istvan Kassai | F Major | 0 | 7B | 130 BPM | ||
| Oscher: Rapsodia latina: I. Guajira | Efraín Oscher, Lucienne Renaudin Vary, Sascha Goetzel, Orchestre de chambre de Paris | D Minor | 2 | 7A | 78 BPM | ||
| Pacific Triptych (Version for Piano): III. Toccata | Peter Scott Lewis, Blair McMillen | G Minor | 1 | 6A | 75 BPM | ||
| Rêve d'enfant, Op. 14 (Arr. for Violin & Piano) | Eugène Ysaÿe, Minami Teramoto, Mizuho Teramoto | B♭ Minor | 1 | 3A | 64 BPM | ||
| Fantasiestücke, Op. 73 (Transcr. for Oboe and Piano by Victor Aviat): I. Zart und mit Ausdruck | Robert Schumann, Victor Aviat, Kim Barbier | F Major | 0 | 7B | 130 BPM | ||
| River of Crystal Light | Peter Lieuwen, Texas Music Festival Orchestra, David Campbell, Franz Anton Krager, Moores School Symphony Orchestra | D♭ Major | 2 | 3B | 140 BPM | ||
| Prelude-Pastorale in A Major | Anatoly Lyadov, Marco Rapetti | B Major | 1 | 1B | 124 BPM | ||
| 24 Dainas: Daina No. 11, Tranquillo | Janis Medins, Arta Arnicane | F Major | 0 | 7B | 130 BPM | ||
| Oboe Sonata in D Major, Op. 166: II. Ad libitum - Allegretto - Ad libitum | Camille Saint-Saëns, Albrecht Mayer, Karina Wisniewska | E Major | 0 | 12B | 58 BPM | ||
| 4 Préludes: III. La Fille aux cheveux de lin, L. 117 No. 8 - Arr. for Viola and Piano by Roger Benedict | Claude Debussy, Roger Benedict, Simon Tedeschi | G Major | 0 | 9B | 77 BPM | ||
| Sonate, Op. 71: II. Nocturne – Presque adagio | Charles Koechlin, Julien Hardy, Simon Zaoui | E♭ Major | 0 | 5B | 77 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | F Major | 0 | 7B | 130 BPM | ||
| Sketch | Josh Taylor | F Major | 0 | 7B | 130 BPM | ||
| Chapter 17 - The Future | Catherine Leroux, Karie Richards | B Major | 1 | 1B | 78 BPM | ||
| Scaramouche, Op. 165d: II. Modéré | Sebastian Manz, Martin Klett | B♭ Major | 0 | 6B | 65 BPM | ||
| Chapter 168 - The Future | Catherine Leroux, Karie Richards | A♭ Minor | 1 | 1A | 75 BPM | ||
| Bagatelle | Hermann Neuling, Jesse McCormick | F Major | 0 | 7B | 66 BPM | ||
| Une étoile pour danser | Jean-Pierre Como, Javier Girotto | F Major | 0 | 7B | 130 BPM | ||
| Solace (A Lyric Concerto): III. Gratitude | Joel Love, Zachary Shemon, Conservatory Wind Symphony of the University of Missouri—Kansas City, Steven D. Davis | A♭ Major | 1 | 4B | 75 BPM | ||
| Clarinet Quintet No. 3, Op. 23: Adagio | Carl Baermann, Michael Collins, Michael McHale | D♭ Major | 0 | 3B | 128 BPM | ||
| The Gates of Justice: V. Lord, Lord (Arr. for Bass Trombone, Jazz Quartet & Orchestra by Chris Brubeck) | Dave Brubeck, Iola Brubeck, Chris Brubeck, The Paul English Quartet, The Moores Symphony Orchestra, Franz Anton Krager | F Minor | 2 | 4A | 87 BPM | ||
| Syrinx (Arr. J.M. Londeix) | Claude Debussy, Gerard McChrystal | E Minor | 3 | 9A | 164 BPM | ||
| Chapter 29 - The Future | Catherine Leroux, Karie Richards | B Major | 1 | 1B | 78 BPM | ||
| Garland of Sonnets, Op. 44: No. 2, Andante | Youli Galperine, Sergei Nakariakov, Maria Meerovitch | F Minor | 1 | 4A | 67 BPM | ||
| Nightlounge | Mia Brentano, Benyamin Nuss, Billy Test | A Minor | 1 | 8A | 106 BPM |